Faces of DEATH: The Documentary That Was Banned in 58 Countries

➡ The text is a conversation about a 1978 film called “Faces of Death”. The film, which was passed around on VHS tapes, is a collection of real-life accidents, cultural rituals, suicides, and operations. The speakers discuss their reactions to the film, noting that it’s not just about death, but also explores questions of morality and the sensationalism of death. They also mention that the film has a narrative and is more thought-provoking than they initially expected.
➡ The text discusses the movie “Faces of Death,” which was initially perceived as a horrifying and gory film. However, it turns out that much of the film was staged and not as gruesome as it was made out to be. The movie also explores philosophical questions about death, which was unexpected. Despite some scenes being overly graphic, the film is not as terrifying as modern social media platforms like Twitter, where real-life violence is often displayed.
➡ The text discusses a movie that includes various scenes of accidents, deaths, and unusual events, some of which are real and others staged. One controversial scene involves a monkey, which was actually a trained animal and the gruesome scene was created using special effects and props. Despite the director admitting that most of the movie was fabricated, the film had a significant cultural impact, earning millions and being banned in many countries. However, the author questions whether it can be considered a documentary due to its deceptive nature.
➡ The speaker discusses a documentary that, despite being promoted as real for years, is actually fake. They appreciate the filmmaker’s attempt to explore philosophical themes and the convincing execution, but they don’t plan to watch it again due to its disturbing content. The speaker also mentions the director’s experience with animal slaughter, which led to a temporary decision to become vegetarian, and the desensitization of slaughterhouse workers. The conversation ends with a mention of upcoming film discussions and a promotion for a comic about a conspiracy theory.

When you show up to Hibachi Grill and they got a monkey strapped in the middle of the table, it’s going to be a wild night. Under the docks yeah under the docks Buried deeper, we breaking the locks under the docks under the docks yeah under the docks welcome back to under the Docks. Spooktacular Halloween special. Ending it off with the classic. You got Sean, Chris, Paranoid American. What’s up, my friend? That’s my. That’s my ghost. I like it, man. It’s actually improved from the last three episodes. It keeps getting. I can. I. I get scared more and more each time.

We can throw some reverb on it and stuff. Make my voice all, like, super deep, like, I’m gonna kill you. Faces of death, 1978 film directed by John Allen Schwartz and also narrated voice of Dr. Francis Gross. I pretty sure a lot of people are somewhat familiar, if they’re in our age range and older, should be familiar with this film. It was one of the original, predating the Internet, where we would pass it along, like, hey, man, you see Faces of Death. Hey, have you heard of this thing called Faces of Death? It was almost equivalent to, you know, being an adolescent and somebody having a folded up nudie magazine in their pocket.

Like, hey, man, got this pinup girl in me. Everybody’s checking around. So these tapes would just. VHS would just float around and someone be like, my uncle’s uncle or my friend’s uncle, or my older brother has this tape of this, like, people getting killed and suicides and all. All the above. Yeah. This. The tape itself was almost an urban legend. And I. The reason I knew about it when I was probably, like, I don’t know, 12 or younger, that one of my friends that was on my soccer team, his parents owned a video rental store. And I remember asking him and his older brother, like, what kind of, like, tapes do you guys not carry that you’ve seen? Like, do you have any behind the desk or like, behind the curtain type? And I’m not talking about, like, adult movies, like, what are some weird stuff that you guys have got? And the.

His older brother would always brag, oh, I’ve seen Faces of Death all these many times. And he was explaining to me what was happening in it. And people are dying and getting hit by cars and eaten by alligators. And none of that appealed to me one bit, man. Like, I didn’t. I didn’t want to have anything to do with this movie, but I absolutely knew it existed. And actually, I think that I might have try to peek it A few times, but this is the first time that I actually watched the entire thing start to end.

Yeah, same. I was always like hesitant. I was like, I don’t really want to see that. I’m not a big fan of like seeing people get killed. Like, I don’t know, like some people are into that. I, I know like they, they don’t mind it. I don’t even really like surgeries personally. It’s just not my thing. I’m just like. So yeah, this was not a, this was a stomach rupture one for me. Like I was like, glad I watch this at 40 instead of 15. For sure though. Like this would have rocked my 12 year old brain without question.

