Summary
➡ Donut explores various theories of alchemy, symbolism, conspiracies, and shared insights on how they shape reality and entertainment. The podcast delves into topics like alchemy’s relation to genetic manipulation, dark meditation, symbolic interactions, influences of music, claimed geographical magic grids, and future predictions related to purple LED lights in agriculture.
➡ The text discusses various theories involving elements of alchemy, symbolism, and psychedelic concepts, linking them to historical and contemporary events such as the January 6 insurrection, the mysteries of ancient civilizations and cultures, notable prophets, and biblical chronicles. The author’s central theory explores the possibility of consciousness transmutation through color, specifically “Han purple”, and its interaction with observation and dimensional perception.
Transcript
Yeah, I think alchemy is at the core of, quite literally, our existence.
I believe they’re still practicing alchemy today, even the people that run our country. So the most simplest way to put what alchemy is is changing lead into gold. No. So that is a byproduct. Okay, so the secret of alchemy is to quite literally manipulate reality. When you complete the magnum opus, which is the great work, whatever that is, we don’t know, because that’s how enigmatic it is. Everything is written in code. Everything is really cryptic.
When you do the great work of turning lead into gold, which can be symbolic as well, the light that is supposed to be emitted this is why I say light is very important, because the light that is emitted from that reaction quite literally changes your DNA. It becomes infused in your DNA, and it changes your genetic makeup in order to where you’re able to step outside of reality and you’re able to manipulate reality real time. So if you think about the book of Enoch and how he was able to, after being shown all the secrets, being shown everything, he was able to what? Become know on Baphomet, right? Not to get too satanic, but on Baphomet’s forums, it’s coagulate and dissolve. Well, I think that’s what’s going on, where they’re able to dissolve out of this reality and coagulate somewhere else. And I think that’s part of the alchemical process. You become an androgynous light being by manipulating matter. Not only is it sensory, but it’s also intellectual. So there’s different things at play.
I’ll use an example with Jay Widener, because he’s a director.
The lights, camera, action, like this whole Cinemagician, Hollywood act type of thing. Well, he told me, because he’s an alchemist, he told me that he has a room, that it’s specifically for being in the dark. The way that they would meditate back then. If you look at secret societies, masonic orders, et cetera, et cetera, they would use caves for their ceremonies. Well, it’s got to do with the production of DMT. It’s got to do with wanting to induce a near death experience. Because when you’re able to do that, you’re able to unlock certain things within your own self, within your own psyche that I believe you’re able to use in this reality. Right? You have people who they say they’ve seen their whole life flash before their eyes.
Well, what if you’re able to do all that in a controlled environment where you go into this cave for three days, the chemical that induces sleep? Well, when you’re in darkness for a long time in a cave, and this is why monks back then would meditate in caves for a long time. It would be the super melatonin. Super melatonin, where they’re in this deep sleep. Now, when you wake up and you see light for the first time, it floods your brain with another chemical. And when they both mix together, you get like this crazy psychedelic hallucination, a dark cave.
He has a room specifically almost like a sarcophagus, a coffin that he goes into. If you really think about the idea of the vampire, right, Dracula, where they sleep in this coffin, well, what if that was part, again, of a magical order of some sorts? We always have the battle between werewolves and vampires. It’s alchemical. Allegory it’s alchemical symbolism is what I’m getting at. So by them personifying it by making it to a story that people resonate with. Well, I took it a step further. I said, okay, so you’re telling me about being in the dark. They’re talking about extended periods of times, days at a time, three days at a time.
He says, I have a room where I go in for three days. I don’t come out. Whatever. We’re talking about darkness and about the flooding of light. Well, if you think about what cinemas are, what movie theaters are, it’s a simulated it’s a simulacra of a cave. And then what do they do in there? Well, they flood us with all these lights of all these movies, all these sigils, all at the same time.
And I said to him, I said, Jay, is that some sort of magic that’s happening? Is that some sort of alchemy that’s happening? He goes, he said this again. You can listen to the episode. He said, I can tell you as a director, that is a very effective technique. Well, also with musicians, let’s say, before the theater, right? You got the theater where they would go and watch a play.
With the cave and the cinematicians, I think you’re onto something so big, so huge. And I think this is a perfect segue to get into some interesting finds. We’re talking about music, and there’s this thing called the barber shop quartet. The red and white is interesting because it’s the Knights Templar color, too. Red, white and black. But getting into plays, music, frequencies and Alchemy barber pole has got that red and white, right?
What’s? A barber shop has the checkerboard floors in all of them, right? They got this symbol. People would go to the barber shop. This is where you get all your information. And this is where surgery happened at. Surgery also happened at the barber shop. And then you got famous plays like Sweeney Todd. And if you notice Sweeney Tod, the color scheme of the COVID they’re very intentional, the red and white and black, because Sweeney Todd took place on Fleet Street.
That was a huge Knights Templar street as that’s where the Temple Church was. The banking system of the Templars, what if those were sacrifices for that? Dude, see, that is deep right there. So that’s where I was going with that Memphis Moon ritual, is how these artists are dying. But this color scheme, if you go back to the play, they use the red, white and black, the Knights Templar colors, the barbershop colors. It’s about a barbershop dude, and none of his musicals had this tone. And this color scheme for this was very intentional of Sweeney Todd Bach, who plays a huge role in Alchemy of Music, the pinnacle of music. And he went to a surgeon and they made him blind, they botched his eye. And this happened with Handel as well. But the interesting thing is, it’s by the same guy, this guy John Taylor.
These lines that are around the world, lay lines, I believe these parallels, I know we covered John D and the black rock at the North Pole. Well, he was in touch with Mercator, which is a very influential cartographer. Well, what if the intentional planning of these latitude and longitude lines around the world not available
