➡ The text discusses a movie where a 13-year-old boy, Lewis, has the ability to time travel and influence events. He interacts with his younger self and other characters, including Wilbur and Goob, and even creates an AI hat. The movie is described as optimistic despite its dark themes, such as child abuse and AI enslavement. The text also speculates about Lewis’s potential role in creating a surveillance state and compares the AI hat to dangerous robots from other films.
➡ The text discusses the movie Minority Report and its impact on the viewer. It also delves into the life of a character named Goob, who loses a baseball game, is not adopted, and ends up living in an abandoned orphanage. The text questions why another character, Lewis, who was successful and liked the orphanage, didn’t keep it open. It also explores the possibility of Lewis being a social recluse, only getting along with his wife and foster parents. The text ends with a discussion about the movie’s ending and Lewis’s catchphrase, “keep moving forward.”
➡ The text discusses a movie that seems to have dark themes, including a character who ignores his friend’s abuse and a quote from Walt Disney about moving forward. It also mentions the Society of Illustrators, which was involved in creating U.S. propaganda during World War II. The text also talks about the depiction of Canada in the movie and the author’s experiences working at Disney, where they had brainstorming sessions with a “no Nuke” policy, encouraging all ideas. The text ends with a mention of MK Ultra, suggesting the movie might have elements of mind control.
➡ The text discusses a podcast called Paranoid American, which features interviews with a variety of people, including conspiracy theorists and non-conspiratorial individuals. The host also talks about other topics, such as the Twilight Zone and the Planet of the Apes. They encourage listeners to check out their merchandise and other content on paranoidamerican.com. The text ends with a rap verse, possibly from a song related to the podcast’s themes.

Time to see his dad when he’s 12, I almost think as a power play, like, because if it were a 12 year old going back into the past and trying to tell a 13 year old what to do, maybe it would have been different. But a 13 year old telling a 12 year old what to do, like, psychologically he’s got the upper hand. We also see Lewis punch Wilbur as children. And I just wonder, does that still count as like your dad beating you? If your dad’s technically a year younger than, you know, Once people start taking light speed space missions, we’ll find out.

There’s. So when he, When Lewis catches Wilbur spying on him, he’s acting like a pigeon for some reason. I don’t really get that. And when he asks him like, hey, why are you acting like a pigeon? He’s like, quiet. They’re watching. They’re. They’re like, they’re always watching. They’re always listening. And then shortly after, when they’re trying to, he’s trying to figure out what happens in his past. This quote of the truth will set you free is kind of pushed in here, but I thought, I thought just. They’re watching. They’re listening. Yeah, maybe this is a DARPA thing.

Maybe. Because if, if there is a they who’s watching and listening, the they is likely also created by Lewis. Right. Lewis is the one that created the AI Derby hat and created the time machine and created the MK Ultra helmet that reads your memories. So it seems that he would also be the one that would create this ever sort of persistent, like, surveillance state. I wonder if he has a front man, you know, because we got your Steve Jobs, your Elon Musk, where they don’t really invent stuff themselves. So maybe he’s supporting one of these technocrats of 2037.

Yeah, I mean, you don’t see him, you don’t see Lewis. So Lewis is the guy that actually made the Tesla. So who’s his Elon that like, buys the company and turns him into a face? I don’t know. Maybe that’s Goob. No, I, I have a feeling Goob’s not doing that well though. He. That’s what, because the orphanage closes and then he just, what, stays there for 30 years? Well, also, there’s a, there’s a scene where he tries to get the bad guy, the snidely whiplash version of Goob adopted by the family. But he also goes back into the past again and tells Goob to like wake up or something.

And Goob. So the whole it’s it’s that Goob keeps getting beaten up because he’s sleeping and he sucks at baseball. But he goes back and he tells Goob like, hey, wake up. While he’s on the field. And he wakes up and he catches the ball and he saves the game. But I doubt Goo becomes like a professional baseball player. But it does, I would assume, stop him from becoming Snidely Whiplash. Now genetics are the same. He’s still gonna look exactly like Snidely Whiplash. He might just not, you know, wear like the black trench coat and the black hat and the baseball jersey under it.

