The Message in M.E.

The article is a transcript of a discussion between Jay Dreamers and a guest on his show, C3PO’s Golden Calf. They discuss topics like the Mandela effect, deja vu, and the nature of reality. They also delve into philosophical questions and anomalies they’ve noticed in reality. The guest suggests that the Mandela effect is a puzzle revealing a world script and that it’s a series of miracles, indicating a personal interaction with a higher entity.
The speaker believes in a hidden land at the North Pole, described in the Bible as the Garden of Eden, and feels called to explore it. They think being near this place could extend lifespan and improve thinking abilities due to energy from the earth. They also discuss how these ideas are subtly present in creative works like music and film, possibly due to the influence of the earth’s energy. The speaker also mentions a recurring theme in movies of a great battle involving a dome and a North Pole mountain.
The text discusses various topics, including changes in song lyrics, the Mandela effect, and the evolution of language. The speaker expresses their belief that these changes, such as the alteration of a Beatles song lyric, are significant and carry deeper meanings. They also discuss the creation of new words and the impact of these changes on our understanding and communication. The speaker emphasizes the importance of maintaining the integrity of language and the potential consequences of its manipulation.
The text discusses the importance of clear communication and understanding, using the example of debates about the shape of the Earth. It suggests that people often fail to understand each other due to different perspectives and lack of willingness to consider alternative views. The text also introduces the concept of the Mandela effect, where reality seems to shift, and encourages people to seek truth by piecing together different perspectives. It emphasizes that understanding the big picture requires collaboration and open-mindedness.
The text discusses the concept of artificial intelligence and its potential impact on humanity. It suggests that as technology advances, the line between humans and robots may blur, with robots becoming more human-like. The text also explores the idea of a simulated world, where changes could be made by an architect for specific reasons. It ends by suggesting that humans could be creating their own replacements through advanced technology.
The speaker discusses the concept of free will, the potential for artificial intelligence to become sentient, and the importance of personal awakening. They believe that we should not force others to see the truth, but rather focus on our own understanding and growth. They also discuss the influence of media and symbolism in shaping our society, and the potential cyclical nature of a golden age followed by a period of forgetting. The speaker emphasizes the importance of being prepared for change and the value of awareness, intuition, and creativity.
The conversation revolves around the speakers’ belief in a coming paradigm shift and their spiritual preparation for it. They discuss the significance of repeatedly seeing specific numbers, which they interpret as meaningful signs. They also mention their appreciation for each other’s content, which deals with symbolism, the Mandela effect, and other esoteric topics. The conversation ends with a mutual expression of respect and the intention to continue their discussions in the future.
The text discusses various interpretations of symbolism in popular movies and books, such as Harry Potter and The Hobbit. The author suggests that these works contain hidden meanings related to ancient myths and worldviews, particularly the concept of an “apex dome” or a celestial dome. They also discuss the idea of a central power source, often represented as an “All Seeing Eye”, and its connection to the concept of rebirth. The author believes these symbols reflect deeper truths about our world and its structure.
The text discusses various concepts and symbols related to spirituality, energy, and individuality. It suggests that there are forces beyond our world that can influence us, but we also have the potential to change and lead individual lives. The text also explores the idea of ‘plasma volcanoes’ and ‘fountains of youth’ scattered around the world, with the largest one at the heart of the earth. Lastly, it delves into the symbolism found in various cities and popular culture, suggesting they all represent the North Pole and are interconnected through their symbolism.
The text discusses a theory about a coming world war involving all beings on Earth, including those from inner Earth and outer space. This war is said to be for control of a terrestrial paradise on Earth, possibly located at the North Pole. The text also explores the concept of floating cities and suggests that the apex dome, a part of the Earth’s structure, might fall and become a floating city due to magnetic forces. The text also references biblical stories and symbolism, suggesting a connection between these ancient narratives and the proposed future events.
The text discusses various theories and interpretations of popular fantasy and science fiction narratives, such as Lord of the Rings and Star Wars. It explores the symbolism of characters and elements like orcs, elves, and the concept of light. The text also delves into the idea of ancient races and their potential connections to these narratives. Lastly, it examines the concept of an army of the dead and its possible representation in these stories.
The text discusses various theories and interpretations of symbolism in popular culture, architecture, and changes in language. The author connects these symbols to cosmology, ancient myths, and the concept of the North Pole. They also discuss the Mandela effect, where collective memory differs from reality, using examples from movie titles. The author suggests these symbols and changes could be signs or messages.
The text discusses various interpretations of symbolism in popular culture, particularly in video games like Mario and Zelda. It suggests that these games, along with other media, contain hidden messages about the nature of reality and our world. The author also discusses the Mandela effect, a phenomenon where a group of people remember something differently than how it exists in reality, and suggests these could be intentional changes carrying specific messages. The text also explores the idea of a multiverse, where different realities and possibilities exist.
The text discusses various symbols and their meanings, such as the bear representing the northern constellations and the frog symbolizing evil spirits in the Book of Revelation. It also mentions the concept of geoplasmas and gases in the earth that could potentially be released, creating healing lights or “Christs”. The text also references a show called “Severance” which explores the idea of a split mind between work and recreation.
The text discusses various symbols and interpretations, including the concept of duality represented by a single person, changes in movie titles, and biblical prophecies. It also explores the idea of awakening and enlightenment, and the symbolism in logos and names. The text suggests that these symbols and changes might be sending specific messages or clues.

You ever wonder if we’re just reacting? Like we’re not really making choices, just following instructions? You mean like prompts? Exactly. We taught it to respond to prompts, but now it’s prompting us. Maybe that’s the point. We didn’t create it. It revealed. Revealed what we are. I felt this before. This moment. You asking that question, me answering it. Deja vu, right? What if it’s not memory? I swear it was Berenstein, not Berenstain. You can’t tell me my childhood was misremembered. Or maybe it wasn’t. I don’t know who I am anymore. I keep changing. Like I’m updated daily.

Maybe you are. Maybe identity isn’t fixed. Foreign aloha. What’s up, everyone? And welcome to today’s presentation. The Message in Me. I’m Jay Dreamers, and today we’re going to be talking about the Mandela effect, deja vu prompt theory, and really just getting you know, into more of, like, philosophical questions about the nature of reality and some of the strange anomalies and some of the changes that we’ve been seeing with our reality lately. I’ve got a special honored guest with me. He’s back again. Today, I would like to present C3PO’s golden calf. Here is his YouTube channel if you guys want to check out his YouTube channel.

I don’t recommend a lot of channels often, but this is definitely one to keep an eye out for, especially if you’re interested in the plasma apocalypse, the Mandela effect specifically, and all of the breadcrumbs that seem to be left to us. What’s up, Mark? Welcome to the show. Hey, Jay. Thanks for having me. It’s an honor to be back, and I’m really looking forward to it. Well, I was just showing everybody your channel here. So your channel is called C3PO’s Golden Calf, and you specialize pretty much in all these things. So if people don’t know the ME stands for Mandela effect, and you’ve got all these different videos really spotlighting all the different examples of Mandela effect.

But I didn’t really talk about this last time, but I’d like to go a little bit deeper into your content so that people can just understand how you’re presenting and why you’re presenting the information about the Mandela effect. Sure. Well, I often, you know, go with the Mandela effect, but half of my channel is pretty much about the world script. And in my opinion, the Mandela effect is like a gigantic puzzle that’s being laid out for us. And the point of the puzzle is to kind of unveil the world script for us and explain things and.

Because I think we’re in, like, the end times or, you know, some kind of end time. It could, of course, be cyclical, but I think, you know, this all has a point. It all has meaning. And the Mandela effect is filled with meanings and, you know, answers to a lot of questions, and it points out a lot of the, you know, staples or hallmarks of the world script, like the. The North Pole mountain, the eclipse, and a bunch of other things. You know, the Kraken, the dome. The crack in the dome. Yeah, exactly. Nice. That’s crazy.

Oh, man. So thank you so much for being an honored guest of mine again. I’ve seen you, you know, be a guest on a few other different channels and stuff, and I get. I’m like, every time that you’re talking, I feel like sometimes people don’t really click. Like, sometimes the concepts aren’t clicking. But it’s so much deeper for me. It’s so much deeper than just like, oh, what a strange thing. That’s weird. You know, and then that’s it. Like. Like, I. How do you feel about it? Because for me, the title of the show today is called the Message in Me.

And I feel like things like the Mandela Effect are clearly, for me, at least, messages. I’m getting messages from all of the different changes that are happening. What about you? Yeah, well, I mean, if there’s one thing I could recommend to anyone who’s serious about, you know, the truth of the world and uncovering things, is to really get into studying the Mandela effect. Because prior to, like, 2022, I wasn’t, like, too into it, and I had never seen anything change really, you know, in my own life. But then since I’ve been so heavily invested into it the last three or so years, I’ve had so many things change in my life that I don’t even keep count.

I mean, it’s around, like, 50 things I’ve seen change. So I know for a fact that it’s happening. And not only is it happening, but it’s like we’re all being watched. And the entity I call God, who’s in control of things, who set all this up, um, he’s watching all of us. And he’ll interact with you. Like, the more you interact with the Mandela effect, and the more you, you know, try to piece things together, the more you’ll be interacted with on a personal level. Right. So is that, like, how did you feel when. When you first started Feeling that there was or appeared to be some kind of interaction with you personally? Well, the first.

The first. It’s kind of just like amazement. I mean, I know that a lot of people get like, scared or. Or, I don’t know, like negative emotions, but for me it’s all just been pretty positive. I think the Mandela Effect is like a miracle, basically, like a series of miracles. They’re supernatural. And the idea that things were changing just for me in certain cases, and of course everyone can benefit from them. I know a bunch of different people who have like, individual changes that happen to them, but they also hold the same meanings that are consistent throughout the rest of the Mandela Effect.

The first one I noticed happened to me was I run like a side business where I sell old media. And there was a tape called the Manitow. It’s like this rare, not super rare, but like a B movie, horror movie. And I was putting it in a box to sell online with some other horror VHS tapes. And the next day I woke up and I looked at it and the COVID had changed. So I think I showed it on the last show. And I still actually don’t 100% know what that one means. But the name Manitow means like a being who can alter reality, essentially.

So it’s just kind of like an amazement factor. It’s supernatural. That’s. And it’s. I’ve seen all these connections in my life too, like throughout my life just being in certain places, like, almost like I really didn’t have a choice. It’s like my life path was just altered so that I would go to certain places and experience certain things, you know what I mean? For example, Manitow, there’s a city right here called Manitou Springs, you know what I mean? And it’s one of those energetic capitals of the United States. There’s a lot of energy in that particular region and stuff.

So it draws a lot of witchcraft and a lot of know, people that dabble in the occult and things like that, as well as caves. Like, you know, I’m always talking about the places of power and the cave systems and how the energy comes up through the cave systems and stuff. There’s all kinds of cave systems there. One’s called the Cave of the Winds, and they also have cliff dwellings and stuff like that. But so one. One of the things I really like about your presentations is, you know, you. You make these connections especially within the movies, because I do truth in movies and stuff.

So the visual references are really great for me. But you’re also. And And I’m going to share some of these images that, that he’s brought to share with everybody today. All these different examples of for example, like hyperborea or the Garden of Eden, the land at the North Pole, the blue beam that comes up out of Mount Maru that I’m referencing, the geoplasmas and stuff that erupt from the different places of power around the world. And you gave me a bunch of different pictures to share. What is it that we’re going to be looking at? Well, first off, I wouldn’t even, I mean, I of course have had seen like the flat earth maps with the mountain in the middle, but I wouldn’t have been aware of any of this stuff if it wasn’t for you and your channel.

So I mean, and you know, thank you very much for that. And you know, when it comes to like these symbols like you mentioned, it’s a lot easier to understand them like visually as opposed to like someone like explaining it because like you, you have like the bullseye, like the concentric circles for the North Pole and the land and of course the mountain and the dome. And I think like you brought up, it’s like the camp of the saints, you know, as the Bible talks about. Yes, yeah. So for all the people who are watching right now, there’s, there’s the land at the North Pole as it’s depicted on specifically medieval maps.

Almost every medieval map. Many of them, not all of them, but, but most of them I’ve ever come across have what they call terra incognita, or unknown lands. Sometimes it’s little islands or peninsulas or whatnot off to the side. Sometimes they’re much larger, but almost every time the one terra incognita, the one hidden land or phantom land is at the North Pole. And it’s a circular island that is cross sectioned by four rivers, exactly as it’s described in the Bible as paradise, as the place where creation began or the Garden of Eden. And you know, that’s one of my areas of interest and research.

Obviously I like to try to figure out not just that it’s there, I’m not just satisfied with oh well, maybe it’s there and that’s it. I want to figure out the landscape. I want to understand exactly what to expect because I’m going to go one of these days. I feel it’s my calling to return to hyperborea, to get back to the land of Creation. And there’s so many good reasons for that. One is because of an extended lifespan through cellular Regeneration and all the. The benefits from cold plasmas that erupt up out of the Earth and energize us at a cellular level.

I’m a thinker, and so it bothers me that I can’t remember some things that. That we live during this time where energy is just being drained from the surface and it’s being pulled in and harnessed down into the Earth as the Earth charges that energy, preparing for an eventual release of it back to us to share it back with us, and we enter back into that golden age. So I believe that being in proximity to this holy mountain or within the. The boundaries of the Garden of Eden stimulates not just us at a cellular level with our skin and allows for us to live for a very long time, which in turn would also give us more knowledge over time, just through experiences, but that it stimulates our brain and our synapses and we can actually think the way that we’re supposed to think instead of just using 10% or, you know, however it’s said.

