Electricity High Technology Ancient Egypt
Blog Post by Tommy Truthful on Leak Project’s Latest Video: “The Electrifying Secrets of Ancient Civilizations”
Hello Truth Seekers!
I recently came across an intriguing video from Leak Project, diving deep into Andrew Hall’s groundbreaking work. “Were the Ancients Using Free Energy?” This thought-provoking analysis led me to ask, did ancient civilizations actually employ electrical weapons against each other, as Andrew Hall suggests? After diving in, I can’t help but think… maybe they were!
Decoding Ancient Electrical Symbols One can’t help but marvel at the complex hieroglyphic symbols and imagery that fill ancient Egyptian ruins. What if they weren’t just mere symbols or decorations but represented a deeper understanding and actual use of electricity? The idea is not as far-fetched as it might seem at first glance. Hall’s video delves into interpretations of these symbols, presenting tools that may have been electrical conductors, and even suggesting that certain Egyptian headgear might have produced electric fields.
The Great Pyramids: More than Meets the Eye The iconic pyramids have always been surrounded by mystery. While some argue they were tombs, others, like Hall, suggest they might have functioned as energy sources and communication devices. The possibility that these might have been built by extraterrestrial beings transferring consciousness to Earth further spices up the narrative! From India’s ancient temples to Cambodia’s intricate structures, a common thread seems to suggest an advanced use of technology, possibly even electricity. And, as the video underlines, it might be time for interdisciplinary research to delve deeper and decipher the real stories behind these ancient marvels.
The Giza Pyramids: Ancient Powerhouses of Untapped Energy
The Giza Pyramids stand majestically as some of the most magnificent wonders on Earth. Gerald Massey, a revered poet and spiritualist from the late 19th century, is well-remembered for his seminal work, “Ancient Egypt: The Light of the World.” Not long after its publication, Massey passed away, yet his influential writings continue to resonate in scholarly realms even today. A particularly impactful sentiment from Massey, which I paraphrase, suggests that despite dedicating over four decades to studying ancient Egypt, he felt his understanding was still in its infancy. One can’t help but speculate how vast his insights might have been, had he lived in our modern era. Could he have unraveled more mysteries?
Over the years, the Giza Pyramids have been the center of numerous hypotheses. In the beginning, many archaeologists viewed these structures simply as grand burial sites for pharaohs. It was commonly theorized that the grandeur of a Pharaoh’s legacy was reflected in the magnitude of their pyramid.
In the writings of Herodotus, a notable figure from the 5th century BC often dubbed the “Forefather of Historical Accounts,” there’s a claim that Cheops was not interred within the grand pyramid. Instead, his final resting place was in an underground section, on an islet cradled by the Nile’s waters.
Subsequent interpretations evolved, suggesting these pyramids were monumental displays of Egypt’s prowess, and were deliberately positioned in alignment with celestial entities to pay tribute to their deities. While many scholars have dedicated significant portions of their lives building intricate theories, the reality might be straightforward. Due to acts of pilfering and plundering over time, all we have are the structural remnants and some architectural hints. Concealing the true significance of the Giza Pyramids perhaps ties back to the upper echelons safeguarding their established order and their vast wealth.
Upon closer examination, the Giza Pyramids seem to serve as multifunctional energy platforms, offering free energy to the populace. This ensured every household had uninterrupted power and light, and even the most basic energy storage devices remained perpetually juiced up. Upon studying the Sumerian Tablet of Shamash, I identified a distinct Cymatic pattern inscribed on stone, suggesting that ancient civilizations might have employed sonic frequencies for levitation.
Listen to the sound emanating from the Earth’s depths:
These grand structures of Giza appear to tap into the sonic vibrations produced by the Earth’s core. While these frequencies are beyond human auditory perception, they are continuously being emitted. Societies around these pyramids thrived, mainly because such structures catered to the basic needs of its citizens, which is possibly why these ancient cultures stood the test of time.