And I’m. I was thinking too, what’s a better litmus test? You show your kid Bambi’s mom dying or you show him Faces of Death? Like it kind of, it kind of takes a lot of the guesswork out if you see how they react to Faces of Death. Foreign the course. So Faces of Death is basically a bunch of videos stitched together from all types of stuff. From cultural videos of like people setting themselves on fire or rituals. Cultural rituals where they would sacrifice somebody or, or suicides or operations. So you name it, it has it. And some of the.

I’ll go through a couple of the actual kind of deaths that they cover in this film. Accidental deaths. They have footage of real life accidents, such as people falling off things again, falling into things, alligators eating them. Like literally like in, in. The one thing I will say that’s crazy to me is that this is 1978. They have a lot of footage of this stuff, which I’m assuming now we have way more of this when. And this one too, it gets woven together over a narrative. So it’s not just a whole bunch of clips of people dying and you know, horrible like horrific accidents that it starts out that it’s about this Dr.

Gross and that he’s been having this reoccurring dream about death and that people that he knows are like constantly dying and he becomes obsessed with death and now he wants to learn everything he can learn about it. So he investigates cultural deaths and cults and, and like horrific accidents and probably like even near death experiences. And he even goes to like a slaughterhouse and talks about animal death. So really Faces a Death is all about death itself and people’s reactions to it and his reaction to it all in an attempt to, to figure out why he’s getting these weird recurring dreams.

So it’s a documentary that Kind of has a narrative to it. And it’s more spiritual than you would think, right? Like, not spiritual, but like the. The question of morality and, like, what death really is. Like, growing up, I’m thinking, again, I didn’t watch it. I’ve only heard like, hey, you’ve seen this. So I’m just thinking it’s just like, oh, my God, they’re just l watching. What now is like, on Twitter all the time. You can just go on Twitter. You will get killed every day if you wanted to. And if that’s in your algorithm, that’s like the start algorithm.

Just so people know, because I started a new pay, a new Twitter for a different, like, sports thing I was gonna do. And the baseline was like, just death. Like someone shooting somebody, someone fighting, someone falling off. But before I saw this film, I was assuming that it was literally only about just people getting killed and the brutality. It. But it actually questions a lot more about life than. Than you would expect from the film. Yeah, also, I was expecting going into this that there would just be a whole bunch of, like, raw, dirty VHS camcorder footage of someone getting run over by a train or, you know, like, viscerally being attacked.

And honestly, it’s very like, there’s a lot of cinematography here. It is a film like you’re watching a lot of these things happen on the height of what, you know, these guys were able to make in 1978. So it didn’t have that same found footage look to it. A lot of it felt like it was all stitched together to be part of, like, a cohesive story. Yeah, it really was. And it. It critiques, like, the sensationalism of death. Right. Like, it has some of it where it’s like when they go into the cultural aspects. Again, this is what connected me with my conspiracy brain.

The same thing with the last two of, like, these rituals, like, and then it kind of explores it more of like, what. What these cultures and not just rituals within, like, you know, the Illuminati or what people might think of, like, all these secret societies, but just religion and different packs of humans having certain mentalities of what they have to do. Like, even the whole, like this poisonous snake, you know, like the. The religious sermon of, like, yeah, it’s got to be bitten by this poisonous snake because you’re going to be saved by God. Like, you.

You don’t think of that as a ritual, but that’s a ritual. You know what I mean? That’s like actual religious ritual to perform and push you into the direction of what they want you to think. Fun fact on that clip about. I think it’s Pentecost. Pentecostal is doing, like, the snake ritual thing. But fun fact, that clip from Faces of Death made its way into a Michael Bolton music video. So just in case you’re wondering if Michael Bolton was hardcore, he was using clips from Faces of Death in his music videos. Yeah, that’s pretty hardcore, man.