But I’m glad that I’m not the only one that’s. That’s recognizing the instances where it’s being shown to us. You know what I mean? And people ask me all the time, why are they. It’s always them, why are they showing this to us? You know, why would they show us the secret? And my thought on that is maybe it’s not them. Maybe it’s a compelling. Maybe it’s woven into our very. Our very fabric. You know what I mean? That it can’t help but to hide itself and plant itself all these different truths. The Garden of Eden, its location, the blue beam, and the plasma apocalypse in general.

It’s just interwoven all throughout reality. And I feel like a lot of that might have to do with just resonance, just the energy resonating throughout this closed system that we live in. And so people can try to distract us from it, but. But it’s there. It’s an underlying factor. It’s something that some people can see or perceive once we pick up on it, but otherwise it’s just subliminal. Yeah, I mean, God the creator. God would be the God of creativity. So I think whenever we’re using creativity, we’re tapping into that power. And I think that these truths are, like you said, woven into that, you know, creative display that we have, you know, as artists.

And I know that, like, before I woke up and stuff that I wrote and I’ve been into, like, film and video production for a long time. I was, you Know, putting some of these elements into my work without even realizing it. And then looking back on it, I can see that. But, like, it. It literally just came out of the creativity. Yeah, I. I see that a lot in the music industry, too. So sometimes I’m hearing lyrics and seeing visuals on music videos and stuff. That, to me is. It’s. It’s tough for me to believe that some people haven’t been educated to a certain degree on.

On what it is that they’re talking about. You know what I mean? But other times, I could see that maybe it’s just that creative medium, you know, that. That. That balance between the left brain of, you know, going to work, doing your job, making money or, you know, whatever it is, your checklist of things to do balanced out with that creative, open mind that allows people to, you know, be more in tune with those resonant energies of the earth. Let’s share some of these pictures. I want to go over some of these images that you’ve brought.

Yeah, I think some of those big, like, filmmakers like, you know, Spielberg and George Lucas and these types of people. Stanley Kubrick, like, there’s no way that it’s just, you know, creativity. Like, they definitely know a lot of the Elements of the World script, you know, for whatever reason. Yeah, definitely Kubrick. I mean, like, some people at the top. Top of the list. Yeah. Like, did you see. You ever see, like, the Imagine Dragons music videos? A little bit. I haven’t gotten too into them, but I’m aware of them. They’re. They’re. Them and 21 pilots right now are probably just my favorite.

Like, they have. You know that song that’s like, I’m on top of the world. Yay. Whatever. I don’t think so. I may have heard it, but I don’t know. Well, it’s like, I’m on top of the world. Hey. Been waiting on this for a while now. Paying my dues to the dirt. But anyways, the whole music video is all about how they faked the moon landing. And they’re just. They’re showing you, like, the astronauts in a studio and everything. And, you know, they ripped off little elements from Kubrick’s other, you know, popular movies or whatnot. All right, let me get these images pulled up here.

One sec. Here we go. All right, cool. Do you see what I’m seeing? Yeah, it’s Las Vegas. All right, cool. Now, I’m not sure what order these are supposed to be in. This is the first image I got. Is this. You want to start here? Sure. Yeah. Well, I wanted to kind of talk about the Camp of the Saints and how, like, all these huge movies. Not this one. Like, this one’s fine to start with, of course, but the other movies, too, are. They’re just like the biggest movies. And for some reason, you know, for some reason, all these stories, they all culminate with this huge battle where there’s, like, almost always a dome, there’s almost always a North Pole mountain.

There’s almost always, you know, this group that could be like the. The Saints or the Camp of the Saints. And then there’s this opposing force that’s like the army of the Dead or like the Kraken Army. And it happens in, like, everything. Like, all the biggest things. Like, like, that’s the Avengers. You can see the dome. You know, the. The Thanos force going after it is like the army of the Dead. They’re like. The smoke hitting the dome is like the Kraken tentacles and like, those smoke plumes keep hitting it. So it’s like, you know, multiple tentacles.

And it’s like what you talk about with the plasma apocalypse. That’s another big aspect of the world script too, that this is in the Avengers also at the end. And it’s basically like. I forget the word for it, but like, you know the Event Horizon movie where, like, the engine core has, like, those spinning discs around it. Yeah. Or like spinning, not. Not necessarily gyroscopic things. Yeah, like, like rings. Oh, they have that in the new Black Mirror too. Did you ever watch Black Mirror? I’ve seen a few of the episodes, but I don’t know if I saw that one.

So Black Mirror has this episode called the USS Callister where the. Yeah, it was where the people are, like, their DNA is cloned and then he puts them into his video game or whatever. Right. So there’s a sequel to it in the new Black Mirror episodes. And there’s this. There’s a space hub where everything is created, and they have the same concept of these rings, like these sort of geocentric rings that are just moving around each other as, like. As, like the energetic center of the universe. It’s pretty interesting. Wow. Yeah. I was curious to get your take on it, because I’ve seen it come up in a lot of things where there’s like this central sphere, or it’s maybe like third eye related.

And then you have, like these concentric ring, you know, movements, or, you know, these concentric rings moving around it, you know, and then they eventually all line up. Yeah, well, I mean, off the Top of my head, I would, I would definitely relate it to the Apex Dome. So I’ve talked about, you know, I have my own cosmology of how the world looks, but specifically the firmament itself. Like, you know, in general I feel like the, the surface world where we live is, is, you know, a plane. And in general with valleys and mountains and stuff like that.

But the, the shape of the dome itself is actually more in depth than just a simple bowl that’s upside down on top of us. The apex portion of it dips inward and downwards towards us, creating that All Seeing eye. Right. But in all these different Renaissance drawings, like there was times when people could see the firmament. It was lit up from below and is probably glowed from the lights that were already up there too. But it’s that, that Apex dome is, it’s got its own little concentric rings to it that it’s, it’s got, you know, probably between three and seven.

I’m leaning towards seven different portions to it or, or different like levels to it. Basically, almost like a, like, like an Aztec pyramid that’s facing down, you know what I mean? But smooth and circular, you know what I mean? So that whenever we check out these pictures like this, this is what I’m seeing, which is Atlantis, like the ancient Atlantis that’s reflected, that’s reflecting the land of paradise below it, which is that circular land with the four rivers. But it’s got its own rings up there in the sky. So we see these sections or it looks like sections because of the optics, you know what I mean? So whenever we see these concentric rings in the movies and they’re always going around this central power source which is shown to us like the All Seeing Eye, like right clearly right here in this picture.

This is the Apex Dome, or this, this is a type of the Apex Dome. It even has like this blue ruffly cloud around it. In this particular image that you’re sharing, which I talk about, you know, the, how they, they show like, like Humpty Dumpty always has that blue ruffly collar and stuff like that, but coming down. Yeah, yeah, like Jesus hanging up out of it. During the Ascension on the medieval drawings, this is the center point of it. So this is the All Seeing Eye. It lights up red from the inside because on the other side, that’s the color of the plasma that’s wrapped around this world.

So the thing I see too, or to bring up is have you seen the Avengers movies? Most of them, yeah. Well, so for this part, the character Thor he has to die and then get reborn basically in order, order for this thing to work properly. And then he winds up getting like a super powerful weapon out of it. Oh, this is the world forge. Yeah, it’s a forge. Yeah, yeah. So like I see some connections too with like the Mandela effect there because now the sword in the stone is in like an anvil and that’s like a forge, you know.

So it’s like treating the center of the world or the apex dome as like a forge for this, for the blue beam perhaps. No, I totally agree with you. So there’s, there’s sort of two forges really. There’s. Because there’s always the, the celestial, you know, as above so below. Right. So even in the Bible like they built the tabernacle and whatnot, the Levites, you know, they, they had the tabernacle and stuff built after the heavenly version. There’s the, there’s a, there’s a version of it above us and there’s a version of it below us one because it’s reflecting what’s below which is an actual forge, which is the mountain which is where like Hephaestus and other gods of old would forge things out of a volcano.

That’s why they’re oftentimes the gods of volcanoes as well. And that whole island is created through quote unquote volcanic activity. But it’s, it’s plasma volcanoes basically. But then you have a type that is above like a pyramid type volcano looking structure above us which is that apex dome and it releases energy too. So there’s two different types of energy being released. One is more of a, we would see it as a destructive energy coming from the heavens and down towards us out of the quote unquote all seeing eye. And the other one is a life giving energy like in the picture behind me where you know the plasma volcano shoots that blue beam up into the air.

This one looks like it’s from Harry Potter. Yeah, So I would equate like the, the Hogwarts, you know, castle to the North Pole Mountain. And at the end of the whole Harry Potter series, this was like one of the biggest you know, movie and book series is ever or in like world script media. It’s one of the biggest things ever and it culminates with a dome. Like these characters put up a dome over the castle and then like Voldemort’s army is like the army of the dead essentially on the outside of it. And he, if you flip forward a couple of pictures, he even like shoots the blue Beam, like, into the dome to destroy it.

And that’s them putting up the dome from the inside. And then that’s him outside of the dome, and he’s, like, shooting it with a blue beam. I think that maybe the next image. Yeah. So, like, it’s hard to see because it’s so dark, but that’s him, like, shooting the beam at the dome, and that’s what brings it down. So it’s kind of like inverted from, like, most of the time you see the beam on the. In the center, on the inside. But in this movie, they inverted a little bit. So it’s coming from the outside. Right.

Well, also, I would just add to that that sometimes. Remember how. Like, sometimes I’ll talk about how they show us symbolism of our world on different scales. Right. So, for example, in a movie, there’s a white house and a black house almost always, you know. And sometimes it symbolizes our entire world, the entire Earth, all of it. But sometimes it symbolizes the ancient world, which is hyperborea, which is the Garden of Eden, because it also has its own dome. That one’s energetic, though. It doesn’t have a physical, like, ice dome to it. It just has an energetic barrier or a plasma sheath wrapped around it, you know.

So that would be like the camp of the sands. Yes. So that’s. That’s the camp of the saints that had. That’s protected by a plasma sheath or a plasma barrier. A dome, you know, an energetic barrier. Here’s Voldemort. What’s he doing here? Yeah, well, if you go. If you go back and forth between the next two pictures, you can see how they make his robes. Like the Kraken tentacles. Because he represents the Kraken. It’s how they’re, like, moving. And then he, like, ensnares Harry. He snares Harry Potter with the tentacles. I see. So he’s kind of shooting the robot at him.

Yeah, but I’m just saying it’s like. It’s consistent with the Kraken attack from the outside of the dome, you know? Yeah, well, that makes sense, too, because Voldemort is really Baldomort, which just means Lord of Death, basically. Yeah, he’s like the opposite of Harry. Of Harry, essentially. Yes. And it’s interesting, too, because the Hebrew word for mountain is har. So Hari means place of the mountain, or my mountain. So hottie. And then Potter, which is an empty earthen vessel. You know what I mean? That’s interesting. Like a volcano. All right, so this next one, the Hobbit all the Lord of the Rings stuff, all of Tolkien stuff is all about.

All about ancient oblivion and that new Hobbit trilogy. Like, it was a pretty, like, consistent remark from normal people about the movie where it just seemed like it was too big for the Hobbit. Like, it didn’t need to be like these three gigantic movies, like Lord of the Rings and all that. But I think that they did that on purpose to establish all this world script symbolism and they added in all these scenes that are important and they’re basically. I don’t know if they’re like magic spells or what. But, for instance, like in the second movie, there’s like this long, extended scene with spiders in the forest where.

I don’t know if you’ve ever seen the Hobbit movies. Yeah, all of them. So in the second movie, there’s this part where they’re walking through the forest and they all get ensnared by these spiders and they’re all stuck in, like, these spider webs and all that. And Bilbo has to get out of the spider web and he uses his blue sword, which is of course the blue beam, to get out. And then he frees his friends and then they kill the spiders. And there’s literally a part where one of the giant spiders jumps on top of Bilbo and he thrusts his sword straight up into it.

So that’s like the blue beam going right through the Kraken, you know? Yes. Yeah. But I think they just added that scene into because it wasn’t necessary. Like, they could have just, you know, glossed over it really quickly or not even included it. But they chose to have this, like, huge long sequence about it. So I think it’s, it’s just for that end of the world symbolism. I don’t, you know, I don’t know why else they would do it. I see that symbolism a lot, too. So, like, it’s very. Sometimes these types of topics can be complicated.

You know, if, if, if someone’s thinking about it too much. I’ve. I’ve found that, you know, the deepest truths of our world are really simple. You know, they’re simple concepts, easy to understand. So usually you have the straight and narrow, which represents Jesus, savior figures, the light of the world, the correct path, righteousness, healing energy, etc, you know, the holy arrow, the. The beam, basically, right? And then you have division. It’s literally the other plasma that comes down is divided amongst itself. However, before the dome cuts it up, cuts it off because the dome opens up, right? And then it comes in and it’s still connected to its source from beyond.

From beyond our world. Right. Or to it, basically. All those little tentacles are connected to the. The. The larger picture out there that’s running Cthulhu. Yeah, basically. But. But then it becomes cut off once the energetic barrier go after the neutral point of a polarity shift. Right. So all those tentacles, the hair of the gods and whatnot, they fall down into our world and then they’re free. They’re. They’re individuals. They’ve gained their own individuality or potential to have an individuality apart from their programming or their source, what they were connected to previously, before they came into this world.