Strategically situated at the heart of the world’s landmass, the Great Pyramid also functions as a pivotal point. Its design optimally captures these core vibrations, which then travel up its shafts. Here, the limestone layers filter out the bass frequencies, allowing only the higher pitches to resonate. Originally clad in gold, these structures effectively conducted these high-pitched sounds. This might explain the ancient civilizations’ obsession with gold – it symbolized power, but not in the conventional sense we often assume!
Given the dimensions of the Giza Pyramid, it’s believed an energy aura enveloped the surrounding Egyptian metropolises. The term used in ancient scripts for ‘battery’ was “djed,” and any battery within this aura stayed perpetually charged. Within this aura, “ankhs” had amplified energy, and it’s hypothesized that individuals with a darker skin tone could channel higher frequencies. Staves or rods might have been tools to maneuver this energy for specific tasks.
The Giza Pyramid can be likened to the most expansive energy hub on the planet! Owing to its colossal structure, it had the potential to produce vast quantities of high-frequency energy, possibly extending hundreds of miles. It’s believed the Giza Pyramid was intentionally submerged in water, capitalizing on the fact that sound travels almost four times faster in water than in air. Consequently, by the time these frequencies reached the crystals, their speed was significantly amplified. “Water’s unique hydrogen bonding allows electrons to distribute across multiple molecules, creating coherent areas that can engage with nearby electric, magnetic fields, and electromagnetic waves.”
Wouldn’t it be incredible to inhabit a region where the governing body not only shaped the country’s infrastructure but also supplied the populace with COMPLIMENTARY energy? This era likely saw individuals collaborating seamlessly, achieving remarkable feats, all propelled by this gratuitous energy source. Any gadget within this energy zone would receive power; the only challenge was understanding its frequency. Post Napoleon’s so-called “scientific” exploration, the elements key to these high-frequency stations mysteriously vanished. Interestingly, shortly after his return, there was a surge in electronic patent registrations. And while the pyramids lay unguarded post his departure, leading to extensive looting, it’s quite plausible that the vital components of this frequency generator had already been extracted.
Recognizing the Giza Pyramid as a potent frequency source offers insights to retro-engineer its functionalities, taking cues from the entire structural design, including spaces traditionally referred to as the King’s and Queen’s chambers.
When I examine the spaces termed as the King and Queen’s chambers, I perceive them as enclosures for elements that are now absent. I postulate that these chambers once contained specially-designed crystals. As the elevated frequency coursed through the water, it would cause these crystals to resonate. This produced a frequency so high-pitched that it lay beyond the auditory range of human hearing. To grasp the concept better, consider how crystals are employed in frequency generation. A crystal oscillator is a device that harnesses the resonance of a piezoelectric crystal to emit an electrical signal with an extremely accurate frequency. This implies that a highly specific frequency was produced; gadgets, implements, and weaponry were adjusted to this particular frequency, enabling them to connect and draw power. If you were a newcomer desiring power, you had to be vetted and instructed about this exact frequency. Innovations in that ancient realm simply needed to synchronize, and vast quantities of complimentary energy were at their disposal.
What do we really know about the earth? Whether it’s flat, a spinning ball, a hollow earth – we really don’t know, but what if…
Examining the structural blueprint of The Great Pyramid offers insights into how it might harness energy from our planet’s rotation. Delving deeper into our planet, the Earth’s core is believed to house a multitude of crystals. Recalling our earlier discussion about the presence of crystals in the King and Queen’s chambers, could it be that similar crystals in the Earth’s core produce an omnipresent sonic field? Although this sound remains imperceptible to human ears, it’s plausible that ancient civilizations, especially those known for their pyramid structures, were adept at tapping into this energy. Such expertise could provide an explanation for the profound connection these cultures had with the Earth. Recognizing the Earth as not just a life giver but also as an inexhaustible energy provider would have been revolutionary. As Earth spins freely on its axis, the vibrations from these core crystals potentially emanate frequencies, manifesting as sound waves. This perspective brings fresh significance to the design of the Pyramid of Giza’s “Unfinished Chamber”, a concept often reiterated without deeper contemplation in academic and educational arenas.