That’s a good fun fact. That’s like a good, you know, around the. This summer. This is good the next summer when it comes around or you’re around a cold winter night and you got the fire going, because crack a beer over and be like, fun fact. Someone puts Michael Bolton on. Hey, fun fact. This guy put clips from Faces of Death in his music videos. You know that? And no one would believe you. They’d have to look it up. And then they’d be like, oh, you’re weird for knowing that. And then he also kind of explores the ethics of viewing, like, horror and debt.

Like, these. This. Like, is it just natural in life? Like, is it. Is it something we should fear or is it something we should study? Because I think that in general, most people, like we said, were like. I knew a lot of people that were like, it was like a badge of honor. But a lot of times you didn’t know if they really saw it, right? Like, yeah, no, bro, it’s exactly like that. It’s like their girlfriend in Canada. Or like, oh, no, I’m not a virgin. Oh, no, I’ve had all kinds of stuff. And you’re like, dude, we’re 12.

Like. Like, I know you’re lying to me. I felt the exact same way about people telling me they’d seen Faces of Death. It’s like, you can say that. And then I never saw it, and I never claimed to see it. So they would just tell me what it was about, and I would just assume that, okay, I guess you have seen it. But it’s. To me, that would not be a flex. If anything, it’s like, I don’t know if I want to sleep over at your house. Because they wanted to seem, like, tough. And they’re like, oh, well, I was able to watch it.

So again, growing up, I’m thinking, like, these guys are psychopaths, bro. Like, watching people getting murdered. And it’s not necessarily that. Like, yes, there’s some uncomfortable scenes. Like, for me, again, I don’t like that kind of stuff. Like, if it’s a movie. And then the cool thing is that it being 1978, and turns out a lot. And it’s leaked out over the years that a lot of these things were not real. Like, you know what I mean? There was a lot that was actually Hollywood Hollywood. And it’s not full on, like, just death, but he’s. It’s more philosophical, if anything.

Right? Like, that’s the. I didn’t really expect that angle. I literally thought I was. I was kind of, like, not ready. I was like, all right. You know, and I want to be clear, too, that this is not an easy watch by any means, but I probably was. I psyched myself out way more than I needed to going into it, because, like, you said, man, you can just go and follow, like, a Free Palestine hashtag on Twitter, and. And after 20 minutes, you’re going to see things worse than you’re going to see in Faces of Death.

So the. The difference between. Hell, man, we’re almost talking five decades, right? Like, 50 years almost have passed since this movie originally came out. It. I don’t know. Like, Twitter is scarier than Faces of Death, for sure. Oh, by far. But Faces of Death is the original Twitter, correct? You know, I’m not gonna argue that point for sure. Hidden Treasures and overboard moments. I kind of hinted it at the last. In the plot, in the course of. My real hidden gem is the philosophical angle that they came at it with. Like, they’re really examining what death is and how we should view it.

Right? Is it proper to, like, just. Do we just focus not on it? Do we pay attention to it? Do we study it? What is death? Is it something to fear? Is it something to embrace? It’s something that, like, I. Again, it blew my mind. It’s a rough. It’s rough to get there, but you could get there. And in saying that, my overboard moments is like, I’m like, all right, man, I don’t need to see a lot of gory things like, like, you know, the guy on fire and stuff like that didn’t bug me that much because I can be like, I.

I could disassociate. It’s like, for me, it’s more the surgery stuff. And, like, when they’re having, like, the morgs and, like, I don’t know if they’re real bodies or not. I just was telling myself just. It’s all fake stuff, man. You know what I mean? But I would say the overboard moments is some of the. The actual goriness or, like, that it’s not as gory as you would think, though. I know that I’M saying that, but it’s. It also did not pass my threshold, right? Like, I thought I was going to be like, like, all right, man, I’m taking this off.

Like, I didn’t know how far I was gonna make it, so. But I would say that some of the scenes are a little bit overboard for me. This. I don’t like that kind of style. But if for me, it’s. It’s actually hard to separate hidden treasure and overboard. It’s. It’s all like this one big ball of gore and flesh and blood a little bit. It’s like, on one hand, the parts that were the most disturbing to me out of this entire Faces of Death documentary. And I’m gonna define that a little bit as I go here.