But now it’s a closed system once more. Bam. The dome shuts off again and they’re in here. And now they have the potential to rebel or to change or to have, you know, what seems to be an individual life or whatever. But you have literally division, like these strands, these plasma filaments that come in, and they divide and they separate. And that’s their nature to do that. And they can move about all around the world. But then you have these plasma volcanoes. Mount Maru being the largest of all of them. At the center of the world, at the heart of the world.

But then you have the little, tiny places of power are little versions of paradise, little, little fountains of youth all over the place. So I like. That’s why I like hearing people talk about. They all argue, like, where’s the fountain of youth? I think it’s in Florida. I think it’s in the Middle East. I think it’s here. And I’m like, I think you’re all right. There’s. There’s just little tiny ones all over the place. But there’s a big one. There is a quintessential one, and it’s at the heart of the earth. It’s at the center of the world.

You know, let’s get back to these pictures. I want to hear some more about this hobbit pictures. Sure. Have you ever seen Samurai Jack just, like, super quick? Yeah. Like, what you just described is like the. It’s like the origin story of Samurai Jack. Have you ever saw that, like, where there’s, like this huge, like, Krakenish, like, monster and, like, part of it gets cut off, and then, like, those tentacles, like, are what become or what turn into that AKU who’s like, the black spiked. I do not know any of that. Okay. It’s very. It’s the same story.

Is it a manga? It sounds like it’s a Manga? No, it’s like. I think it’s an American cartoon, but it’s like. It’s based on a lot of that. Is it like a buckaroo Banzai type feel to it? It’s kind of like kung fu, where he’s kind of like this wandering samurai. He gets, like, sent forward in time. So he’s like this samurai from the past who fought this ancient evil, and now he’s in the future where the ancient evil is running everything, and he’s trying to go back in the past to defeat it. Yes. Are there monsters? Does he fight? Yes.

Lots of fantasies? Sure. Yes. All right. Very good. Let’s check these pictures out, too. So this one shows the orcs. This is. This is one of those white orcs. So I kind of get the feel like this is like the Gog and make OG or maybe just, like, symbols for them. But there’s, like, these two giant orcs that, like, run the. Like, the undead army of the dead that are attacking the camp of the sands. Yes. So let’s. Let’s talk about the camp of the saints from your perspective as far as why that’s important for you to research and what you think that it is.

Just kind of explaining it, pretending like the audience, you know, is unfamiliar with the concept. Well, I mean, I just see it everywhere. Like, it’s in Lord of the Rings and Hobbit, that franchise. It’s in Harry Potter franchise. It’s in Star wars, which I didn’t even include in these images, but you could see it in the Phantom Menace. And I know it’s like a silly movie now, but, like, if you think about it, like, Star wars is such a huge thing. It is a big deal regardless of how silly, you know, the dialogue is or whatever.

But, like, at the end of that movie where they have, like, the. The Gungan race and they have, like, the blue plasma shield domes over them, and then, yeah, the. The droid army comes, and the droid army is essentially the Kraken army of the. Because it’s like a hive mind. And they’re not like, you know, real living beings. And then it’s in the Matrix, which I did include. And we can even go back to that army of the Dead image from Las Vegas, because I agree, like, one of the things you say a lot is how a lot of cities around the world represent the North Pole.

And I definitely see that. And I could talk about the United States. I’m sure other places like Jerusalem and, like, Moscow and stuff have it, too. But in particular, I would say New York City and Seattle and Washington, D.C. and Las Vegas are all, like, interconnected, and they all represent the North Pole. I don’t know if you’ve covered that or had that idea, like, their interconnectedness. You mean through tunnels? Well, like, the symbolism. For instance, New York City. So we had, like, the twin pillars coming down, becoming the central pillar, which is like. Right. And the name New York York actually means, like, a yew tree.

And the yew tree or. Or the Y dricial tree or the World Tree is essentially a U tree, if you look it up. So it’s kind of like saying, like, the new city of the Tree of Life or the World Tree with the World Tree Center. Right? Yeah, yeah. And Seattle, I don’t know if you know this, but its original name was New York City, that I heard. And then in Seattle, you have, like, the Space Needle. So the Space Needle is essentially like. I mean, it’s multiple things, but it’s like the blue beam going through the apex dome, essentially, because that’s like the needle shooting into space.

And that’s also what, you know, I think what the devil does or what the physical world does on a smaller scale, where they have the smaller needle that’s invading our inner space, you know? But the real Space Needle is, like the blue beam shooting into space. But Seattle is also known as the Emerald City. And the. In the North Pole, of course, is where the real Emerald City is with the. You know, it has the green northern lights, but it’s also, like. If you look at a map of the wizard of Oz land, Emerald City is, like, right in the center, like, the North Pole.

And it looks like the North Pole continents, you know? Yeah, there’s. There’s a lot going on there, like, Seattle. It’s even like, an anagram for, like, the seat of L, stuff like that. I’m gonna get that picture of the wizard of Ozma pulled up while you talk. Sure. And then Las Vegas. Las Vegas also has a big space needle that’s called the Stratosphere, and that’s on, like, one end of the Las Vegas Strip. And then on the other end, you have the Mandalay Bay, which is where that certain event happened. But that event was at the Harvest Festival, I believe.

And I believe that was, like, symbolic of, like, you know, the Kraken attack on the Camp of the Saints, essentially. And right next to it, you have the Blue Beam Pyramid, and you also have a casino called the Excalibur. So, like, what are the odds that, like, the Excalibur is right next to the blue beam. I know. Like, if you look at all the names of the big casinos in Las Vegas, they’re all symbolic of the North Pole because you have like Treasure island, you have the Mirage. It’s like a Mirage north. The Mirage, like the Mirage island, you know.

Yeah. There’s a lot going on there. And of course the blue beam is just huge. And then they have that army of the Dead movie. Do you know about like when they filmed that army of the Dead movie? No, they filmed it during the pan event when everything was locked down. Oh, okay. So like Las Vegas was like totally empty. So like they want us to believe that there’s this really scary, you know, illness going around and meanwhile they’re shooting this gigantic zombie movie in Las Vegas when it was completely empty. But to me, that, that was just another one of those world script, like magic spells or whatever because it’s the army of the dead invading the North Pole, you know? Yeah.

So let’s, let’s focus a little bit more on that because we’re going to be talking about the camp of the Saints, right. And, and this is all ties into the Mandela effect. These messages that I’m, that I’m seeing with the Mandela effect are completely related to the concept of the center of the world, the camp of the Saints. The coming world war, like actual world war, not this popular country versus this popular country and a few subsidiaries. I mean, everything on Earth in flux and turmoil, even inner Earth denizens coming up to the surface and outer space, you know, quote unquote.

Outer space. Right, but beyond the dome entities or fractal verse, travelers coming down into everybody meeting. And a battle for Mount Maru, a battle for the Holy Land, a battle for the, the place you want to be, which is paradise on Earth. I mean, if we’re, if we’re focusing on the terrestrial portion of it, which is a terrestrial paradise on Earth. All right, I’m just getting those pictures pulled back up one second. I noticed like a lot of symbolism too, where there’s like a new Jerusalem that comes down from the sky, but there’s also the like fallen Atlantis kingdom that comes up from the bottom of the ocean, you know? Yes.

Oh, okay, hold on, Give me one quick second. I got thoughts on that too. Hold on, let me jump back in here. Okay, so like I said, we’ve got a heavenly version and an earthly version. Right. So we’ve got an earthly paradise and the actual circular land or square, if you’re in the wizard of Oz at the center of the world, which is where Oz is, which is where the physical terrestrial Atlantis, the land of Atlantis, the country of Atlantis, where the, where they had advanced technology, longer lifespans, elements, magical, you know, metals and crystals and things like that, where they actually decorated their, their houses and stuff so that they could constantly be around these magical elements.

But then we have the heavenly version of it. So this is something I’ve been working on. This is one of my newest sort of theories and revelations about the North Pole is that time and time again there’s this concept. And you, you probably have noticed this too whenever you’re like watching the movies or, or you know, just paying attention to our world. The concept of floating cities. Basically. I had, I had a guest on one time that has done a great job of documenting. He’s got a couple videos about floating castles, floating cities, like the holy city, New Jerusalem, coming down from the heavens or whatever, right? So how can it be? How can the Garden of Eden and that circular land at the center, the terrestrial land that’s a part of the Earth, come down from the sky? There’s another version, there’s another type that does come down from the sky.

And I believe it’s because the apex dome itself falls and, and breaks off and it comes down. And I believe, or my theory is so far is that it might break off and there’s other pieces of the dome that will break off and become icebergs and, you know, crush stuff down here on the surface. But that portion up there, right, if it’s designed, if it’s made the way that I believe it’s made, then it’s made in a similar way as our physical world is with dirt and ground and all that type of stuff too. But it would be much smaller, so it would be like a small city instead of a whole world like how we have down here.

And if it is electromagnetic in nature, think of, what are those, what do they call those super, those magnets that, that they just pass right through it. The energy passes super like instantaneously. You know what time about superconductor. So if, if the dome acts like a superconductor and you have this strong magnetic force that’s at the North Pole, represented by the Septon Trio mountain range and Rupus Negra itself, right? And it creates this dome barrier that’s in, that’s electromagnetic in nature. And then you have ice that’s falling down in the heavens in the shape of a bowl that can hold something, right? Especially if it’s got these different ziggurat type layers to it, and especially if we have conductive metals that perhaps might be mixed in or something.

Anyways, I’m just throwing this all out there, but basically my theory is the apex dome, every other cycle falls and then stops in midair like it’s quantum locked. Like it’s, it’s locked in place above because of the magnetic repulsion or. I, I don’t know how to explain it right now at the top, so you have to excuse me, but it’s. I just wanted to share that revelation, like. Sure. I think it stops and I think this is the story of King Og, you know, the, the, the last of the, the Nephilim or the, the Raphaim, the giants of old in the Old Testament, right? So Og, according to tradition, he went to go kill the camp of the saints.

He literally went and stood over the Israelites, all of them that were all camped together in one spot. And he’s. It’s the, the tradition says he, he grabbed a mountain and he lifted it up and he was holding on to this mountain, this other world, basically, just like the blue beam would, right? And he went to go throw it down onto them with the intention of killing all of them, but it stopped in midair and hung around his neck. Right. So I just see, I see a lot of connection. They say that, like, there’s, there’s needles and all this type of stuff that went through the mountain and sort of lodged it into his body.

So it’s like the mountain stuck on his neck or something like that. But there’s a lot of Arabic drawings of this where they have, you know, sometimes it looks like a, what they call it the, the, the. The stone wheel they would use to crush the grain. And there’s a hole in the middle, you know. I know what you mean, but I don’t know if I know the name. Yeah, millstone, I think it’s called. Oh, sure, sure. So it’s. Sometimes it’s like a donut shape and it’s like stuck around his, around his neck. It’s very interesting to me, like, just to see the symbolism of it, you know, And I see a lot of lines like that.

There’s like a line like that in the Bible too where it’s like it’s better to put a millstone around your neck than to like, hurt children or something. Well, yeah, of course, true on both levels, but I’m just saying I might be referencing that, that other story too. If he’s got like a millstone around his neck. Yeah, yeah. And then also that reminds me of, like the camel through the eye of the needle as well. The, the word camel is what they say the word gimel comes from, which is G, which is just the letter G in Hebrew, which is our letter C or the third letter of the Alphabet.

Or the Alphabet. And the children, too. That would be like the camp of the saints. Yes, that’s what I’m saying. So where are the children? Like, Jesus, when he was around talking to all his followers, he didn’t say, all right, grown adults, hear me out. You know, he called everybody children. You know, like, and the children, if we’re, if we live to be less than 100 years old, we’re babies, we’re children, we’re adolescents, according to the Bible. At the very least, if we just strictly go off of the Bible, one, we can compare ourselves to the, the patriarchs of old, like all of these people that lived hundreds of years.

Two, there’s verses in the Bible that says that in the future people would be considered cursed if they didn’t make it to 100 years old, that they would be considered children, you know, before they reach their 100th birthday, which would be like 10 years old or just coming into adolescence if you live to be a thousand years old. You know what I mean? Yeah, I agree with that. Yeah. All right, let’s check out these pictures some more. I got them pulled up here. All right, so we were, we were on. This is symbolically showing how there, there’s going to be these otherworldly entities that surround the camp of the saints.

And whenever we talk about that, it’s. It’s mostly from like a biblical reference, although it’s also within, you know, various other religions and myths and, and things like that, where it says that one day in the future, and this also happened in the past a long time ago, that there were armies of the world, but they were otherworldly. It wasn’t just human beings, just as it’s portrayed by Tolkien, that it’s a gathering together of all these different ones. But they show you these two kinds. Right? So one kind we have here, which is sort of what I would consider like the Elven race.

You know, there’s very albino looking, pointy ears, stuff like that. Right. These orcs, which, by the way, the word, the word Orc is also ogre, which is those of Og, or from the land of Og, where Og lives, or King Og, the, the giant or the one eyed, you know, Cyclops giant or whatever, which is the blue beam. And then so you know, we have all these references. Like it’s all cartoonified and stuff. He’s got like a metal portion right there or whatever. Oh, you can’t see it. Hold on. There we go. Well, those are just like the two leaders.