The “Incomplete Chamber” is, in reality, a masterfully completed design. Its purpose? To harness and channel the Earth’s natural sound waves throughout the pyramid. These sound waves, inherently, carry a spectrum of frequencies, from the lowest to the highest. The incorporation of water served as an amplifier, enhancing the speed of these frequencies by a factor of four compared to their travel through air alone. Consequently, the crystals in the chambers of the King and Queen oscillated, magnifying the sound waves’ reach within the pyramid. As these waves journeyed towards the pyramid’s exterior, the lower frequencies were sieved out, enabling only the high frequencies to emerge. The pyramid’s golden exterior played a pivotal role in ensuring that only these high frequencies resonated.
This unveils the rationale behind the ancient Egyptians’ choice to place the Great Pyramid at the heart of the Earth’s terrestrial expanse. Such a strategic location must have optimized the acoustic harnessing of limitless energy. Envision a colossal core of iron and crystal, spanning 1,500 miles across, silently emanating boundless energy throughout the planet. Who then, would need to rely on depleting fossil resources? We’re being sidetracked when the answers lie right before us. By emulating this ingenious design, we have the potential to revolutionize industries and uplift our way of life.
Summary
➡ The text discusses theories about the Great Pyramids being used as an energy source and communication tool to transfer information. It explores the possibility that the ancient pyramid builders might have been extraterrestrial beings, transferring their consciousness onto Earth. Speculation is also made about ancient technologies in places like India and Cambodia. There’s a contrasting argument between the typical historical explanation, with these structures built by slave labor, versus a perspective suggesting advanced technology, possibly including the manipulation of electricity. The text concludes with a call for more research from various scientific disciplines to accurately interpret these ancient works.
➡ The text discusses ancient beliefs of spirits in the clouds, highlighting that the ancients might have been describing accurately what they observed. It suggests that contemporary scientists might lack the breadth of imagination needed to understand these ancient perceptions. The text then delves into the theory that Mars was once colonized by an advanced civilization that eventually had to flee to Earth due to cataclysmic events. It further speculates an electromagnetic event that might have turned Mars into a dead planet, rendering life impossible and destroying possible evidence of prior existence. The conversation concludes with an appreciation of the insightful discussion and a promise to continue exploring these theories in future dialogues.
Transcript
You did an absolutely stellar, stellar you’ve done multiple stellar videos, but the one that got me turned on your work was this one right here, andrew Hall Electricity in Ancient Egypt. And this was incredible. You show these hieroglyphs that you decode many of these symbols and how they could actually be used for electrical energy and how they were using this electrical energy to zap each other. Yeah, I mean, that is what it appears to me.
Understand. I’m not speaking to the hieroglyphic cat. I don’t know how to read it, interpret it. And I know that people have spent their entire lives studying this stuff, and they’re probably laughing at me. I’m not trying to reinterpret what’s written in the hieroglyphs. I’m talking about the pictures, the images of the figures and their tools, their staffs, their books, their flails. Don’t do a Google search. If you want to stay comfortable with the markets right now, look at what the experts are saying.
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All those things I’m looking at and how they’re being deployed, and it just occurred to me, they’re making electrical connections. They’re creating continuity between bodies and these tools as conductors. And the floor with the stone floor, which would be ground, they’re making these connections between each other. So all of these different imagery shows a set of imagery. Obviously, there’s imagery that shows other things. Wars and battles and who knows what the Egyptians did farming.
These are images of ceremonies taking place that involve the pharaoh and the queen and courtiers of the court or priests. They’re doing something. They’re doing something very specific. Always wearing this ridiculously huge headgear or crowns and stuff with antennas popping out of it. And they’re always carrying the staff or the ANC or the flail or this or that. And these tools, largely metal tools, are apparently conductors, in my theory, because they’re using them as elements of conductor, these circuits that they’re creating.
So here you see these figures. They’re all lined up. They’re all holding tools, and they’re ready to touch each other. The one individual is reaching out with both hands, ready to touch. It looks like the staff of the pharaoh. And you go through image after image after image, and they’re always in this position of reaching out, about to touch another figure. Often it’s the pharaoh, and one figure is about to touch him on the shoulder, touch him on the head, or touch him as tools or the ankh touching the nose.