But the parts that were the worst are things that I could see on the news, that I could see on Twitter. You could just go on, like, a medical channel and watch someone, like, dissecting an eye or something. Like, these are just doing, you know, heart bypass surgery on a live stream. None of those are really horror, right? That’s. That’s not going to be banned in all these different countries. But it’s really hard to watch because of, like, the visceral gore that’s part of it. So if you were to subtract those parts, then what you’ve got left over, and I’m just.

I’m going to do, like, a punch list of some of the things that we see in this movie. So we’ve got matadors fighting. You’ve got dog fights. You’ve got these Amazonian natives shooting monkeys with poison darts and the. In the trees. Then we go to the Serengeti tribe doing, like, a bloodletting ritual on an ox and, like, drinking its blood. Then we go to a Midwestern farm where a lady chops off a chicken’s head and it runs around and tries to fly around and stuff. Then we go to a slaughterhouse where you see cows getting killed.

You see pigs getting killed, you see lambs getting killed. Then we show a kosher way of killing a cow, which doesn’t look any better, by the way. Then they go to a restaurant. This is probably like the. The moment in the movie. They go to this Moroccan restaurant where the delicacy is you eat the brains of a live monkey like you at your table, you bash this monkey over the head with a mallet until it’s dead, and then they immediately come out and chop the head off and feed the brain to everybody. That one was. I was not prepared for that, man, I was like.

That one set me off a little bit. Then there was guys that were just straight up shooting seals with AR15s and shooting sharks with AR15s in the water for just no reason. Then you see a bunch of guys getting around a group of seals and clubbing these seals to death. Lots and lots of animals die. Way more animals die in this documentary than humans die. I wasn’t expecting that. And. But it’s. It’s for like, a point that he’s making show. Alligator poachers. They have an alligator attack. They have these morgue scenes which were surreal because there’s like six bodies all being worked on at the same time.

And they’re kind of like, filming it like it’s a movie. They also had all. They had an assassination that they claim to have, like, shown. So that’s a lot of different stuff going on in here. And here is the. The overboard part. And the hidden gem is that 99 of all of that was fake. Like, all every one of those scenes. Although there’s an asterisk here, right? So first of all, the slaughterhouse scenes were real. They were, you know, killing cows and killing the lambs and all that stuff. The lady does chop the head off of that chicken.

All that stuff is real. The dog fight. This is weird, man. So I. I actually went out and I read a couple interviews with the director about this movie and these claims about what was real and what was fake. Because I went in watching it, hearing that some of it was fake. I was like, I just want to see it and see if I can tell myself which parts were staged and which parts weren’t staged. The dog fight, the director claims was staged, but it’s weird because the dog. They actually went to Compton and they found, like, a rough neighborhood in Compton where they were doing real dog fights with.

With pit bulls, and they had two pitbulls actually fight. And the. The quote unquote, fake part was that the director was pouring fake blood on the dogs to make it look worse than it really was. But these dogs really did fight for, like, over an hour. And one of them almost died just because of exhaustion and just the process of being in a dog fight. But. And then this is the only real parts in the entire movie, right? This actually kind of shocked me. The real parts where there’s a dead surfer that, like, washes up on the beach and.

And the only reason they even had that is because they were already on the beach filming B roll for something totally unrelated. And a bunch of people have this big commotion and they just lucked out, I guess. And an actual dead body wash. So they have the. The dead surfer that shows up. There’s a whole bunch of different car accidents and you see kind of like the aftermath. Although all those are real because they got this, like, footage from different departments. There was a suicide jumper, there was a parachute jumper, and there was a snake cult.

And then the morgue footage, you’ll be happy to know, was all 100% real. Those were all real dead bodies that were all, like, shriveled up and mummified and stuff. That was all actual dead bodies you were seeing. But every dude, every other scene in this movie, except for the ones that I just went through, were all staged and fake. I knew for sure the alligator one was totally fake just because it was like, how did these guys have all their cameras? And they’re set up in three different locations exactly as this thing goes down. Yet on Faces of Death, where you’re showing people dying, they just do a bunch of, like, quick edits and cuts and like, like a zoom in of just blood and then a zoom out.

