Numb3rs Dont Li3
This blog post delves into the intricate realms of black magic, quantum theory, and consciousness, challenging traditional understanding of space and time. It explores the possibility of consciousness arising from unconscious systems, a concept known as the hard problem of consciousness. The post concludes with a thought-provoking discussion on realism, suggesting that physical objects continue to exist even when unobserved. …Learn More, Click The Button Below….
In his latest revelation, Numb3rs Dont Li3 unveils the insidious use of MK Ultra Beta programming in ‘The Wizard of Oz.’ A decoder par excellence on TruthMafia.com, personally endorsed by the sagacious Tommy Truthful, he dissects the metaphysical and occult symbolism laced through the film with the precision of a seasoned expert. His deep dives into the shadowy realms of Gematria and the underpinnings of Hollywood’s MK Ultra machinations expose a dark tapestry of trauma-based mind control shaping stars under the guise of entertainment. A favorite of Tommy, his work is not just insightful but alarmingly revelatory.
“Unveiling the Mysteries: Albert Pike’s Three World Wars, Black Magic in Hollywood, and Gilgamesh Resurrection Technology” Tommy Truthful Live 10-11-23
Published on: October 11, 2023 by Tommy Truthful
Published on: October 11, 2023 by Numb3rs Dont Li3
“In the realm of hidden meanings, the ancient art of Gematria collides with Carl Jung’s groundbreaking insights on the collective unconscious. While Gematria unveils the numerological significance behind words, Jung’s archetypes reveal the universal patterns embedded in human psyche. Melded together, they form a fascinating tapestry of symbolic interpretations, especially evident in the mystique of Hollywood. Behind its glittering façade, Hollywood wields a powerful tool: Black Magic. A form of manipulation that arguably leans on archetypal resonance to control and influence the masses. It begs the question: in the nexus of Gematria, Jungian psychology, and cinematic sorcery, how much of what we see is genuine, and how much is a dance of shadows?”