Here’s a good image of the nose holding it a fraction of an inch from the nose of the pharaoh or whoever is sitting on the throne. I believe he’s shocking him. I believe he’s delivering shock, the face of the shvaro. Here’s another image where one of these tools is being used to reach out. The other figure is touching. It create continuity for a circuit so that electricity will flow from one person to the other through this circuit.
And every image I look at, they have this element of continuity. This is the Dendera light bulb, which a lot of people have looked at and said, that’s got to be electrical because it looks like a friggin light bulb, right? Well, I think it’s a plasma ball, similar to what you would buy in the store. And these individuals underneath are clearly sitting under it. And there’s a discharge going on between their head and the bulb, which is exactly if you buy one of those little plasma balls, you can operate they don’t need a lot of electricity.
You can operate off a nine volt battery. You can get it and you touch it and it creates a discharge between your finger and the bulb, the glass of the bulb, just like what’s being shown here between the heads of these figures and the bulb, they’re taking shock the brain to their heads. What I interpret from these images, that’s also what holding the, UMP, the nose of the pharaoh looks like he’s getting a shock.
And also, all these figures wear these collars, these braided and collars made of lapis Laszli and other metals and copper and gold woven into them. Then they have these headgear hats that are huge voluminous hats, and they’re made of I don’t know what, but they always have the snake up at the third eye position on the forehead. So to me, that is an electrode on their forehead that receives shocks and creates an electric field around the head, between, it appears to me, between this voluminous hat, which would be made to collect a static charge, and the neck gear, which would be sort of anchor the electric field right there around their head.
And I think they think they’re charging themselves up somehow with shocks or with electric field. So anyway, that’s my thought. The other elements in their tools that point to that, besides the ONC and the staff, is this thing called the Jed, which clearly looks like a capacitor. It’s the tall thing with like wafers, four or five, six plates. There it is. There. Just had an image. There it is.
Okay, perfect. This is my favorite image of the jet. In the center panel there you see holding the jet at an angle. And both figures are touching the jet. And their hands are bridging gap between one plate and another plate on the jet. So if those are capacitor plates, what they’re doing is making a connection from one plate to the other so that the electricity would flow. But there’s energy stored in those plates and they’re making a connection just like you would plug in a battery and getting the charge out of it.
Both of them are putting their hands up to do that. And that’s clearly to me. The jet is a capacitor that stores energy and then they can extract by bridging those plates. Now, in the panel over on the right, character is doing the same thing. He’s reaching towards the Jed with some kind of tool look like resident tuning forks, like tuning forks or something. And it’s going to bridge that gap across the plates.
He’s doing the same thing in order to get a discharge to whatever those tools are he’s holding. They could be some kind of fabric, they could be some kind of metal. I don’t know what they are. A lot of these depictions show a character holding two what looked like bread knives and those look shaped blades, knives that you would cross those plates with to discharge. Every time I see the Jed, it looks like it’s there as part of the circuit to deliver energy.
It’s the pass or storage to deliver a discharge into the circuitry that they’re forming in these ceremonies. This is incredible. And do you know what else I noticed is oftentimes I’ll notice a red sun, which makes me wonder, was the color of the sun different at the time, or is this like a different energy source? I don’t know, man. But it’s something I wonder too, because these big they call it the solar disk, and it appears all the time.
What if that was shamash? A lot of times it’s set apart from some of the other imagery, as if it’s part of the picture, not part of the hieroglyph, not part of the writing, but part of the picture. You know what I mean? Yeah, part of the scene. And it could be like an implement, a tool. Maybe that’s a vandergraft generator. Maybe it’s positioned on the wall. And in the chamber across, on the other side of the wall, there’s a bunch of slaves turning turntables with feathers on them or something to create a big static charge that’s just the electrode sticking through the wall for the pharaoh to get the benefit of it.
That’s just a possibility. I don’t know, but my thoughts run in that direction when I look at these images. I like that. And notice also the wings that you’ll see oftentimes at the very top, and the wings that will envelop the entire image, such as this one right here. You see the wings that could be representation of the sun, the rays of the sun, or of a certain star.