And you never actually see the alligator. Like, I mean, I’ve. I’ve lived in Florida for over two decades now. I’ve seen news reports that they show, you know, some of the aftermath or the. In process. It’s not something that you just like, oh, a bunch of quick edits. Like, it’s a slow process of someone getting, like, twisted around and thrown around. So I knew immediately that that one was fake. But in my mind I was like, that monkey thing was so real. There’s no way that they faked that. And it turns out that was 100 fake.

They didn’t go to Morocco. They went to a Moroccan restaurant in California and. And that the owner of the restaurant was one of the couples that sits down at this table. That the monkey that they bring out was a trained monkey. It was just all like, done in front of, you know, like, cameras with special effects. And that the monkey they put into this little. It was just the concept of this was so creepy to me though. They bring a monkey out and they chain him down in the middle of your table where you’re going to eat your food and.

And just his head is sticking out and the monkey’s freaking out. This is a real monkey that’s actually being led to, like, be chained inside this dinner table. And this dude’s like, spinning around and screaming. And it does not look like a fun experience for the monkey. And in the. In the director’s interview, he was like, yeah, the monkey trainer told us that, like, the monkey was trained, but that he probably wasn’t gonna like this. So we had to do it in one take. Like, he’s not gonna get the monkey in the table. And. And everyone hits them on the head with these little mallets.

And then, like, we do a take two. It’s like, this is a one take kind of operation. And he said that even though the mallets were foam and they were fake, that when they hit this monkey on the head with the foam mallet, it was freaking out as if it was being bludgeoned to death and it was about to be eaten by these people. And then there’s a quick cut. And he says that in the cut they had a duplicate monkey completely made, like a. Like a artificial monkey. And that the brains, which they show in the movie, they crack the head open and they’re scooping the brains that would fork, and everyone’s eating the brains and they’re laughing and stuff.

That that scene was cauliflower that was soaked in red food coloring. And then they nailed it to the inside of a fake monkey. So that when they come out and, like, scoop it out, it kind of looked real and looked all visceral. I gotta say, man, even after reading that interview and reading about all the different scenes that were all faked, I’m like, I don’t know, man. That monkey scene, bro, like, it still looked real enough to me that even if it was fake, I 100% believe that that is how that happened. Somewhere, like, there was a restaurant where they did that thing.

And he didn’t just make all this stuff up, that he was kind of reenacting things that really happened. But, man, that. That even now thinking about it, I was like, angry watching it was like these, bro. And he. And he knew. He knew that people were gonna watch it like that. And he even makes a note that when the, like, a belly dancer comes up before their meal, that the American guy, like, tucks a dollar bill in her waistband and, like, pats her on the ass. And he said that when he wrote that scene in there, it was because he wanted people to be like, these disgusting American.

They’re hot. These horrible tourists. You know what I mean? But this is real, bro. Like, he. He touched the nerve because of how realistic all this was. Like, nothing seemed unbelievable. He’s all seen, like, real things that could happen. Ripples and waves. This definitely has a cultural impact. I mean, everybody, again, I can’t say for the. The more modern People, but I would say millennials and up. Millennials, Gen Xers, maybe even some boomers. Like, this was an urban legend of, like, everybody knew a couple guys that claimed and swore up and down that they’ve seen faces of death.

And again, I didn’t even know what it really was because I was just, like, kind of petrified of wanting to even check it out, because I’m just thinking it’s a bunch of, like, videos of, like, shoulder soldiers shooting each other in the head or. You know what I mean? It turned out to be not as bad, but definitely has a lot of cultural impact. This one is probably the most impactful out of any documentary we’ve seen so far, the most people know about it. It was shot on a budget of, like, 450, 000. It netted $60 million worldwide.