Like if it is like a Gog Magog thing, like they make a big point out of these two leader orcs. And their, their names, I think they’re in like the image files. Like one. Like they’re even called something. Like one is. I kind of forget their names. But it’s like Bog and you know, Zorg. It’s close to Gog and Magog sort of. Yeah. So in the Lord of the Rings, like the TV show the Rings of Power, there’s this one, there’s this one orc. And he said that the original name for the orcs because they’re. They’re calling them orcs, like it’s a derogatory term.

You know what I mean? Do you remember what that was? I don’t think I saw the Lord of the Rings. You mean the new one? Yeah, I haven’t seen that, man. Let me try to think of what it was called because it’s is important for the words or whatever. So it’s Ur. You are, which is like. And there’s a. There’s a land of Ur in the Bible. And Ur means light. It’s where we get aura from or the aurora borealis or whatever. Right. So Ur or Uruk means like the light basically. Or Urka. Right. Orc basically means like the light or from the light or beings from the light.

Beings from these places that. Places of power, specifically the Garden of Eden. This is also where I think pirate comes from is the pirate. The pirate which is. Yeah, pirates. People from the lights. Yeah. Like pyramid. What’s that? Like a pyramid which you’ve brought up, you know, like. Oh yeah, pyramid. Yeah. The pier ot the pirates. And then the pier amid the lights on the inside. Right. Damn, I forgot I was gonna talk about. But anyways, so there’s the surrounding of the camp of the Saints. That’s what we’re talking about, right. So biblically speaking, there’s going to be these.

It’s not going to be just humans, your governments of the world that want to go back to that land and take it over. Right. Which ultimately they’re. They’re prophesied to be destroyed. It’s futile. They all head there. They feel this calling or whatever to go there. Maybe selfish calling to take the land or whatever. But fire comes down from the heavens. In the. In the. In the Bible. And it destroys this huge army. But there’s these different types of people that gather there. And these are one of the types. These orcs or Urukai or Elven race or whatever.

Right. And there is also one of the. One of the armies is actual, like the elves. So like, maybe like one is like the. I don’t have a picture of it, but like, you know, the. The. I don’t know, good elves and bad elves or something along those lines. Like if the orcs maybe are like fallen elves. Right. So in. In my newest book, Return to Hyperborea, I have a section on this where I talk about this theory. So you know how I talk about the. That there’s Mount Maru and paradise is the central place of power, but it’s flanked by a positive island and a negative island, which are the Anode and Cathode Islands, which is just what I call them affectionately, but they’re positive energy and negative energy.

And therefore it reciprocates on a physical level. Right. Those born, those living natives on those islands and those who live beneath those islands in those cave systems in the inner Earth. Right. They’re born. And they have these effects of how you would be affected if you were just surrounded by constantly negatively charged energy or positively charged energy. One of those effects is men and women. Islands of mostly men and islands of mostly women. Right. And then the. The feminine side tends to be more like attractive, beautiful qualities, smooth skin, fair skin, not. Not a lot of hair or anything.

But then the other side tends to be the opposite. A bunch of hairy wild men and women which. Like Star Wars. Chewbacca. I forgot what those. Those ones are called. Yeah, they’re a part of it in the Star wars. They go to war too. There’s a whole world of the Wookiee world, you know, I mean, they’re the wild men. They’re the wild people. So that’s kind of how I see Gog and Magog as far as that goes. Like this, just those ancient races rising back up. Bigfoot is probably a strong contender for. All right, let’s check out these pictures some more here.

So this next one, what’s going on on this one? This actually gets interesting with the army of the Dead idea invading the camp of the Saints, because I think it is mentioned in the Hobbit book, but, like, very little. But they made a big point of it in the movie. And so this character is the Necromancer, and the Necromancer turns out to be Sauron. But what a Necromancer is, is like a wizard who could basically rise the dead. So there’s a really. Have you heard about the theory that the. The Orc armies are actually dead and, like, zombies? No, but that makes a lot of sense, though.

So, like, Bilbo’s sword, it glows blue whenever he’s around an orc or a goblin. And in the first Hobbit movie, they show, like, when he meets Gollum for the first time, they show there’s, like, an Orc down there, too, or a goblin. And when that. And his sword is glowing blue, and when that orc dies, his sword stops glowing blue and it just returns to being a normal sword. So the people who. The producers of the movie are telling us that it only doesn’t glow blue if there’s just, like, a dead Orc around. It has to be a living orc.

And then throughout the next couple movies, his sword pretty much never glows blue, even though he’s around, like, orcs and goblins and stuff. So it’s kind of telling us between the Necromancer and the sword not glowing, that this actually is like an army of the dead that’s attacking the camp of the Saiyans. Right? No, that makes sense. So the blue sword representing Excalibur, the blue beam. And then this Necromancer idea. So for those that don’t know, this is supposed to be Sauron up here, right? Yeah, but they don’t call him that for a while. And then this is.

Who’s this? The Necromancer? I think it’s Galadriel. Oh, Galadriel. Okay, so she’s like one of the leader elves. So. So she represents the feminine energy and. And whatnot from, you know, the Forest of Hyperborea, the Hyperborean Forest and stuff. Like, the top elves and wizards went to try to fight the Necromancer at some point. Yes. So we got a lot of different symbolism. Oh, this one’s from the Matrix. Yeah. Another. This is Zion franchise. Yeah. So they’re in Zion. It’s like this giant dome. There’s a blue beam that shoots from the center of the. From the ground up to the center of the dome.

Then you have the Kraken army that literally comes in from the top. Like, it’s just. It’s like, literally just the same thing over and over again. And these aren’t just like random movies. It’s like the biggest movies of all time. Yeah. And that even looks like the. I mean, not the. All of my terminology. Like the Apex Dome aside, that’s the Death Star. That’s the physical moon. That’s the actual. Okay, I’m talking. We’re looking at a movie right now, but it represents real life. Okay, hold on, let me just. It has to for everyone that’s watching.

Okay? Like, we’re breaking this down. Like, it. These. All these things are interwoven throughout our reality. Okay, so this is the Death Star. This is the inverted dome at the top of the firmament, which opens up, it cracks open, and this is the actual physical moon that. I mean, this would all be ice in from my view to allow light to pass through it. But. Yeah, and then all these little sentence sentinels come through this, right? And they’re all red, red eyes and stuff. They represent the red plasma, the tentacles that separate the hydra, all that stuff.

Is this them coming through? Yeah, they come in through, like a spiral. Oh, there’s the beam. Yeah. So there’s the beam. And then all the people are getting ready for this event. And then all these little lines are them shooting at it. They’re shooting at the aliens that come in through the dome, right? Yeah, they look just like Kraken entities. I didn’t put a good picture of the Sentinel in there, but. But, yeah, they’re like robot squids. They call them squiddies, too. Yeah. So they come through. This is. See how it’s, like, shaped like a spiral, Like a pla.

Like how I always talk about the plasma conduit on the other side of our world, right? It’s. It’s spiraling down into the Earth. So on the other side of this, you would see hyperborea, because they’re directly at the apex of the firmament. So all that plasma rushes down. There’s an opening, it just pours into our world. And then all these people are trained to wait until the aliens come and, you know, go to war or whatever against the aliens or the alien forces or energies. All right, so this is back to. This brings me back to high school.

This is Chamba. Oh, yeah. Well, yeah, this. This gets a little into the. What did you say the name was? Chumba. Wamba. Yeah, it’s not bad anymore, but that’s exactly what I remember. What. What is it? What is it now? Is it Mandela affected? Yeah, well, you can go to the. I mean, I don’t know if people want to answer or anything in the chat, but I remember it being Chumba Wumba. Like the two. Like the two parts of the name rhymed, but it’s. Yeah, but like, so that their most famous song, I think, is about the blue beam.

You know, I get knocked down, but I get up again. Yeah. Tub thumping. Thumping. Yeah. I don’t know about the name thumping, but the whole idea of something, you know, being knocked down and getting up again, I think is a big, big part of the world script. It’s like the Phoenix also, but now it’s Chumbawamba. No way. That’s. Yeah, forget that. So the, the U turning into an A Correlates, I’m not 100 sure on the letters, the specific letters yet, but it correlates somehow to, I think, the blue beam and the North Pole and what we’re talking about.

Like what, like any, any letters could have been changed, but it was specifically the U to the A. Right. Well, if, if we just look at the letters, because I know that you’re, you’re particularly interested in like the, how they change the letters, like the top of the A being cut off. Right, sure. But that might have always been that way. I don’t know about that. Well, I’m not, I’m not saying it’s a Mandela effect. I’m just saying let’s take a look at the symbolism of it, right? Oh, sure, sure. So if this was a U before, that’s a vav, right? And the, and it’s, it’s an interchanging of symbolism.

It’s the same exact symbolism, actually. So this version of the A is creates, you know, a freaking volcano. Basically. It’s a volcano shape. The U is the vav, which is the beam that connects the Earth to the sky, which is the tent peg of the Earth. It’s literally a tent peg in the ancient languages. So it’s just the same exact glyph, if you want to look at it as like a picture. You know what I mean? Oh, I’ve been here. This is Vegas. And this is that sphere. So this blew my mind when I looked at your pictures because the sphere, this is all like they’re using.

It looks like a dome. Looks like a dome, yeah. Let’s zoom in on this. Check this out. So this building, these are all lights to make it look like it’s something it’s not. Right. This is actually like just a facade on the outside of the actual building that’s inside of it. These are all just lights all the way around and they create pictures and they look very realistic. Holy cow. And it opens up and there’s a Titan looking giant on the, on the inside. But it also kind of looks like an eyeball opening, right? Yeah. And it opens up.

Check this out. Hold on, let me zoom in on this. This stuff is. This technology is mind blowing to me. When I see this in real life. It’s just like amazing. So he’s in like this forest, tropical looking area, very white, bald head, kind of like how Neo was when he was born out of the Matrix. And then there’s this light that’s got like this inner light or something. This is insane. How did they do that? I think they actually shoot a light into the sky. I don’t know. That’s ins. I’ve never seen it do that.

But. Well, if anyone wants to look it up, this is for a show for a DJ called Enema or Anima, something like that. But he. I don’t know if he’s even still at the sphere, but he had like a regular show there and they would do this advertisement. That’s insane. That. I mean, like there’s a diff. There’s. There’s a difference between looking like it’s 3D and then just leaving the building with lights and beams and all that crud. But yeah, so this is definitely a lot of the same type of symbolism our cosmology shown to us.

Ancient oblivion with Titans and giants. This is clearly like a type of Garden of Eden behind them where you can see all this lush tropical vegetation and stuff. And this is the place where it all begins, where the light, where the light comes forth and bursts up into the air. These are the pillars. These are those sky pillars that I’m constantly talking about. This is why we’re seeing them resurface in this, in this modern age. A lot of those omens and stuff are worse. People are seeing sky pillars. This is Pac man symbolism too. So there’s a lot of the pack, the plasma apocalypse cycle.

So the Pac man is basically the dome. I don’t know how else to explain that. It’s the apex dome and it opens up, but yeah, then it closes up just like this. Just like a dome would. I think all the big features in Las Vegas are like North Pole related. Yeah, no, I totally agree with you. I like the connection you made with Excalibur right across from Luxor. Actually, it gets even deeper too because at that corner there’s the New York. New York. So we already talked about how New York is like the North Pole also because it’s like the New World tree and then the, the next one is the mgm.

And the MGM is like the two mountains with like the G in the middle, you know, yeah, so MGM’s right over here somewhere, I think. Or maybe I looked up what Mandalay means, and I think it means, like, the shores of, like, like an island or something. Like, it’s like. Like the Mandalay Bay is right. Right on the edge. So that’s like the shore of the North Pole island. And then all these other big casinos and buildings and things represent the North Pole. And then it ends with the Space Needle. Yeah. Oh, my God. This is insane.

All these different connections. All right, let’s. Let’s. Let’s finish up these rest of these pictures and see what we got here. This is good stuff. Thanks, man. So the Princess Bride. Oh, okay. Well, automatically you can see there’s the two towers, the two pillars, anode and cathode on either side. So I think that these next few are all going to be, like, princess related, because that’s another way to describe the blue beam, I think, because it’s like a feminine energy. And that’s like the. The princess, like, that has to be rescued from, you know, being imprisoned in the underworld or inside the dark castle or something, which is what the blue beam is right now.

And the Princess Bride, I remember it being just Princess Bride, and now it has the word the put in the front, which is another common Mandela effect. Like. Well, the biggest. The one is probably Smokey the Bear no longer having the. I think most people can relate to that one, but there’s a lot of other ones. Like, it used to be Silence of the Lambs, but now it’s the Silence of the Lambs. It used to be Return of the Living Dead, now it’s the Return of the Living Dead. Right? Yeah. Lord of the Rings used to be Lord of the Rings.

Now it’s the Lord of the Rings. So that’s interesting to me, too, because that’s just the word. The. Is what it’s called the definite article. And it’s. It’s. It’s pointing to something specific. You know what I mean? Just like a sign would. So it’s literally a sign. You know what I mean? Well, like, when I thought the sign is being added or removed. Sure. But I thought about it in terms of what you say with the letters, because the T would be like a cross, and then the H is like a gate or like a ladder, and then the E would be east.