Now, one thing that I find fascinating is, you know, how the Great Pyramids are linked to the Orion’s Belt. A satellite is the same thing. If you put a satellite in space and then you’re going to link that to your satellite dish, you’re going to be able to send and receive information constantly. Right? Well, what if they were doing that with these Great Pyramids? They were using these Great Pyramids to connect to the energies of the stars.
They were bringing that energy down from the stars, and then they were amplifying their entire culture. Their entire civilization would have almost like a force field around it. They would have light, they would have energy, and they were conducting this. They were tapping into the energies from above, and they could also transfer information. So if there is a possibility that the original pyramid builders were from Sirius, like going way back, these light beings that somehow transferred their consciousness and their ability to transfer themselves onto this planet and then manifest, and then they would wear these intricate like, you can even see antennas poking out of these headdresses.
These are designed oh, exactly. Antennas. Exactly. And what if they were connected to the gods? Like, look at was is this Horus to the right? Would that be horus? Horus, right. I would think he would be larger than them, but usually they’re depicted larger than the people. But what if they’re actually tapping into what they refer to, or what we would refer to as the gods? These sources, these frequencies by these elaborate ceremonies and the clothes and the dresses and the hieroglyphs all represent something specific to equal what they’re attempting to do? Absolutely.
It could be could be anything from an actual psychic connection that they’re making, maybe aligning the pyramids with Orion and other alignments, because it’s not just the Giza Plateau in Arizona where I grew up, the Indians Anasazis both sites, and if you locate them, they form star patterns as well. And some people will argue, well, that’s just coincidence. You find enough sites, and you get a paradea effect.
You can find any pattern. It appears to me every one of these sites has these stellar alignments, solar alignments. They’re observatories, and they’re specifically located and positioned and shaped according to this as above, so below kind of philosophy. So it’s very apparent to me they’re trying to replicate the shape of the stars, the pattern of the stars, maybe some type of attempt to ground their energy to the Earth.
I don’t know how that works or what that means or if it has a great effect on anything, but that seems to be the intent to mean that would also align with this theory about the two day orbit of the Moon. If the Moon was in that two day orbit, and they built these facilities all along its alignment. They were replicating as above, so below with the Moon, just like they were doing with Orion and the shape of pyramids or with other constellations and other as an example, I was just showing this image here of Anger Watts, and it looks like it was built as an antenna system.
They look like giant totally, totally look like watts are really strange. I mean, for one thing, how did the hell did they carve those things? I’ve seen Watts. I haven’t been to Angkor Watt, but I’ve been in Thailand and know the Watts there very similar. Not quite as impressive, but still pretty cool. They’re carved out of stone, man. They’re carved right out of stone. I mean, what did these people do back in the day? Did they sit around chipping at stones? I mean, just millions and millions and millions of man hours had to go into all these megalithic sites, and especially in India, Cambodia, that part of the world.
The intricacy of stonework is just mind boggling. So I don’t understand how they did that, honestly. That’s a question. That’s a wide open question. I think the environment of the Earth may have been very different, and that actually working. The stone was different because if you had a higher potential on the Earth, all those crystals that make up a granite stone or a sandstone, maybe they disaggregated easier.
Maybe it was more malleable or ductile, and you could form the rock more like a clay or scrape it into a shape more like a soft stone. I don’t know if that’s possible. But if you look at how these megalithic structures were built the pillow shaped box and the solid connections without mortar and all these different things, one kind of has to suspect they had either tools we don’t understand to work with or they had different a way to form that stone we don’t recognize.
And so there’s huge questions, and I guess everybody’s asking those questions. Is it possible to apply current to these rock and basically partially melt it? Could they carve it with electricity? You can carve it with electricity or make it where it starts to disaggregate. You can grind it and scrape it real easy. If you look at some of the marks that have left in the quarries and stuff, that’s kind of what it looks like.
Some of these caves that were built out in India and massive slabs of rock and boulders. The inside, you see no signs of pecking or know using a chisel. None. And in India and Cambodia and these places in Egypt and all over the world, it mean just these megalithic structures of high level technology. And we’re told that they were built by slave labor. It’s either aliens or cavemen.