It was banned in, like, over 58 countries. And that even to this day, there’s countries that are just slowly repealing the ban after they realized that almost all of it was faked. But it’s weird, man. It’s like, can I take a clip of that monkey Morocco monkey scene and just post it up on Facebook or Twitter or Instagram or something? I feel like it would get dinged for animal abuse. Even though it is 100% fabricated, it’s no different than a scene out of, I don’t know, like, Indiana Jones where they kind of show a similar thing.

It’s just that it was done so well and the director made this point. He was there, asked him, how do you make a cult classic? And he’s kind of. We don’t like it kind of happens based on a bunch of different factors and luck and. But that the one thing that he did is that he kept pushing it too far. That even when people were giving him feedback and saying, like, oh, maybe you should cut this out, or this should appeal to more, he was running in the opposite direction. He was saying, like, how far can I push these limits? And he straight up lied.

He said it was all real for the longest time. It took decades for him to slowly start admitting that certain scenes were all completely fabricated, until the point where he kind of admitted 90 of this movie was all fabricated. But, man, the. Even the fact that me going into it, knowing it, reading the Wikipedia, going back and watching it again, and I’m still like, I don’t know, man. I feel like they might have killed that monkey. Yeah, that one, like, ripples and waves for me, for the rest of the world, this is like a cultural movie.

And if you want to see part two, you can go to x.com and you can see Faces of Death 2 all day, every day, whenever you want. Funny you say that, because there really is a faces of death 2, 3, 4. I think it goes up to 5, even 6, and there’s even a remake. Although it’s. It’s going to be like a Hollywood movie that calls itself Faces of Death. Death based on this original Faces of Death that I think it’s been in the works for a couple years recently. So, again, cultural impact like this has got it in spades.

It’s that time think or swim. I’m not prepared for this one, man. I don’t. I actually don’t know. I mean, I want to clarify that swim doesn’t necessarily mean that I recommend you watch it. And think doesn’t mean that I recommend that you don’t watch it, man. I gotta say sync, and I gotta tell you why I say sync A is that so much of it is fake. And the other big reason is because knowing how much of it is fake, I don’t know if I can in good conscience consider this a documentary. I feel that it is more like.

It’s not a mockumentary because it’s not funny, but it’s somewhere in between. Like, the. The guy making it knew that it was a movie more than a documentary, but it was promoted for decades as all being completely real. So, I mean, in my. My rating of a documentary, sink or Swim, I feel like it gets like a disqualified. So it kind of sinks because of that. I’m a big sink on this. I just don’t, like. I did like the concept of, like, what he’s. I appreciate him trying to be. Go into the philosophical side of it and.

And explore death and. And it being fake. I. And I did know that too, but for a long time, I did not know that. Though let me be clear, for my whole, like, childhood, I just thought this was like the mo. I’m like, dude, I don’t want to see it. Almost reminded me that much, man. Even. Even knowing that it’s fake, if you were like, yeah, let’s watch it again. Like, I’ve watched Faces of Death every, you know, once a week for the last 20 years. I am just as concerned about you if it were fake versus if it were real, because the.

The way that he pulls it off, it feels and looks real. And he’s. He’s. It’s not supernatural. He’s referencing real things that really do happen. So, yeah, I feel like you’re splitting Hairs on whether or not it’s real or fake when it comes to actually watching it. Yeah. And kudos to him for his. His filmmaking. Right. Like, as far as he did very well, especially 1978. I give him credit, like, to make a lot of it. Like, not all of it look real, but it looked. It was pretty passable. Right. Like, to. To me, to this day, but it’s a sink for me because I’m never watching it again.

I agree with that. I. And there was. This doesn’t come out as much in the movie. This one came out in the interview that I was reading with the director. But he makes a really good claim. He said that every time he did one of the animal ones where he sees the chicken getting its head cut off, or the lambs or the cows or any of these, that as he’s watching this, he’s like, I’m a vegetarian, bro. I’m never wearing leather again. I’m never eating meat again. But in the interview, he mentions. And three hours later, he’s eating, like, lamb kebabs at the restaurant or whatever.