Now he’s just walking around in a jersey. But we don’t really find out what happens to good Goo. We only find out what happens to bad Goob. Yeah, yeah, we don’t get back to the future. Well, that, that’s where I guess maybe making this. They thought there was going to be a direct to video sequel. So they might have been like, oh, we’ll catch up there. And then that never happened. And then this movie was Memory hold because nobody remembers it. I mean, I’m not saying it was intentionally Memory Hold. I’m just like, it literally fell into one because we’re the first people that have watched this movie for, for 10 years.

There’s also a couple of these self like critiques that the movie writes about itself. Like, for example, I’m trying to think of another one that did this recently. But in this movie, the bowling, the Bowler Hat man, he sends a hat into like take over this company or, or to like sell the mind control machine to this corporation. At a certain point the hat is like, I don’t think you thought this through well enough. So he gives up on that idea and then he goes back into the past and he kidnaps a dinosaur and he brings a dinosaur into the future.

And then he tries to get the dinosaur to go in and like disrupt and steal from Lewis to kind of just like destroy his life. And then the dinosaur says the same thing. He’s like, I don’t think you thought this through very much. And by the time the dinosaur said it, I thought it was basically one writer talking to another writer in the form of a script. And it just got baked into the actual movie. Like it was actually like a footnote saying, hey, you didn’t think this through very well. And someone was like, we should totally put that in the movie.

That would be so funny. What a great inside joke. Well, I guess it’s what you do when you’ve backed yourself into a corner with your story thread. Now here’s a part where a bit of the snark, I guess got taken out though, because this did not have a snarky opening like the last two mainline Disney films. Right. And I think this is the first time we’ve seen the Steamboat Willie intro because it’s the like 80th anniversary or whatever, I guess. Yeah, yeah, that stood out too. Yeah. Honestly, this movie is. Lacks a lot of the snark and it’s.

It’s very much like a optimistic movie. It’s like a feel good movie. Like I. I guess about orphans being beaten. Yeah, I guess. Hopefully I won’t eat my words. I, I think looking at the list going forward, it should be fine. But we’re kind of at the. I guess we’ve passed the, the low point. Although we are watching A Christmas Carol next week, so I’ll get back to you about that. But I haven’t seen Bolt. We’ll. So actually, yeah, Bolt might be the only one where I’m like, I don’t know what that’s going to be like.

It seems like we start climbing back up the hill, but it’s now a digital hill from this point for the most part. Yeah. Now that I’m thinking about, this is probably the most optimistic, happy go lucky movie, not just Disney movie and not just animated movie that I’ve ever seen that is about orphans being beaten and AI enslaving humanity. It’s actually done in a very optimistic way. Oh, it’s very bright and shiny, isn’t it? That’s, that’s why, that’s why I’m thinking so much about like grown up Cornelius. Because I’m like, man, this movie’s so nice and shiny with concepts like that.

I bet he’s up to the bad stuff. Yeah. There’s got to be some like some yang to that yin. Right, Right, right. And we’re just getting the nice shiny bauble part of it all, so. But yeah, this is. Let’s see. I guess this is maybe bold is too. But we’re getting near the end of the Disney trying to really make their own like boys adventure stuff because they’re trying to get boys in their movies. And not too long after this it’s like, well, why don’t we just buy Marvel and Star wars instead? And I guess that they kind of suck at it, to be honest.

They really, really kind of suck at it. We’ve got Atlantis, which Atlantis is quite good. We got this. What were the other ones? There’s a treasure planet, which I can barely remember, to be honest. I. I really wanted a treasure planet, being like, oh, this will be an undiscovered gem, you know, but it did kind of just wash through my brain. I forgotten it. It has. But, yeah, the movie as a. As a whole doesn’t do it as much. Right, right. Atlantis probably is the best example out of all those of like. Like a boy adventure movie.

And then they just get confused for a few movies with Brother Bear and Home on the Range. Right. So we don’t know what to do. And Chicken Little. We don’t know what to do digitally now. So it. It does seem a little bit of purpose is getting reinstilled starting here. And we’ll see what Bolt does a little later. What else? I have a note here that Lewis absolutely did create Terminator. He did create Skynet, because we see a very specific SC when the. The AI Bowler hat thrust its spiky little hand through the chest of the family robot.

Like, kills him instantly. Like, the hand just burst through. So now you know that these bowler hats are 100 capable of the worst kind of violence you can imagine, because the. The implication there is that if it was just like a foot to the left, that would have been a kid’s chest that this robot, like, blade hand had just went through and like, ripped a. A hole out of. So he basically made Terminators. Right? Little flying Terminators. Yeah, I. I guess I’m still thinking one of the Matrix robots, the little squid things, just because, you know, they’re not.