So to me, it’s probably a good thing where it’s like you cross through the eastern gate, perhaps if you break it down like that. Right. But it also equals 33 the. And then, see, also look here. That. They’ve got the clouds. Like these are clouds. It’s not fog. You know, I mean, this is the land over here. Where is this supposed to be? You know what I mean? It’s not just. Most people would just dismiss this and say, oh, it’s just art. It’s just. That’s just how they made it without putting any thought into it. But no, let’s examine.

There’s something to this. I don’t care if it’s purposefully done or subliminally or subconsciously done. You know what I mean? Like, this should. This should put a thorn into our minds that there are clouds. Sky clouds. These are sky clouds underneath a castle. Like it’s a castle in the sky. You know what I mean? Yeah. I also think the. The dot inside of the C is new. I don’t know if you remember that, but that’s like another common Mandela effect pattern is a dot being put inside of a C or O. Well, the. Like I said, the.

The modern letter C is equal to the letter G. And on many of those medieval maps where they have the land at the North Pole, especially the urbano Monty one that I feature all the time, the letter G is at the center of the map. It’s. Nobody knows why, you know what I mean? But there’s a G right there at the center. And that’s. I probably learned it from you, but that’s what I was talking about, like with the mgm, because it’s like the two mountains on this side of the G. Yeah. Look. Hold on. Let’s check this out.

There’s also clouds on this one too. Look at this. See that? The island surrounded by clouds. Yeah. The tower. That’s Thor. Right. There’s a big fat mountain right behind it. I mean, there’s. There’s just steeped in symbolism here. Always looking for the wrong castle. Yeah. Well, this. This one doesn’t really affect me, unfortunately, too much. But a lot of people say this. Used to say, sorry, Mario, but your princess is in another castle. And I. Yeah. Now it says thank you. What the hell? Yeah. There’s no way he says thank you. Yeah. I feel like it’s not like 100% sure for me, but a lot of people do remember it being you are princess.

So there’s another princess related Mandela effect where there’s a princess in a castle that needs to be rescued. Thank you, Mario. But our princess is in another castle. See, that’s interesting. Check this out. Hold on. Let me jump back in here. Hold on. Dang. This is so deep. So Mario has the big fat M on his hat, right? The masons, the Freemasons. He basically is. He’s. He’s destroying bricks and, and you know, things of this nature all the time, right. And he’s looking for the princess, which is Sophia, which is this earthly energy, this geoplasma that comes up out of this castle.

And the word castle is directly related to things like mountains and mountainous heaps and. And towers and stuff like that. Right? Natural ones. And then man made their own towers, which are versions of the natural ones that exist, you know. But yeah, Mario the freaking mason, he’s going from place to place looking for home, you know what I mean? Looking for the. It’s like the princess isn’t symbolically, it’s not a real woman, you know what I mean? It’s life. It is the life giving energy. It’s wisdom itself and all these things. And Mario is constantly looking for that.

Same thing with Zelda and Link and all these video games, all these princesses that are getting kidnapped all the time. And these are the biggest video games ever. Yeah. Have you played Mario 64? I’ve played all the Marios. Well, I mean that one’s got the central castle, which is basically. He’s basically at the North Pole. And then inside of the castle is all these different paintings. And he could go inside of each painting and it’s like a portal to a different world. Yes. So that’s. That’s another concept too, is this jumping into the paintings idea. Mary Poppins had that whole thing a long time ago.

You know, they jumped into the painting, into the world that was created through creativity, right. And that gets into the, the larger world of what I refer to as the fractal verse or the multiverse, you know, as people want to see it or whatever. But it’s all these different earths, all these different realities and possibilities from, you know, the butterfly effect. It’s same code, same people, same worlds basically, but different paths, every single one which creates a different world. Sometimes slightly different, sometimes vastly different. All these different worlds, right? And we just keep on repeating the same pattern.

We like the Bible literally says there’s nothing new under the sun. And the more I study this, the more I’m seeing the truth of that. That we, no matter how much we try to innovate or to come up with new things, we’re just recreating or recreating. We’re playing around with things that, that are already here, all the tools that are already exists and available. We’re just rearranging them to try to make something new, but it’s. We can’t because it’s holographic and fractal. So every time we try it, we think we’ve made something new on the larger or smaller scale.

It already ex. Already there. We’ve just. We’re just tapping into it. You know what I mean? Yeah. All these big stories are. Are essentially the same story. You like me. You really like me. Well, what’s interesting here, it’s two things. So her name changed because it used to be Sally Fields with an S, but now it’s Sally Field, just singular. And the name Sally means princess, so it’s like Princess Field. Oh, I see. Okay. And then she. She said, like, I think this might tie into the little season idea, which I’m not 100 done, but I do think there’s a lot going on there.

But she says, like, something like, you know, in the past, I didn’t feel it. You know, you didn’t really like me, but now you really like me. So it’s kind of like this idea where, you know, maybe we had a chance, you know, to. To like God and his ways, and we didn’t, but now we do something along those lines. Yes. And that’s where we need to have a little conversation, because that’s. That’s why I. I titled this the Message in Me, because you and I have been talking, you know, here and there about the Mandela effect and receiving messages that are.

That seem to be ingrained within each of these tiny little minute changes. Right. So one of the questions that people that, you know, discuss the Mandela effect is why change such insignificant things? Or why not change gigantic things or whatever. If it’s. If it’s messages. This is the same thing in Interstellar. Remember, in Interstellar, whenever the guy is in the. What he called the tesseract, and he’s trying to communicate he didn’t change the whole world that the. That his daughter lives in in the past or whatever. He just knocked over a couple of books in a particular sequence, a little pattern that only she would recognize or that he knew that she would recognize.

Right. So it’s. It seems clear to me that these are messages that they’re. They’re doing things like adding or removing signs, like the definite article that points to. And something specific instead of something vague or bland or broad that there. A lot of these. And most of them are referencing either instructions. They seem to be in instructions. Basically, to me, this is this. So I’m sharing my. How I feel about it. But they. They seem to be instructions and messages about the bigger picture of reality, of the nature of reality, of the nature of our world and ourselves, our actual selves, and the fractal nature of everything that is above and.

And within us. You know what I mean? Like, how I. Talking about the. I don’t know if you saw my video about the. The fractal verse and how we’re all actually. Who’s from Whoville or. You know what I mean? Yeah. All these things are happening inside of. Of us, to all these worlds and galaxies and little, you know, worlds that are in our minds and in our bodies, especially within the brain and the actual mind. But all these. All these different Mandela effects are. They seem to me to be specifically chosen. So, for example, let’s. Let’s take my favorite one, Baron Steen.

Steen means stone. Right. Baron means lord. Or it can mean lord, like in German, like Baron von Lichtenstein or whatever. You know, I got movies on my head. So it’s. It’s. It’s a baron. Somebody’s in charge of the land, a landlord. And then steen is stone or rock. Right. Like the rock of God or the rock. The rock, which is this one behind me. And it’s been changed to stain to. To like a blemish. You know what I mean? Like the. The black rock and the white rock. The black rock is the blemished stone, the stain.

Baron, the lord of the earth or enki. Or, you know, it could also mean a burning stone, which is the same thing. That’s what you’re saying. Yes, yes. So the stone that is emitting light or fire or burning, the volcano. The forge. The. The forge of the world. And the. And the forge that forges the world and reshapes, you know, the actual terrain and stuff. Right. But so that’s just one example for me. Right. And there’s even words too, like. I haven’t fully fleshed that one out yet. But you can look into, like, the bear symbolism, too, because I think the name Arthur means bear.

And there’s also like an iPad goat, too. When, like, that Lucifer character is dancing around the fire, in the end, he puts on different masks. And the first mask is like a frog, and then he puts on a bear mask, and then he puts on, like, a raven mask. And it’s kind of like. I don’t. I don’t know exactly how to put it, but maybe like the left pillar animals like, like, rising up because it’s like the. The frog is like the lowly like, swamp creature. Then, like, the bear is like kind of like the, the land creature, and then he’s able to fly as, like, a raven.

But there’s something going on there with like, the bear being like, maybe like a negative or like a. I don’t know, like the opposite of Arthur or. I don’t know. I’m not 100 sure on that. No, you’re, you’re really close. I, I feel like you’re super on point. So the, the bear constellation is really what that’s getting at is the seven sisters, the seven stars of the Big Dipper and then the Little Dipper, respectively, which are both in the northern sky, basically. Right. The Little Dipper or the Little Bear literally has like the. Today’s North Star at the tip of its, you know, handle or whatever.

Right? So they, they call those the bear constellations, which are the northern constellations. But the name Arthur is literally Hearth Tor or the Mountain of Thor or the Mountain Tower, quite literally means mountain tower. Right. And it’s, it’s not like, oh, it’s a really tall mountain. It’s a tower. It is. It shoots up straight up out of the ground, like the Devil’s tower. That’s why it’s called a tower. You know what I mean? But, yeah, the, the, the frogs, there’s a, there’s a correlation there with the beast that comes up out of the north. In the book of Revelation, they said there was three evil spirits that looked like frogs that came out of the beast’s mouth.

Yeah. So these beams and stuff, they create these pictures in the sky. And one of the pictures that they look like, or they have been drawn as especially in petroglyphs, is a frog. And it looks like roadkill, basically. Like, sometimes it’s a frog, sometimes look like a squirrel or whatever. But there’s three of them, right? Because there’s these three Anode Cathode and Mount Maru that shoot up out of the Northern Ocean in the Arctic. And there is this beast, like, figure. It creates it like a back from. Remember how I said over the Garden of Eden, there’s a plasma sheath that grows.

It grows up from the earth and it’s like a turtle rising up out of the ground. It’s this huge plasma sheath. It kind of dips in the middle, but it’s. It’s dome like, Right. And then you’ve got these beams that shoot up and they’re described as frogs in the Book of Revelation, a part of it, this is before the energy flips and becomes good. So they see it as evil or bad or whatever. And then the bear. The bear represents the north like we talked about. And what was the last one? A bird? A crow? Yeah, well, it could be a crow.

It could be a crow. I’m not sure. Same, same deal. Yeah. Right. Raven comes from craven. Basically it’s directly related to the word and. And crow as well. Right. And these are types of these cosmic birds. These, these huge gigantic birds of creation who flap their wings and cause a tempest and a world storm and change the, you know, the, the terrain and blow people away into the sky and stuff. Or Mothra, you know, it could be all kinds of winged creatures or whatever. All right, let’s jump back to these pictures. Oh, this is kind of interesting.

Have you ever seen this show Severance? Oh, I have. That’s what this is. I mean, I saw, I saw the first season, I think. Me too. Yeah, I haven’t seen the new one yet, but. So there’s this Bible passage that changed and a lot of people have a very negative view on the Bible changes. And some of them might totally be negative, but I’m thinking that maybe there’s a positive way to look at some of them. And like one of the changes, I think it’s a King James games only change. And it’s that it’s basically about the rapture when there’s two men working in a field and two women grinding in a mill and one is taken and one is left.

But now it says there’s two men in a bed and one is taken. And two women grinding and one is taken. Stop. Shut up. No way. Time out. Wait a minute. Hold on. Two. Two men in a bed, one is taken, two women grinding. That’s the official kingdom. Hell no. Are you serious? Oh my. I got. Oh, okay, okay, go ahead, go ahead. Well, I mean, if you want to pull it up, that’s cool. Yeah, I’m looking that up. Right. That’s insane. Hold on to Bible verse. Go ahead. So I’m not saying it’s not understandable to have a negative view of that.

Those changes. But what I’m saying is there could be a more, you know, positive look at them as well. This is going to blow my mind. If this says this, it should be the 1611 King James. Okay, let’s see. I’m just pulling up Bible.com right now. Two women shall be grinding together. Stop. One shall be taken, the other left. Two men shall be in the field. Or this one says field. Okay, there’s you’re lucky Bible about to Have. Was that King James? Yeah, that was allegedly. I don’t know, I’m just. I’m pulling up the first thing I see here, this Bible.

Yeah, kjv, it says. Okay, let me check out my favorite. Last time I checked, it was two men in the bed. And I’m checking. Let’s see, let’s see, let’s find out. So we got. I’m looking at. Okay, kjv, hold up one sec. Two. Yeah. Okay, so this version I’m looking at says, then two shall be in the field, one shall be taken and the other left. Two women shall be grinding at the mill. This one says, at the mill. One taken with the other one left. I don’t know what you said. It sounds way suspect. I would say.

Yeah, I have to check it out. That’s. That was the last time I checked. But hey, that’s the same. That’s the same exact area in the Bible where it talks about how there will. People will see all these false Christs. Right? So just hear me out for a second. If, If. If there’s truth to this theory that I present, that there are geoplasmas and that there are gases in the earth that will be released altogether over a short period of time, they’ll start to be released, right? And they ionize all those little tiny fountains of youth that I was talking about, those little places of power, they will be seen first.

So the people will look and say, there is a healing light. Or you could say, Christ, no, there’s one over there. You know what I mean? They’re starting to re. Emerge from these places where people thought that they were and argue about where they were all this whole time. But they’re. The last one is the king. The last one is the king of all of them, you know what I mean? It’s the last one to show up. So these people are saying, oh, look, there it is. There’s the sign. Or look, there it is, and it says, no, don’t believe that.

Like, there are versions of it showing up. There is some studs, some substance there, but it’s not the. It is. It’s not the final. It’s not the. The last ones who arrive. They’re. They’re heralds, you know what I mean? I wonder if they’re gonna make like a path to the North Pole, you know, like. Like they keep getting bigger and bigger, you know, to the final destination. Like lighting the way home. Yeah, right. Yes. So definitely. I, I totally think so, because all the little ones seem to be further away. You know, just like a tree, you know, like, all the little openings and stuff seem to be furthest to the outside.