And I’m like, wow, those cavemen were freaking smart, man. They knew what they’re always a tomb, right? Tomb, buried a pharaoh. So the idea is that there’s this big powerful king, he nice tomb. So he enslaved his people into building this thing and spending 20 years pounding rocks just so he would have a place to die. I think that idea is ridiculous. These are facilities, these have the kind of effort and attention and capital investment that I’m used to in huge projects in the oil field.
Like a thousand megawatts power plant. A power plant that could supply a city the size of San Francisco. That is the scale of project I see in these ancient workings. And I’ve built power plants that are in the half a billion dollar range. A lot of money, a lot of equipment, a lot of thousands of people involved. Engineering, planning. It’s a project that you start, you don’t even earn the first shovel of dirt for three years.
You go through that time of engineering and permitting and getting people all to agree on what you’re doing and setting up the business before you even dishevel in the ground. Then it takes another three years to build it, plead it before you can start it up and deliver power. There’s a six year cycle right there. That’s a modern day power plant using packaged equipment that you can buy off the shelf and have delivered within a reasonable amount of time, like a twelve month period.
They were building all this stuff from scratch of stones that they had to pound into shape and move thousands. I mean, it’s just the scope of what they would have done is mind boggling. In order to prepare a gravesite, one guy just don’t buy it. There’s no way. And it’s interesting because when we look at a lot of these petroglyphs, and if we take out the ones that aren’t showing what they saw in the heavens during these cataclysmic events, we can see these petroglyphs showing people with swords or doing certain things that we would connect back maybe 501,100 years ago.
The only place that we see that I have noticed that shows super high level technologies. But we’re like, oh, that’s just a language. Most people, not you and I, and many people watching this podcast, like Egypt is one of the few places where I think they’re actually like they’re showing you what they were doing. They were showing you how. Absolutely. I think they’re showing us that they were using electricity.
There are many images that vessels, pottery vessels, that look like batteries, just like the Baghdad batteries that were actually found. They were able to produce electricity. They were able to electroplate used electricity. We know, but I think they used it in far more imaginative ways than we realize. And by looking at the hieroglyphs and the images they left us, I think we can interpret what that was a large degree.
But we need some engineers and scientists to understand physics and electricity and magnetism be looking at it, not just archaeologists, nothing against them, but most of them don’t know how to get a light bulb or change a light bulb, let alone how electricity and magnetism works. And they’re applying the skills that they know, which are taught from sociology and stuff like that. Great at identifying pottery shark, but they’re not so good at interpretation, I don’t think, of what was going on in the physical world at the time and how that impacts these imagery, how things are being depicted about planets in motion, about electrical disruptions, about severe weather events.
I mean, just read the Bible and it tells you about floods and storms and lightning that is well, sounds miraculous, sounds nothing like what we see in storms. All the historians say, well, they just exaggerated. There were a bunch of scared people who didn’t understand the world around them. They exaggerated the power and thought were spirits living in the clouds and that sort of thing. Well, they did think there were spirits in the clouds, I think, because these clouds were unlike anything that we’ve ever seen.
They were storms that were animated and you would think is hell on Earth. You would apply some spiritual meaning to that too. And I think that our scholars just miss that. Can’t put themselves in the heads. The ancients see what they’re really talking about, and to me, it’s sort of like a bigotry they think that the ancients don’t know what we do and we’re the experts and we’re smart and we can see what’s going on.
And they were just superstitious ignorant trying to explain the world with that ignorance. They came up with all these fantastical stories. I think they were describing exactly what they saw and they knew what was going on. And our scientists are the ones who have their head in the sand and just don’t have a broad enough bandwidth in their heads to imagine what was going on. Anyway, there’s a lot, a lot of evidence of some strange events and strange things in our past.
And Egypt, there’s nowhere that’s more evident in Egypt. Crazy what the Egyptians did. Do you know what Cairo or Cairo means? The literal translation of cairo. Cairo, the city? Yeah, the city. Cairo is in the city. The literal definition of Cairo, the native tongue, is el Cairo. And that means camp of Mars. Yes. Really? Yeah. No shit. I didn’t know. So and then, look, you’ve seen the satellite imagery of Sedonia on Mars, the original from the Viking orbiter, and then they tried to CGI it out with anyway, that to me looks like an advanced civilization.