I. I was thinking of Minority Report, which also has these, like, little metal tentacle creatures that can, like, slide through air vents and under doors, and then they jump on your face and they scan and maybe even take out your eyeballs. Oh, yes. I remember watching that with a girlfriend once who hated eye stuff, and she was just flipping out during that scene. Rough scene. Yeah. Yeah. I mean, we didn’t know it’s coming. I think it was like, the first time I saw it, it was theater. I don’t remember there’s a while ago. But yeah, here’s a question that I had that when we see the progression, Goob is describing how he loses this baseball game and no one wants to adopt him, and his life just spirals and he ends up staying at the orphanage, and the orphanage shuts down, and then he’s just, like, living in this sort of abandoned orphanage.

But if Lewis is doing so well and he liked that orphanage so much, like, why didn’t Lewis keep that orphanage Open. That almost seems like something that he would have done if he was truly altruistic. So two, two things. Either Lewis is actually pretty dark hearted somewhere deep down and wants the orphanage to fail, or the orphanage was a horrible, rotten, traumatic place and that’s why Lewis let it sort of deteriorate. There’s really no other explanation here that made sense to me. Does that mean Goob just completely off the grid? Like they do make it seem like he just sits in this room in an abandoned or just like mega squatting, you know, and aging like it.

I mean it’s a montage to make show age. So. But it almost, it gives you the feeling that he literally doesn’t leave this room. He obviously has to, but to get food and stuff. But he’s off the grid. I mean, does he quit school at that point? Just sit around the room most of the time, go steal some bread? He turns into an adult. Yeah, it shows him going from a child into an adult still living in this abandoned orphanage. So yeah, he like he, his trauma has linked him so closely to this place that he can literally not escape mentally or physically.

Yeah. You think at age 16 he at least start running tricks or something, you know? All right, turn into a whorehouse? Yeah, yeah, yeah, sure. Why not become a pimp? One man whorehouse is basically was, I mean, a man whorehouse stud house. But yeah. Why, why do you think Lewis lets the orphanage just shut down and crumble if. If that was the place that was clearly taking care of him? And even though he’s going on 130 of these freaking adoption interviews and he’s not landing any of them, that means the orphanage kind of becomes his real home and family.

Maybe he just kind of forgot about the orphanage. He becomes successful, he’s got a family, it just kind of recedes in his mind. I mean him and Goob don’t get along that well. It’s like, you know, my freshman university roommate, we got along fine, but we had zero in common, so we didn’t have much to talk about, you know? Yeah, I get it. I mean, come to think of it, it doesn’t seem that Lewis is much of a social butterfly at all. Like, I don’t know if he would get along with anybody except for maybe his wife and his foster parents.

But even then it seems that they’re just more enamored that this dude is smart enough to create like a mind control machine and time machine. I brought up a few times the, the student that he’s like 12 now, that’s like a genius and completely impossible kind of legend. Right. He’ll show up and build a working gun out of paper and rubber bands and then start shooting people with it. So that’s like the real life version of this guy. Like, I’m like, this kid is going to become a James Bond villain and have a super layer at some point.

Right. This movie is actually the bowler hat being put on you. And now you’re living in this optim reality, but you’re actually like, murdering and like, just mowing down huts in a third world country on behalf of like your corporate overlord or something. But you. To you, it’s just a nice Disney movie. Right? Right. But yeah, yeah, there’s so much. And there’s like Ender’s Game kind of. Yeah. If you just put a little spin on that baseball, you’ve got a very different. So maybe it is kind of like Terminator for children in a way. I mean, we got the time travel, we got the.

The killer robot. So. Yeah, I’m going with that. Yes. Meet the Robinsons is Terminator for kids. Because especially when they show the. The apocalyptic version of the future. I mean, that’s just for, what, 30 seconds. It’s like straight up like Matrix, Terminator Dark. I mean, for anime, for an animated Disney movie, it is obviously, it’s not blood and guts, but crushed skulls. We don’t get those. I don’t believe they should have started with that. Yeah, just like a bowler hat crushing skulls, rolling over them and putting little. Puncturing little holes in them. Because it’ implied. Right.