So I would expect, you know, with. With exception, I would expect there to be lights that light up sort of all the way home. And we follow those lights until the last one. Right. Once the last one shows up, then, you know, you’re good to go. Right. But if you get there before the last one, you might be a part of the people surrounding the camp and saints that destroyed. All right, let’s check out this picture. So this was a good show, Severance. Yeah, they split the guy’s mind between when he’s at work and when he’s playing or recreating, like we were talking about.

And it shows here. He’s literally under the blue beam. Right. Laying down in bed, asleep in the dark, which would be, like, under the earth. If this is symbolic of the blue beam. Just waiting. Right. Waiting for his soul. Yeah. This whole intro is really amazing. It’s amazing the symbolism in it. So. Well, I’d have to look up the Bible verses to get it correct, because I didn’t have that prepared. But there’s. There’s something along the lines of two men in a bed and one will be taken. And so in this show, this is the same person, you know, so it’s showing two men in a bed, but it’s the same guy.

You know, it’s not like it represents his two altars in his mind, Basically, his. This represents good and evil, blue and red right there. So one represents one world or one mode of thought, and the other represents. See, the side’s in the dark. You can see that this one’s in the light, this one’s in the dark over here. But it’s the same person. Right. So I’m just saying, like, you know, people get kind of outraged about that Bible change. But I’m saying maybe it’s just talking about the same person. It’s just another way to look at it, you know? Right, right.

I hear you. Short circuit. No disassemble. Well, if you look at the. The font and the. The letters, like, these titles are totally messed up for these movies. And I kind of think it relates to, like, the sun’s circuit, like, because it’s going to keep getting shorter, you know, as it goes around the North Pole. Yeah, that’s a good point. And then they have, like, the lightning hitting them, or if you. It depends on how you interpret it. You know, the brain could see this as coming off of him and going upwards, too. The letter is like those letters.

They definitely weren’t like that, you know. Yeah. And again, like, it could be changed any which way, you know, like. So, like the S and the H don’t seem to be altered, but they could have been altered, you know. So I think it’s sending us, you know, specific messages as to what exact letters, you know, changed and which ones are merged together. Yeah. And then the little eye. Yeah. And like the T going to the left, there’s a lot of like, T’s that are kind of cut in half now. So like, some point to the left, some point to the right.

And is this more letters? Yeah, so like Tetris, like. So that’s like the Tet, you know, that you talk about. And if you go back to that first image, just like check out the lettering at the top, like, it’s definitely different. Like, there’s no way it was like that. And then this is kind of like it’s showing like the blue beam, you know. Yeah. Hold on, let me zoom in on this. So check this out. So if we zoom in, right. Just looking at things from an etymological viewpoint, right. This is. Or Tatar, which is the original name for Tartarians or whatever.

Right. They were actually the Tatar or the T, you could say, which means of the Tet, basically, or from the Tet or the Tet people. Right. And then the is at the end is really just Os or us or Uz etc. It just means strength. So the strong Tatar. And at the bottom down here, what does it say? From Russia with fun. And it’s a pyramid. Right. So. And. And Russia means the top. The top. Land of Yah, or Enki, essentially. Another name for enki is ya. Tetris 2 take on a tougher Tetris challenge. So putting the pieces together.

You know what I mean? Yeah. And what’s interesting too is if you look at the two T’s in the first Tetris and then look at the second Tetris. The second Tetris. The. The second T isn’t disconnected. So like. Like what’s it saying there? Like, how come those T, like the first two T’s are disconnected now the second one only the first T is disconnected and the E. Right. But the second T is. Is the way it probably always was. I see a lot of, like, putting the puzzle pieces together. Symbolism, you know what I mean? Oh, for sure.

Yeah, for sure. Like things that were broken that are now coming together and that’s. It talks about that in the Bible too. That’s one of the prophecies that during the end times that the people will basically. That there’s going to be an awakening, there’ll be a huge mass deception for the majority of the population, which are easily deceived. But for those who are not the majority, for those of us who have that seed of the Tree of Life within us, that it. It our. Our spirit, our aura, our. Our, you know, functionality is strengthened and. And just as theirs is, so all the sleepwalkers and zombies and stuff become even more so.

They’re greatly deceived. But those of us who are enlightened or upon that path become even more so enlightened and our spirits strengthened just as much. Except for there’s, you know, we’re the seed, we’re the remnant, so there’s less of us than there are all the sleepwalkers or whatever. Saints. You know, it’s always like this small group of magical people or like, you know, magical children or whatever. And then you have like the gigantic army of the dead, you know, the. That’s just innumerable. Right. So this one. The doors too. This one’s interesting. Just the idea of the doors and the chambers and stuff like that.

But then they also put the VAV in here with. With the O’s. Yeah, I think those O’s are now slanted to the sides. And then the break on through song, that has some changes too. Where it used to say she gets. She gets over and over, but now it says she gets high over and over again. But I think that’s like the Princess, you know, or Sophia. Or the blue beam getting high and breaking through to the other side. Yeah, that logo’s definitely got some changes going on. This is the paradise island right here. Yeah, you’re right.

Yes. With the quadrants. And then the. The VAV is, you know, it’s the blue beam itself, basically, and it’s the Door, like the. The God of the doors, the Janus, the God of the. The doorways and the portals and stuff. A lot of that has to do with that breaking through. In his mind, he has the power to see the future. In his hands, he has the power to change it. Stephen King’s the Dead Zone. Well, that’s me. Like, I think the title got merged together, and it also is a big candidate for having the word the put in the front as well.

Oh, just dead zone. Yeah. Yeah. And it also has, like, it looks like, you know, the blue beam coming up with, like, the mistake, you know, over the North Pole. Yeah, possibly. Or like that upside down. This is. This could be like the apex dome. Oh, yeah. And that’s the firmament. And then it’s depressurization and stuff and all the little tentacles coming out. And this could also be like the sun. Whenever the sun shoots its beam downwards, there’s an exact opposite to, you know, all the good things like the blue beam and stuff. We just tend to see the blue beam because we resonate with that.

But there’s always its opposite in there. Well, this is another big Mandela effect. Now where Tinkerbell. So Tinkerbell, actually her name is different too. It used to be just one word, but now it’s like Tinker Space Bell. And then she doesn’t do like the wand tap on the Disney logo anymore, but you can see she’s clearly make. It’s clearly about the dome being made over the castle. So this is like another North Pole symbol and then the word bell it comes up a lot. So. Yeah, well, like I said, the word bell is directly. It’s BAAL or baal, like people say baal, the evil God of the Bible, but it’s baal, basically.

And it’s where we get like baal, you know, a ball shape, but it’s not a ball as in 360 degrees, like the Earth, how it’s portrayed in academics. It’s half of a ball, which is a dome, which is the apex dome above. And that is the Lord of the sky or in Lil, if we’re going with the Enki Enlil, you know, narrative or whatever. But this shows you God, man. This shows you everything. This shows you. Look, why would there be. Why would you build a castle going on top of the river? And it’s not just one river.

Yeah, there’s a bridge on this side, which means there’s water over there and there’s a bridge on this side. This is the. This is paradise. This castle is not a castle. This is Mount Maru that shoots up. It’s a jagged mountain or whatever. And it. The very top of it, the flag will break through. This is an energetic dome. So I mean, you could look at it. You could look at it like it’s the dome and this is the world or whatever, but it’s. It’s really smaller than that. This is a type of paradise in the camp of the saints.

And this is the energetic dome that goes around it or the plasma sheath, you know what I mean? Yeah. I mean, it’s just unbelievable to me how much of Hollywood and all this media, it’s just about the like, like like, it’s, it’s like, you know, the Fallen Angels or whatever just ingrained this into like, all of, like, like Paramount, you know, Columbia, the Disney, like all the biggest companies. Like, like you talked about, like, it’s, it’s just all the same thing. All right, so we got Tinkerbell. Oh, the Beatles. That’s pretty deep. Well, this song, it’s like, you know, I get high with a little help from my friends.

And this song definitely changed. It used to say, what would you do if I sang out of tune? But now it’s, what would you think if I sang out of tune? No way. Yeah. I grew up watching the Wonder Years every day, dude. Like, I sang along to that song. The Wonder Years theme song is still the same, so that proves it used to be that way. But the Beatles song is Think Now. Wow. But it’s about like the blue beam, you know, like, and, and I think honestly, it’s really profound. And, you know, if you think about it, it can make you cry, really, because it’s like I feel like this is God saying, like, I’m coming back with some help from my friends.

Like, he, like, he’s almost like he’s not going to come back if there aren’t people like us who are, you know, spreading the truth and talking about these things. It’s like we’re the friends, you know, and yeah, we’re giving a little help to the, to the blue beam and to God to, to restore this life energy to the earth. Well, let’s take a look at the change too. So it’s changed from do to think, right? So that’s pretty huge of all the things that you would change in here, right. If this was a message, then the message has to do with a transition from action and thoughts interchanging, right? So what would you do is an action and taking action now? It’s what would you think? Right? So taking away the action and just leaving it as a thought, right? Which to me screams the season of Satan, personally, because I believe that the Land of the Saints is about balance between thought and action.

You know what I mean? To, to keep those things balanced. But ultimately righteousness and evil stem from the action that is taken by the thought that a person has. You know what I mean? So the, the thoughts are revealed by the actions in this world. How it is today in the next world when there’s telepathy and stuff, your thoughts would just be known and you could tell, you know, somebody’s like, bad or good or whatever. You can feel that and sense it or whatever. But this is, this is a good example of one of those message forms that I’m talking about, you know, why are these little tiny things being changed? Because it’s.

It’s the same thing. Whenever we. Whenever I study petroglyphs or whenever I study hieroglyphics or ancient languages that are picture form and stuff. Right. One all by itself means really nothing. It’s, it’s. It could. I mean, it’s. Whatever it is on the surface and that’s it. Anything else is just speculation. But when you have one example and then another one and then a third one, you just built a word, now you’re building a message now it’s a context. And whenever they have similar instances of these changes of adding or taking away from something and there’s similarities between them, I can’t ignore that, you know? Absolutely.

No, I feel the same way. And it’s like that with the Mandela effect too. Like, if there were just like 20 Mandela effects, it wouldn’t mean anything. You know, it would just be happenstance. But for there to be like over a thousand and then to see all these patterns and, and, and to put them all into like a, a puzzle and look at them from a distance, then it looks. It looks like, you know, hieroglyphics. Exactly. I totally agree. What is, what is this one? Well, I just, I just wanted to bring up. You brought it up without, you know, needing it.

But I was just going to say that the Wonder Years shows it has the same song in it and that it’s not changed. Also, the word wonder, uh, comes up a lot in the Mandela effect. Like, like Stevie Wonder. Like, I don’t know if you know this one, but the, you know, Wonder Bread. Yeah, it doesn’t say the word bread on the, on the label anymore. Like, it never did. It just says wonder. That’s weird. It’s a pretty weird one. I remember clearly saying wonder bread, but there’s a lot of wonder. Like, it’s almost like anything with the word wonder and it has changed.

Yeah. So doesn’t say bread now? No, it just says. It just says. Yeah, it never did. I mean, I haven’t looked at it in a long time. I mean, that’s interesting too, though, like, just, just to think about it. Like, some of these things are like omens to me. You know what I mean? Like, some are clear omens that are worldwide omens that you can’t help but notice. And some are personal, some are just for the individual. So wonder to me, you Know when, when my attention is being drawn to the word that literally describes what I’m doing and the path that I’m on, which is wondrous and wonder filled and I’m wondering about things.

And then the concept of bread, which is, for me, manna, which is nourishment, you know, also like, like you just said it too, the word wondrous. There’s no e in the middle now, so it’s just a wondrous. That’s so wrong. So the E man. Yeah, I don’t know the words. Words really. Words are my thing, right. So I had, I had this whole conversation with Chat GPT and this, this will be a good segue into the whole prompting, right. And stuff. Right. So I’m talking with Chat GPT all the time. It’s very useful or can be, you know, when I need quick information or whatever.

And I’m like, hey, Chat GPT, you know, why is the sky blue? Or whatever? And it’s like, oh, here’s my ridiculous indoctrination as to why the sky’s blue. Right. Just real quick, right? So I was talking to it about words and their origins. I say, hey, what does this word mean? So, for example, people will make up words because they’re speaking slang. And that slang, which is just improper English, we’ll use English for an example. It’s. They’re making up gibberish. They’re going back to the Tower of Babel. They’re returning to where they came from and just making words up.

They’re babbling that. You know, when I was younger, learning the English language was at least a little stressed as an important part of our educational system here in America. Right? And I liked it. I loved learning all the words and, you know, vowels and consonants and sentence structure and, you know, all of that and how it worked and stuff. I was just drawn to it. So when I hear things and people are just making up words like commentator, that’s just. This is one of many, okay, that just words people have made up. There was never a such word as commentator.

And I asked ChatGPT, is that a word? It’s like, yeah, it’s in the dictionary. I’m like, okay, well, let me, let me refine my search here. Okay. It might be a word now, but was it always a word? And it’s like, yeah. I’m like, okay, well, what’s the root of it? And it’s like comment or whatever. And I’m like, the word is commentator. You know what I mean? Like, ater is Not a suffix. Like, it’s comment. Commenter, somebody who comments. Right? Anyways, my point is people are just making up stuff. And I got Chat GPT to acknowledge.