So I wouldn’t be surprised if there was a long time ago we had Mars colonized and then that event that just obliterated everything, or one of the events, they had to jump ship and they had to come to Earth. And maybe that’s what is referred to in the Book of Enoch as the watchers or whatever they have the 200 angels and they gave them technology to people. What if that was us from Mars? I don’t know.
Just a theory. Yeah, and it’s an interesting theory. And my thought on it is that Mars went through I was talking about live planets and dead planets. You’ve got gas giants, all the atmospheric planets that have electromagnetic fields, living planets. And then the moons have no electromagnetic field. They’re all dead cratered bodies. Well, Mars is an anomaly in that it’s cratered like the Moon, not to the degree that, say, the moon or Mercury is.
And it has certain features that are sort of Earth like and has certain features that are sort of moon like craters. But then there’s also like Alice Marinaras and the mountains and the volcanoes and all. So it’s a mix. So my thought is that Mars perhaps had an electromagnetic field. It was a living planet and it had an atmosphere, and then it got zapped EMP, hit it and destroyed it and destroyed its electromagnetic field.
And it’s been a dead planet ever since. And that event is what created the Valas Marinaras and the Mons volcano features, was an electrical event destroyed the planet. So that’s what I think may have happened. And that says that prior to that event, perhaps there was life thriving on Mars. How would we know if there was or wasn’t that an event would have destroyed it and buried it.
Any remnants of it would be nothing more than a few stone artifacts still looking out of the sand, just like we found on GISA or just like Sedonia looks like with the 1976 Viking Order image. Exactly. So the possibility of that is there. I don’t have an opinion, a or nay, as to whether there was life on Mars prior to that. I do have strong opinion that event happened.
In fact, I’m working on an article to talk about the bad day on Mars. What event caused that to happen? I think we have some evidence and testimonial in the record, ancient records that we can talk about sometime about that. Well, I’d be honored to speak with you again in the future. And this is great, man. The 2 hours by, I think that yeah, this is very cool.
Thank you so much. I appreciate it. You’re welcome. And you’re a team with your wife, I take it. I got some yeah, yeah. Kristen’s my booking, so yeah, tell Kristen thank you. I appreciate her messages. And it was nice and easy together like this and fun. Awesome, man. Yeah, I had a blast talking with you. I wanted to show off your website real quick before we finish this up.
And I want to let everybody know that you can actually watch videos on the Thunderbolts project, also with Andrew, and make it a part of your daily routine. To check out the Daily plasma, go to thedailyplasma blog. Free thought, free speech, free access. I like that. And then this was a video. That the first video that I saw of Andrews, and I want you all to go watch this at the Thunderbolts project.
It’s Andrew Hall. Electricity in ancient Egypt. And then you just did another one about twelve days ago, I think on the mountain, origami I titled it, I think, Mount Origami, it’s a mountain in Switzerland that shows pretty distinct plasma features. Oh, cool. So I just describe those and show them and explain them. And I’ve done several articles about plasma winds and shockwaves and evidence for it in the mountains.
And this is just one another among those. Great. Okay, let me show this off real quick too, because I can see the actual scarring on this mountain right here. It looks like electrical scarring. Yeah. These folds in the mountain were created in a specific part of the shockway. I’m identifying in this article where and how the shockwave forms this feature and some other features that show up in the article.
Two that I have images of. Okay. This mountain, actually it follows the pattern almost to a T curl for curl what shockwave produce and can be shown in the laboratory in a wind tunnel. I have wind tunnel images compare with this to show what I’m talking about. Okay, well, I’m going to watch this in full after we get done talking, and I’m going to go ahead and put this into like two or three different parts to upload on YouTube.
And I think that know, we can get more people to watch it that’ll be interested in a specific subject and the attention span nowadays. But I’m going to upload it in full on patreon and rumble also. And once again, it was a real honor, Andrew, and I hope that we can talk again in the near future. Okay. Rex I appreciate it. Had fun. Cheers. Catch you later. Change.
You want to see Ram? Ram. RA. Sam. Sam. .