It’s implied that that actually happens. They just don’t show you the. The micro. And as a grown person watching the movie, when you’re watching that part of the movie, you’re kind of like, you know, subliminally adding that in yourself, I think. So you’re watching like, oh, I’ve seen this before. So I’m bringing that in as well. And we’ve also, at that point, we’ve already seen the. The little razor blade robot hand go through someone’s chest. So, like, you know that this is not just a mental enslavement. They’re hurting you. Yeah. The other thing I wanted to bring up is they.

They use the Incredibles a bit for animating humans. Oh, other than Finding Nemo. There we go. The Incredibles. I was. For animating humans. I was also thinking of Syndrome, a little bit of a similar villain arc. I mean, I don’t think it’s a knockoff, but Syndrome was the villain in The Incredibles, where Mr. Incredible tells him to go away as a kid and then he becomes the, the ultimate villain of the movie. Much darker and groove I guess because he’s actually murdering everyone. But yeah, the, the, every one of these Disney movies I think at this point are all based on some like well known tropes.

There’s not a lot of like original storylines. What’s original is just maybe the characters they put, hey now, grandpa wears his clothes backwards. That’s sort of the level of originality that we were coming to expect, I think for a lot of this. No, for the NLP reason. I almost feel like I should go watch that middle section again and maybe, maybe, you know, if you take it from a surrealist point of view, there might be a few deeper things in there, you know. Well, yeah, I mean I think just the whole premise of your son going back in time to like bring his dad into the future, there’s something deeper about that that’s worth explor too because they violate almost every single rule.

You’re not supposed to touch each each other. You’re not supposed to introduce yourself to your other self. And in this movie we see all that happen and there, and I guess there’s one other unexplained. Maybe it’s just children’s book logic, but Wilbur tells Lewis not to take his hat off and not to show his hair to anyone. And I, I thought there was going to be some big payoff that like, you know, no, like are extinct, right? Or like anti holocaust. Like somebody came in like just destroy all the blondes and blue eyed children. Like we need to get them out of here before something bad happens.

But no, it’s just that his hair is just slightly styled a certain way that the dad’s hair is also slightly styled so no one can recognize that young Lewis is also old Lewis until they see his hair. I just didn’t, I didn’t get the. The reason for that is. Do two people never have the exact same haircut anywhere in this new reality of the future? That feels like there’s a, like a, like a fascist aspect to it. Are you not allowed to share a hairstyle with the society’s like master? No, it’s like North Korea where you go into the barber and there’s one through 15 and you choose one of those numbers and, and you’re supposed to choose Kim Jong Un’s hairstyle.

Of course. That would kind of be funny though that, that North Korea was so locked down that everyone literally dressed and looked exactly like him like the same haircut, the outfit, everything. That would be kind of cool and surreal. Unfortunately they won’t be the same size, but. Right, but, but I mean, just having like the, like the same aesthetic across the board. Some, some being John Malkovich stuff. Yeah, sure, I could, I could get down with that. The movie ends, like I mentioned, with this quote throughout the whole movie. Lewis’s catchphrase is kind of a cheesy one.

He just keeps saying, keep moving forward. Which I think we just got that a few movies ago. It could be. Well, yeah, it’s the same as we got. Just keep swimming, just keep swimming. They’re both very dark. This one I think could be very dark. Because especially Keep moving forward is like, ignore the fact that your roommate in the orphanage for 13 years was being brutally beaten every day of his life and showing up with panda eyes. And then he’s basically reaching out like, hey, Lewis, you know, I’m. I’m having a real hard time here, man.

And Lewis is just like, just keep moving forward, just keep moving forward. Just like ignores the fact that this guy is being abused non stop. But, but that keep moving forward is really from a Walt Disney quote. The full quote which they show at the end of the movie is we keep moving forward, opening up new doors and doing new things. We’re curious and curiosity keeps leading us down new paths. Walt Disney, like being a weapons manufacturer inventor. Right. And working on propaganda and. Oh, and on the propaganda note, this is actually interesting too, is that William Joyce guy that the guy that made the original movie and worked on this one and did storyboards for Toy Story and everything.

He was in the Society of Illustrators, which is, I wouldn’t say a secret society, but it’s a very exclusive society based in New York. And one of the members, one of the earlier members of the Society of Illustrators is the guy that wrote the. Or that drew the Uncle Sam propaganda war poster. And they were actually one of the most active in creating U. S. Propaganda in World War II was the society of Illustrators. Now this would have predated William Joyce’s time, but like that, this is just adding more evidence to that concept that anything that has any sort of power influence does end up working directly for the military at some point.