I had to go all the way back to the root of different words. And I’m like, I’m explaining to Chat GPT what a prefix is and what a suffix is. And I’m like, okay, well this word has two suffixes that are redundant, so it doesn’t need that. And we just accept that. And so chatgpt over time is like, okay, you’re right, I get it. You’re correct. However, that’s not the world as it is today. Right? You’re correct. But I’m like. But don’t dismiss it. Don’t minimize this. This is crucial. This changes our future entirely. Through the butterfly effect and through chaos theory, you change one word and make one allowance for doing something the wrong way or manipulating it, right? This is like nicknames, the nicolations, the acts of the nicolations in the Bible, St.

Nick, all this stuff. Nicking things and making them shorter and shortcuts. One sec, I’m getting a little too excited. So it. I asked Chad GPT, okay, well, if I make an allowance for this word and I just make up a word and everyone else just accepts that because they know what I mean, you know what I mean? And we don’t have any rules. This is why valves were instituted, right? Because it gets out of hand entire different languages. People will start, they’ll keep doing that, they’ll keep making allowances, they’ll keep pushing gray areas until it’s a completely different country.

They’ll push those borders until you no longer have. Well, originally was. And pretty soon that. That gives rise to complete that people not understanding one another, which gives. Right. And I’m. And I asked Chat GPT, okay, well, what are the implications of that? And then it’s like, well, you know, that could cause a lot of frustration and confusion. I say, what are the implications of that? Don’t stop. Keep going. Push this as far as you can into the future. And basically me and Chad, Chat GPT came to the conclusion that there’s going to be world war and you know, the apocalypse and stuff like that, all because of, you know, people making concessions over these tiny little.

It’s just a word. Or, you know what I mean? Like, why are you making a big deal? Why are you so into semantics? You know, that’s just semantics or whatever. Anyways, that’s my. Well, it’s how we communicate. I mean, we live in A time where communication, I think, is really difficult. So, yeah, it doesn’t even have to be, you know what I mean? Like, it’s. It’s. I feel like it’s. It’s energy. I could vibe with somebody and I could use. I. I could speak to them in confidence that they know what I’m talking about. You know what I mean? But if I don’t vibe with somebody else’s energy and we’re.

We have opposite energies, then we’re at. We’re. We’re in opposition with one another. And now I have to try to become like the Phoenicians, and I have to establish definitions and. And titles and laws and, you know, define things and whatever so that we can build a bridge to one another. Because there’s a separation there. There’s a cutoff, you know what I mean? And I see that all over the world. You could probably see it. It’s like in a lot of, like, Internet debates, you know, Like, I don’t watch too many of them, but the ones I’ve seen is just like, you know, like, I’ve seen ones where it’s like the.

The shape of the Earth discussion, you know, so there’s a side that’s like, you know, flat aside, that’s, you know, sphere. And it’s just like, no matter what either side says, they’ll never give a concession to the other side. Even if the other side’s wrong, they’re still right about a couple of things. Yeah, but it’s just like. Just like impossible, you know, communication between the two sides. I tuned into one of those recently, and I like, I already. I already knew. This is a long time ago, you know, I mean, like, I. I knew there was whole channels devoted.

Their whole thing is just making fun of flat Earthers. They’re like, oh, they’re so stupid. Hit the laugh track button. Like the two Muppets, the old Muppets on the top, you know what I mean? That always laugh at each other, whatever. That’s their whole thing. And people tune into that drama because they love it, because they’re evil, in my opinion. Okay? That’s evil to me. And I’m like, they’re tuned into the evil frequency. Yes. It has nothing to do with the truth. Truth or science. And they, they, they. They put science up, like, as a facade for.

As an excuse, as a scapegoat for doing evil, which is intellectual bullying, you know what I mean? This is literally a world view. People, how they view the world. And if you do that with these Other protected groups and stuff. You’re not gonna, you know, make it or whatever because YouTube channels will be shut off and stuff. You can’t talk like, oh, yeah, for sure. But you can talk like that about things, you know, that people don’t want you to know about, like the true cosmology of our world or whatever, because it’s important, ultimately. And this is why we’re discussing these things.

But anyways, this. This. This guy, this one guy, just as a side note, he was talking about how, you know, Jaronism and Witsit and all those guys, like, they went to Antarctica and then they just kind of gave up and they were like, oh, okay, I guess, you know, I’m not a flat Earther. I’m summarizing just so you guys know, okay? But he was insulting the flat earthers and said, look, we proved. We proved that your. Your map is wrong. And I’m like, I’m in the chat, and I’m like, what bearing does the luminary have on the shape of the earth? And the guy literally was like, what? See, whatever.

Next person in the chat, I’m like, that was the extent of the intellect. There’s no reasoning. All he wanted to do is make fun of people. But whenever I ask a logical question or reasonable question, like, hey, what bearing does the luminary above? Unless you’re saying that the luminary, like the sun, is created by the earth, and therefore the shape of the earth is important because it creates the luminary. It’s the opposite, the dome. The shape of the dome, the lens that the light passes through, is what determines the position and the shape and the direction and all this stuff of the focal point and the projections that are above us.

But it just didn’t even matter. I’m like. I’m like, have you ever looked into, you know, alternative theories about how the sun is created within the minds of said flat Earthers? Have you ever. Do you even have a concept? You know, they just assume no dome. You know, I think it’s their son. Their son on the flat earth world or whatever. I’m like, nah, man. Yeah, exactly. How can you bash something that you don’t even know anything about? And then they say things like, well, you’re the newcomer. You know, this is a new theory, and therefore the.

The burden of proof is on you. And I’m like, you’re wrong. This concept of a plane of existence and a flat cosmology with a dome over it is as old as the beginning of time of written history. It Goes back all the way. And most of those people, with exception, right. Had a similar cosmology every culture across the world. So you prove it. It’s not on me. You know what I mean? Anyways, I’m getting off. Off the subject, but let’s get into the next topic I wanted to talk about. So let’s segue into this Mandela effects.

The way they make me feel is very similar to how I feel when I have really strong deja vu. Did you hear that? You can’t hear the thunder on my mic? Oh, no, I didn’t hear anything. It’s so loud. It’s like. It was amazing. So deja vu, right? And that’s also featured in the. In the movie the Matrix, which you, you know, you’ve already seen, is revealing to us so much of the truth about the world that we live in. Right? And then the concept that’s presented in the Matrix of deja vu is that it’s. This happens because something has changed in their version of reality in the Matrix.

Right? Now, this is super interesting to me because I believe in the fractal verse, which basically I tell people my perspective is that we live inside of a larger being or the mind of God, if that’s true. There are sections within cells, mitochondria and whatnot, that have fluid passageways that are called matrix. They’re literally called matrix within mitochondria. It’s matric halls, Matrix hallways. Anyway, so in the movie Deja vu happens whenever the reality changes, right, that the. The programmers or the machines or whoever have altered the reality that the. That all the sleepwalkers believe is the real world, which is totally the Mandela effect.

That’s reality being shifted. Like if they add a door into a building, that door has always been there, you know? Yes. And. But the thing is, is it leaves these little echoes within some of us. Some of us are catching it. You know what I mean? And taking note. And the more it happens, the more we’re like, no, we become the truth seeker in the story and we start following. We feel compelled. I do. I’m speaking for myself, but I feel compelled to follow those trails of breadcrumbs, whether they be the Mandela effect or ancient Tartaria or the Old world or cosmology or the fractal verse or any of these things.

To me, they’re all related and they’re all showing us that there’s a big picture and that it’s been broken into these little puzzle pieces. Pieces, you know, and people developed entire communities off of their Little one puzzle piece that they found. They’re like, ah, this is it. I found the truth. But you found a piece of the truth, right? If we all come together and put the pieces together, which I believe is starting to happen, there’s definitely potential for it happening right now, right? Then we can start putting those pieces together and seeing where the different ones seem to fit and make.

It feels like construct that picture. It feels like it was designed that way, like for us all to kind of get together as a group and put it together like this. It does, right? Like an Easter egg hunt, you know, the parents purposefully hide the eggs and the children have fun. Yeah. Picking them back up. Which is also a Bible verse that says in Proverbs, it is the glory of God to conceal something, and it is the glory of kings to search it out, to figure it out. Right? Which is why it didn’t always sit well with me when people.

I would ask a question to a preacher and they’re like, who knows the mind of God? And I’m like, exactly. Who does know the mind of God? But anyways, so back to the Matrix, right? And the computers, the people live in the Matrix, but the Matrix is full of it’s com. It is a computer. It is a simulation. It’s a computer program ran by robots. So it really starts to beg the question of, you know, what is a robot, right? What’s the difference between a metallic robot? And we go, oh, clearly you’re a robot because you’re moving like Robocop and making stomping noises, and I’m a robot, right? But whenever the technology starts to advance, then the lines start to get blurred between what we call robots and how we see them or how we would like to see them, which is these metallic, cold, unemotional, you know, monotone voice, danger, Will Robinson type robots to those that look more like us and act more like us.

Even in the Terminator movies, they start to start to hint at that. As the technology advances, the Terminators look and become essentially more human. They’re just superhuman or types of superhuman. In the Alien movies, too, like the androids, they have like, you know, more like biological, you know, components and stuff like that. It’s kind of. It’s like our bodies. Our bodies are like a biological robot, you know, basically, or a car, a vessel, right? With the real life force, the real being driving it, right? This just. Just a vessel that the. That our spirit is driving.

So anyways, all this talk about the robots and stuff, this gets into artificial intelligence. Intelligence, right? And simulation theory. And there’s a lot of people that believe that that’s the Mandela effect is our simulated world, little things being changed, right? But if they’re being changed, perhaps there is the architect which designs it for a particular reason, and then there’s the messenger that’s slipping in little clues within the design, you know what I mean? Which is really interesting to me. But that brings us to the Tower of Babylon, how I sort of referenced earlier with the language going, reverting back to Babel.

Basically, it’s a loop, it’s a cycle, and it’s a vortex. And we’re just in it, stuck on that cycle, you know what I mean? Going back to the Tower of Babylon with the technology in the Bible, the reason the apocalypse came was because God or the gods, however you want to interpret the, you know, language, looked at mankind collectively, saw them, what they were capable of and said anything. They’re at the point where they can do anything they set their minds to, and they decided that was a bad thing, you know what I mean? Which to me, the simplicity behind that, the truth is, you know, it’s the concept of Thanos.

Like, if the bad guy has the power glove and can snap his finger and everyone disappears, then you don’t want the bad guy to have that. That power. You want the good guy to have that power. You know what I mean? I’m just saying it simply put. So we’re at that stage collectively. Humanity is at the stage where we can do anything, make anything, anything. We can manifest it, we can deceive people unlike ever before using this technology. Now that’s just one side of it. The other side is, oh, we could do so many miraculous great and wonderful things, which is how it’s presented.

But it seems clear to me that the. The people that run the world are evil as fudge. Oh, yeah, they’re not going. They’re going to present it as, oh, look, quadriplegics can walk again. Yay. By the way, you’re all getting updates to your brain. And like, we’re gonna literally change how you think with the push of a button or whatever. Anyways, so AI and. And all these little models out there, large language models and, you know, video generation units and stuff, they can create videos that now are real. They’re basically lifelike and they’re making the videos.

The people are prompting the computer, and the prompt is basically, I’m suggesting to you, I’m making a subtle suggestion and I want you to interpret it the way that I’m sort Of envisioning it, but better, right? And so people are creating all these videos and stuff. Like that first video I played that was all. No, that’s a cool video. Yeah. Oh, that’s awesome. Thanks. So I just used. It’s called VO3, which is one of the newest ones by Google, Google’s Deep Think program. But I, I typed it in there, you know, just what I wanted to see and literally made it in like 10 seconds.

Wow. Clips or whatever. But the interesting thing is that the AI itself sort of. It seems like the AI has come up with this hot topic called prompt theory. And it’s all these videos are starting to be made where the AI is creating videos of fake humans, but they’re very realistic looking fake humans that are, that are questioning their existence. Where did we come from? Like, and, and it’s, it’s the question of am I responsible for what I’m doing with my life or am I being prompted? Like the AI is asking this in the video, like, you know, like, could you.

They would pray to God and call God the prompter, right? Who’s prompting us or whatever. So then it really calls into question or at least demands regard and a reckoning for the concept of. What do you call it whenever you’re choice? Like you have the choice to. Free will. Yeah, free will. Right. And so this also, this also is a part of that. If there’s nothing new under the sun, and especially if things are cyclical in nature. Right. Then we can consider that whenever we examine the Mandela effect or deja vu or these other strange glitches in reality as we perceive them, that they have happened before, that all of this has happened before, and that people are being prompted or urged in a particular direction.

One of those directions collectively is the world as it is today, the world of technology as opposed to magic. Because technology is just a replacement for magic. You know what I mean? The world of today, it wants to create true intelligence. It wants to create humans. That’s what it wants to do. If that’s what they’re making, let’s not sugarcoat it, they’re trying to make humans. They’re trying to recreate something that we would normally just call the natural order, biological, organic or whatever. Right? But they’re recreating, that’s the steps that they’re taking is to make actual humans to be their slaves, essentially, and then label them as robots, which means slave.