But. And he’s noting this. This weird, like, shifting emotions where in the moment, he’s like, I want nothing to do with this. I want the exact opposite of this. I’m never gonna eat anything that came from an animal again because of how sort of, like, abhorrent this practice is. And then three hours later, he’s hungry, and he’s like, maybe I’ll have a meatball or something. Right? Like. And that he’s. He’s aware of that weird dichotomy of how easy you are. And he kind of. And he mentions in the movie itself in Faces of Death that all of these horrible practices where they’re showing, like, the lambs and the slaughterhouse and stuff, that in modern technology, the.

The sheer amount of food that it takes to feed the masses of people that not everyone’s got the stomach to know what goes into it. And this complete separation to where now it’s like this one section of society, they just get so used to killing animals that, as he says, the novelty wears off and it just becomes a job to them. And. And everyone else ends up just being the consumers of all this stuff. And in the interview, it was a little bit creepy because he mentioned that when he went to the slaughterhouse, out of all the places that he went to in that slaughterhouse, the people had been so numb to the.

The kind of, like, violence they have to commit as part of their job that one of them saw that he was kind of like disturbed by how they were taking the lambs out. They would like shock them and like hang them upside down. That one of them’s like, hey man, does that freak you out? Check this out. And he just grabbed a live lamb and bit its ear off like, like alive. And he was like. That was when it, he knew that it was time to leave the slaughterhouse. But like you, you kind of get that sense.

And he explains that, that like once the novelty wears off and it, there’s, it’s a ritualistic thing, but there’s no honor in the entire system. This is 1978 that he’s coming up with this. At this point, bro, we’re just like sending them down a conveyor belt and like AI is doing all the killing and stuff. Right on the horizon. This concludes our Halloween spooktacular. The you’re not going to get any more of that great paranoid American spooky sound effects. But we got another kind of spooky ish topic for our next combo of films. We’re going to go with JFK Month.

In honor of November being the month that JFK may have lost his life. Total enlightenment. That’s my favorite version. We’re gonna go over the films. Everything is a rich man’s trick. JFK revisited through the Looking Glass and JFK 2. I think that’s going to be some fun. This. We’re going back to our bread and butter guys. You know what I mean? We’re getting back to the, the nitty gritty, the stuff we like. Don’t forget to check out paranoidamerica.com kill themirds.com I’m Sean Chris. This is Paranoid American. Under the docks. Peace locks Buried deeper. We breaking the locks under the docks.

Under the docks. Yeah, under the docks. Ready for a cosmic conspiracy about Stanley Kubrick moon landings and the CIA. Go visit NASA comic.com NASA comic.com CIA biggest come Stanley Kubrick put us on. That’s why we’re singing this song. I’m nasocomic.com go visit NASA go visit NASA comic.com here go visit NASA comic comic.com that’s a comic.com CIA’s biggest con. Stanley Kubrick put us on. That’s why we’re singing this song about NASA comic.com go visit NASA comic.com go visit NASA comic.com yeah go visit NASA comic.com never a straight answer is a 40 page comic about Stanley Kubrick directing the Apollo space missions.

This is the perfect read for comic Kubrick or conspiracy fans of all ages. For more details, visit NASA comic.com paranoid yo I scribbled my life away driven the right page willing to light your brain give you the flight my plane paper the highs ablaze somewhat of an amazing feel when it’s real, the real you will engage it your favorite of course the lord of an arrangement I gave you the proper results to hit the pavement if they get emotional hey maybe your language a game how they playing it well without Lakers evade them whatever the cause they are to shapeshift snakes get decapitated met is the apex execution of flame you out nuclear bomb distributed at war rather gruesome for eyes to see max them out that I light my trees blow it off in the face you despising me for what though calculated the rest the cutthroat paranoid American must be all the blood smoke for real lord give me your day your way vacate they wait around to hate whatever they say man it’s not in the least bit we get heavy rotate when a beat hits a thing cause you’re welcome for real you’re welcome they ain’t never had a deal you’re welcome man they lacking appeal you’re welcome yet they doing it still you’re welcome.
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