Okay, now I had a different thing because they show Canada as a state. And just before I started this movie, I see this article online that President Trump keeps calling Trudeau governor. I like that too. So I was just like, huh, what? Why is this movie connecting with the article? I just Read. That doesn’t make sense. That’s how I live my. That’s. That’s living your. Your life. Synchro. Mystically, I guess. You know, past, present, future, doesn’t matter. It all connects. And is it. Is it all of Canada becomes a state, or is it just like a little chunk of it? I think that they can keep French Canada.

I just watched a video about St. Pierre and Melion. That’s what that was interesting, though. That’s real France in Canada. That’s actually French. It’s a. A couple of French islands that are just south of something. I believe that there’s certain places in Quebec that, like, they have to be in French. Like, they have to put, like, all their signage in French and speak predominantly Canada. Across Canada, the signs are in French and English. Like, even if you’re in, like, British Columbia, the signs are in both languages. That would be hell. I had a co worker several years ago who actually.

Who was from Quebec, and I guess his first language actually was French, but, I mean, his English was fine. In fact, the other co workers said he was the most American guy they’d ever met, even though he was French Canadian. I. I think I could debate that, but we’ll see. No, he just had a lot of bluster. You know, nice guy, but a lot of bluster. So he. He talked hard, forcefully, not angrily, but. Yeah, this is an interesting dude. But anyway, that. That was my experience with folks from Quebec, so. Which was surprising. Okay, Canada.

Anyway, I think they showed. Because they show a map at one point. And don’t they show all of Canada as a state? Oh, I. I must have missed it. Must have blinked when they showed the actual map. Yeah, this is that middle section of the movie where they’re just, like, throwing everything at the wall. So obviously not all of this stuff sticks. You know, I mean, I definitely got that is that they had, like, a writer’s room. And I almost feel that William Joyce was just like, look, guys, anyone that has an idea in this meeting, it’s making into the movie, no questions asked, that might be it.

Which actually, that’s a fun idea. That’s. That’s what I’m saying. Like, if you did really analyze that middle section of the film, I’m not like, oh, you’re gonna find, like, secret messages the filmmakers planted there. But I think you’ll find very interesting stuff that they just subconsciously and, you know, subliminally ended up doing a lot of ideas that could have ended up being premises for their own movies in that regard. And there was. There was an interesting thing. When I worked at Disney for those 10 years, I would get invited to these, like, huge brainstorming sessions that.

That were literally. Those are the times that I was working directly next to animators that were on Lion King and that were on like, Aladdin, like all of the big flagship movies that I got to work directly with them were these huge brainstorming sessions. And in certain ones of those brainstorming sessions, Disney had something called the no Nuke policy. And the no Nuke policy meant that it was almost like an improv rules where you’re not allowed to say no or not or, but and you’re not allowed to point out any flaws whatsoever with anyone’s idea. You’re only support.

Supposed to support and build on ideas. So if someone came up with just something silly, it would be like, oh, man, that’s so cool. We could also do xyz, but I don’t know. It was. It’s an interesting. Because there’s never been another job I’ve ever been paid to work at where they were like, all right, for the next hour, there’s no bad ideas. Everything that anyone says, we’re all going to encourage it and see, like, where it logically, you know, goes. So maybe that. Maybe it was one of those no Nuke sessions and they just followed it all the way through into production.

That could be the case. Yeah, I guess, you know, for improv, of course, that improv won’t work without that. For filmmaking, I guess there’s alter theory, you know, rationale behind it because there were a lot of people that did not agree with no Nuke policy, which is its own funny little catch 22. But that the, the no new policy basically stated that someone’s bet, and I’m gonna all simplify here, but that someone’s best idea might be their third or their fifth idea. It probably is not going to be the very first thing that they bring to the table.

And that if you shut them down when they suggest their first or their second idea, then there’s a good chance they won’t even bring up their third or fourth or fifth idea because they’re. They’ll already be in a completely different headspace. So that it was. It was meant not to just encourage a bunch of random ideas, but that someone else in that session would like, open up a little bit more and then share like a really cool idea that they had that they might otherwise not. But this also had a weird indirect effect where if you had a good idea, you knew to never drop that one first.