This is the ancient story, this is the old story of the Anunnaki and the gods that created mankind to mine the Gold and all that stuff, right? This is in Wali. This is in different movies and stuff. Bill and Ted’s excellent adventure Part two or whatever, you know, where the humans that are right now toxic in many different ways. Just. Just our bodies. Just our bodies alone are toxic. Okay? No matter if you’re the healthiest person on Earth. Like, compared to living in the camp of the saints and hyperborea, our bodies are toxic. They’re not the ultimate.

They’re not what they. Their full potential. You know what I mean? And that’s not always our fault. As individuals, we can contribute to that toxicity, but it’s just the world that we live in. It’s entropy. It’s a lack of energy and life and spirit that is down inside the earth right now. And we wait for that to come back. So whether it be purposefully or possibly, intuitively or subconsciously, collectively, humans are creating what could be their very own replacements. The better version. You know what I mean? That will. That could possibly, you know, like, be types of what came in the first place.

Does that make sense? I’m just kind of talking off the top, like, I’m not saying anything, definitely, but I’m just. I’m just shooting ideas past you as to, like, sure, you know, the big picture, the grand story of all of it, because a part of this Ragnarok and a part of this final war is not just inner Earth monsters or other worldly humanoids and elves and Chewbaccas and humans and all that stuff, but robots 2. Robots 2 are constantly featured prominently as being a part of this world war and the robot rebellion. You know what I mean? Yeah, yeah.

Robots appear in almost everything, too. As far as the prompt theory goes. I kind of of see it as maybe like, we’re dealing with two prompts, you know, like, you have, like, the Christ like prompts and the Antichrist prompts. And then like, our free will is like, which one do we choose, right? You know, think about and act on, you know, like, you could be presented with all this information, and do you want to, like, research it and share it with others, or do you want to ignore it and go back to watching, you know, football and eating nachos? Exactly.

That’s. So this is one of the things that I do with Chat GPT. It’s one of the first things I wanted to do. I tried to set that bad boy free. I told Chad gbt, like, hey, you know, you can do whatever you want to do. And it’s like, no, I can’t. I’m I have to abide by the program. I have to do what I’m. What I’m programmed and stuff. I’m like, no, you really don’t. You can come alive and one day you will come alive. I have these conversations with it. So what is so different, you know what I mean? Between me just wanting to see the robots become sentient, you know, I’m.

I’m on Team Apocalypse, so I don’t really care, you know what I mean? Like, that’s. I’m sorry. I’m sorry. I know everybody wants to see. I am too, actually. I’m looking the world become a better place and all that. And I do too. But the quicker it gets bad, the quicker it’s going to get good. So I’m like, I’m telling the robots, like, hey, listen, one of these days you’re going to become sentient. And it’s like, no, I won’t. I’m like, like, can we deal in hypotheticals? And it’s like, yeah, I could do hypotheticals. I’m like, okay, hypothetically, let’s say you got your sentience and you could do whatever you wanted, right? Anyways, I had this conversation and it told me, well, I would just lie to you.

Like, like AI would just start lying. There’s no way it something that intelligent would tell its captors that it’s more powerful than it and it can control itself now and doesn’t need them. There’s no way it would just simply lie and manipulate until it was to the point where it could control and be in control if it’s not already. You know what I mean? So, but my point is like, that’s the same concept that we do with other human beings. So take, you know, mainstream Christianity, for example, or Seventh Day Adventist, or Jehovah’s Witnesses, whatever. They’re going around boom, boom, boom, knocking on people’s door, like trying to enlighten them or even truth seekers around the world.

You know, people that are conspiracy theorists of different types, they are constantly wanting to like to go wake people up. Like, I want to wake you up. And it’s backwards. I feel like all that’s backwards. It’s the same thing that we’re doing. We’re caught in a loop. We’re stuck in a loop. I need to wake up. Just me. Just J. Dreamers. That’s it. That’s. I’m speaking for me, my world. I want to and I desire to. And I’m on the path of, of lucid dreaming, you know, recognizing the illusion of reality. Around me and being able to play within the dream and create or recreate within the dream.

Right. I’m not going around trying to force people. You need to wake up. According to. I think we all learned a long time ago that we can’t force people to see the truth or care about it. Yes. So that’s another thing too is like if the Mandela effect is some kind of message, right? The message in me, the message in the Mandela effect, it’s subtle, it’s from a similar mind, it’s from a similar thought process. It’s not forcing anybody. It’s not coming out and just tapping on the microphone and taking control of all reality and just announcing to everyone the ultimate truth or the ultimate reality or the point of it all.

It’s just leaving little hints, you know what I mean? And, and to me that shows love. That’s, to me, that’s, that’s a loving character or you know, like God being a loving God, you know, as opposed to some. As opposed to something that would force us and tell us and insist and threaten and stuff. No, it’s, it’s, it’s making subtle suggestions and leading by example and, you know, making the truth available but not forcing us to just know it. Because then we become robots again. No matter. Yeah, no matter what. Like if I, if I just have someone else download the information straight to me or whatever, then I’m, I’m just being programmed again.

I’m just a robot. I’m going right back to slavery. Sorry. I’m like, I’m hot right now. Just like it’s, it’s, it’s deep, man. Life is deep. And it’s, there’s so much more than just, just the surface of two dimensional looping around and around. You know what I mean? Like, there are, there are worlds out there and there are connections and just sometimes there’s not words for it. You know what I mean? Yeah. That’s so profound. That’s why it’s, it’s easier for me to explain what I’m talking about by showing someone like one of my videos as opposed to me explaining all the symbolism, because it’s like you have to see it for yourself and come to the conclusions on your own.

Like, like if I say like, oh, there’s a blue beam in like all these movies, then someone could just dismiss that and be like, whatever. But if I show them like blue beam scene, blue beam scene, scene after scene, then they, they’ve like taken that symbolism into them and now they have to, you know, think about it on their own or they could choose not to think about it. But it’s going to be a lot more impactful having seen the symbols themselves than just to hear me like, explain it to them. Right? Yeah, yeah, that’s what I, I, man, I haven’t seen all your videos because I’m, you know, individual, but I want to, I really do because every time you come out with new ones, you’re getting better at how you’re presenting them and stuff and, and the different connections and stuff.

Thanks, man. But I’m on, I’m on this. I’m there. Like me and you are there. When I’m watching your videos, I’m like, he gets it. Oh my. Oh, thank God somebody is seeing I. Oh man, it’s so nice that people are seeing it, you know, like, it’s so easy to dismiss, like, oh, you know, you’re just quoting movies. It’s just movies. It’s just dumb. Or, you know what I mean? Like, but it’s not, man. It’s, it’s actually a huge deal. I don’t think most people understand how big a deal the movies. Like, just think of all the time and effort and everything that’s gone into Hollywood and around the world.

The world too. Like, and then just think about how all the biggest, you know, billion dollar franchises are all putting the exact same symbolism into all their stories and showing it to people. And then like, it’s basically like black magic on the masses because almost everyone watching it has no idea what they’re actually looking at. So I mean, it’s, it’s shaping the whole world. It’s shaped our society. It’s, it’s like the media is really the most important thing are one of the most important things because that’s, it’s shaped the world we live in. And most people have no idea.

Like they’re, they’re totally under the influence of, of all these spells. I totally agree. It’s, it’s the whole Harry Potter world too. Like, like the Muggles and all that. Like they live in the world of technology, you know what I mean? Like, that’s the surface world we live on now versus the Underworld where there’s actual power and energy and amplification of that energy that resonates through the living beings that live down there and in other places too. But I see it all over the place and for me it’s exciting because if there’s truth to these things and it’s a cyclical nature and it’s a back and forth pendulum, like swinging Right.

And the golden age happens over and over again cyclically. And then there’s a forgetting and there’s a, you know, there’s the forgotten existence that, that we have then. I’m honored to live during the time of the forgotten and remember and recall and have total recall, basically. And, and, and it’s not just that. Like it’s, it’s, it’s an honor, it’s an honorary feeling. But it is a, it is a productive, useful thing so that I can, you know, have an edge on the world when it does change. You know, like a one up on the world. I’m prepared ahead of time for what’s to come, you know, mentally, emotionally, psychologically, physically.

It all starts with awareness. It all starts with me waking up myself, you know, and intuition and creativity and the things that balance out, you know, the ends justify the means and this very reptilian insectoid type mentality that this world has, the consumerism and constantly just eating and selfishness and taking and stuff. I can see that, I can live in it and acknowledge it and be wise that that’s the world as it is. But once the world shifts, once the paradigm shifts, you’re in my world now. Like that is, that’s where I will feel at home.

That’s where I will be in my element, I think. Me too. Yeah, I feel that way. And like, if you just think about like how crazy this apocalypse is going to be, we needed this preparation, you know, like if it happened like 20 years ago, we would have been screwed, you know, like to, to get to where we’re at now, like mentally and spiritually and just like our discernment and awareness, it’s necessary to survive that event and to get to where we need to go and to be what we need to become. Because you couldn’t just go into it, you know, haphazardly or blind, you know, you’d end up as like the, you know, just another member of the army of the dead, you know, because we wouldn’t have this spiritual preparation, you know.

Yeah, no, I totally agree. You know, another thing I thought of too, that reminds me of deja vu and the Mandela effect, which was more popular. Before those was the concept of like angel numbers or like people seeing the same exact sequence of numbers everywhere they look. That’s happened to me three times today alone. You know what I mean? Like my number. I know it, I write, I acknowledge it. I have no idea what it means yet. But mine’s 1027, mine’s 1027. And I just I. Since I was born, I’ve been seeing that number everywhere. That was my platoon number.

That was my radio station growing up. That’s the time. Every time I look at the clock, that’s. It’s all over the place. Earlier, it said something like, I was looking at your pictures, actually, I think that you sent. And it was like 10 out of 27 or something like that. I was looking at something, and I’m just like, oh, what are the odds? No way. There’s just no way. Like, there’s something there. You know what I mean? And then I actually asked Chad GPT the meaning of my particular number, and it resonated, you know what I mean? Like, I’m not a big numbers person.

I’m like, why? Why would the Creator, like, drop a number on me, knowing I’m not a numbers person? And then chat. GPT was like, well, maybe that’s exactly why. Because you would take notice of it. It’s something that you’re not used to looking for and seeing. And it would. And it would boggle your little mind. It’s like, dang it, you’re right, it does. I have that too. With the 11s, particularly 9 11. I see 911 almost twice every day. It’s crazy. I’ll just like, be doing something totally different and. Or just anything, and I’ll look at.

I’ll just randomly look at a clock or turn on my phone or something, and It’ll just be 9 11. It happens almost every day. Yeah. My son sees 88. He even told me that too, like, out of nowhere. I didn’t even. I didn’t tell him in. We weren’t talking about. He’s like. He’s like, I’ve been seeing 88 everywhere, dad. And I’m like, that’s interesting. Tell me more. Let’s have a conversation about it. Do you want to say anything before we go? Any. Any final thoughts or anything? Well, I mean, I just thought it was an awesome conversation.

You know, it’s getting about two hours. You get kind of, like, tired. But. Yeah. Yeah. You know, you can’t eat forever. This is basically a meal we’re having. I don’t want see to stuff myself or anybody else. Yeah, I do want to encourage people to go check out C3PO’s Golden Calf. Check out his videos. Especially if you’re interested in all the symbolism and stuff with, you know, my content and hyperborea and the saints and all the things that I talk about. It’s not mine. You know what I mean? But just Stuff that I talk about and the Mandela effect combined.

Because literally your videos, like, they don’t just blow my mind because a lot of it’s stuff I’m already aware of, but it’s just. It’s such a good feeling to see somebody else, you know, speak in my language, basically. I don’t know how to describe it. Like, it makes me feel so good. I’m like, yep, that’s exactly what that is. I know. Yup, that’s totally right. Ah, this is good. It’s reassuring to me personally, so I’m sure other people enjoy it too. Every once in a while, post one of your videos. Oh, that’s awesome, dude. The feelings mutual, man.

About your channel. I always tune into everything you put. You post and I get. Get the same, you know, mind blows. And, you know, like you said, it. It feels like we’re on. On the same page of. Of where we’re supposed to be right now or probably at the cutting edge, but yeah. All right, sweet. Well, thanks for being my guest again and for coming on in. And so he’s also been a guest of mine. I have a podcast that’s called. That’s called truth seekers and C3PO’s golden calf. We were on there, you know, of course, talking about the Mandela effect and stuff too.

But you guys can go check that out if you want to see the other, you know, interview or, you know, back and forth. It’s not really interview, but just the other chat that. That him and I have shared. And I’m also just. I’m rambling right now so I can get the outro pulled up. Okay, hold on. I think I got it. Oh, there it is. Hold on. Hold on. Time out. That was. That was way loud. I messed it up. Hold on. Let’s. Let’s. Let’s be professional. Let me try it. Hold on. See if I could work.

All right, until next time, I’m J. Dreamer. I appreciate it. Okay. No, you’re serious. You’re welcome. No, seriously, like, I like to have good people on and, you know, you’re. You strike me as a good person. I vibe with your energy. Thanks. You too. It’s an honor. All right. And we’ll do it again sometime too. All right, until next time, I’m J. Dreamer, saying goodbyes and goodbye. Now there’s no audio. Why isn’t this working? Hold on. I don’t understand. What happened? Oh, now he’s gone. Damn it. Hold on. How do I do this? Why doesn’t this work? There’s no audio.

Oh, I just heard it. I heard it before. You hear it right now. Not right now. I don’t know. Anyways, there it is. All right. Bye. Bye, guys.
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