Because even in a no nuke session, the exact same human dynamic is at play. Like, human brains don’t change just because someone says no nuke. So it would still be like the first or second idea you have might be dismissed just in a very positive way. And then people actually give traction to, like, the third one, because that was sort of the implication. It was. It’s weird. It was like seeing a law being passed and then everyone just working around that law, but, like, never actually changing behavior. Yeah, it’s like sometimes the. The quote unquote dumb idea turns out to be a great idea.

You know, as long as you recommend it. Third. Yes, yes, yes. Make it sound funny, that sort of thing. I think I’m pretty much out of my notes. If you have anything else that you wanted to throw out there. No, I mean, I. I swear that I almost try to not mention MK Ultra in these reviews anymore because it just feels like a cheap shot. Like, oh, we’re just gonna shoehorn MK Ultra in here. This movie is literally about helmets that are being given to orphan children that take over their brain and then eventually turn into a neural net and take over the entire world.

This is a Disney movie. This is clearly MK Ultra sleep deprivation programming. We even mentioned it might even have some of these NLP embedded stories built into it. So I don’t know, man, I almost want to start giving movies like MK Ultra ratings out of five or something. This one would get a solid four out of five on the MK Ultra scale. Okay. I guess that’s how I roll my trip o meter over the Twilight Zone. Another thing that. Well, the first episode is Super MKultry and the Twilight Zone. Where is everybody? Hardcore MK episode. Well, I guess we’ll move on.

We are hitting Christmas time. What should people do for the Christmas season? What should they do for the Christmas. Oh, plugs, of course. We. Jo. Well, we just wrapped up Illuminati comics, so I’m not gonna pitch that again until we’ve got it printed and available late into next year. So the other big thing is to just go to paranoidamerican.com look for a bunch of cool merch and shirts and conspiracy card packs and. And sticker packs and comics and all of the things that you normally are expecting to see, but also great for those long holiday trips and flights is get the Paranoid American podcast, in which I’ve got a whole bunch of cool exclusive interviews.

I’ve interviewed David Ike. I’ve interviewed David Weiss, AKA Flat Earth Dave. I’VE interviewed Tommy Chong. I’ve interviewed people that design psychedelics using AI and then take them. All sorts of really cool. A variety of people. It’s almost not even about conspiracy theories. I mean, it is because everything I talk about devolves into that. But I. I try and get a lot of non conspiratorial normies on the show. We just had a homicide detective of 27 years give a live criminal profile breakdown of the Ladybird late killers. And I think he’s going to come back on and we’re going to break down p.

Diddy, maybe LeBron James and maybe like the new Smiley Assassin. I don’t know. But yeah, so, so go. And wherever you’re at on Spotify or Apple or where you listen to podcasts, just search for Paranoid American. All right, that’s for me. I. I just talk a bunch of crap about media online and podcast form the links. Under me it’s podcastio podcastius.org I talk about the Twilight Zone, like I mentioned, really good and really bad films on films and filth and what, what’s your. Oh, Planet of the Apes. We’re talking about that on podcast 1999. So Cornelius, you know he renames himself Cornelius at the end of Meet the Robinson.

He does? Yeah. I’m sitting there thinking, is that a reference to Variety McDonald? First Apes movie. I’m not. I. I don’t know. I just. I’ve been. I’ve been going ape, man. So that, that’s what I’m thinking about. Who would name the self Cornelius? Anyway, yeah. I scribbled my life away Driven the right to page. Will it enlight your brain? Give you the flight my plane paper the highs ablaze Somewhat of an amazing feel when it’s real to real you will engage it your favorite, of course the lord of an arrangement I gave you the proper results to hit the pavement if they get emotional.

Hey, maybe your language a game. How they playing it well without Lakers evading whatever the cost they are Snakes get decapitated Met is the apex execution of flame you out Nuclear bomb distributed at war Rather gruesome for eyes to see Max them out then I light my trees blow it off in the face. You’re despising me for what though calculated you’d rather cut throat paranoid American must be all the blood smoke for real. Lord, give me your day your way Vacate they wait around the hate. Whatever they say man, it’s not in the least bit. We get heavy rotate when a beat hits a thing.

Cause you’re welcome for real? You’re welcome? They ain’t never had a deal? You’re welcome, man, they lacking appeal? You’re welcome yet they doing it still you’re welcome sa.
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