Summary
➡ The text discusses a movie where a character named Piglet feels unappreciated and goes on an adventure. His friends find his diary and use it to retrace his steps, sparking memories of past experiences. The text also delves into conspiracy theories, suggesting that the character Christopher Robin is a whistleblower like Paul Bonacci, a figure associated with the Franklin scandal and Project Monarch. The text also suggests that the movie contains elements of mind control and kidnapping.
➡ The text discusses a movie featuring characters like Piglet, Kanga, and Christopher Robin. The characters’ behaviors and appearances are analyzed, with some confusion about Piglet’s look. The movie is seen as a safe space for children, despite some oddities. The text also suggests that the movie might represent the fragmented mind of a trauma victim, with each character symbolizing a different aspect of their personality.
➡ The text discusses a movie where Piglet’s memories, which are actually Christopher Robin’s, are destroyed and then recreated differently. This process is seen as a form of gaslighting, as Piglet’s identity is manipulated. The text also explores the idea of Hundred Acre Wood as a representation of Christopher Robin’s mind, with characters disappearing when they leave the Wood. The presence of Kanga, the only adult figure, is seen as a threat to the childlike world, suggesting a fear of maturity.
➡ The text discusses the evolution of emotions and terminology over time, using examples from movies and personal experiences. It highlights how society’s understanding and acceptance of different emotions and identities have changed. It also talks about the impact of past experiences on our present reactions, using the example of a haircut incident that triggers a physical response. Lastly, it discusses the concept of ‘anchoring’ in neuro-linguistic programming, where a specific trigger can evoke a certain response or emotion.
➡ The text discusses a variety of topics, including the interpretation of a traumatic event, the influence of tone and intonation in communication, and references to the Sci-Fi movie Dune. It also explores the idea of mind control, using the example of Winnie the Pooh and his friends in the 100 Acre Wood. The text suggests that Winnie the Pooh could be seen as an addict, always seeking his next “hit” of honey, and that his friend Eeyore might be the most traumatized character in the series. The text ends with a discussion about Winnie the Pooh’s potential withdrawal symptoms.
➡ The text discusses a conversation about the characters in Winnie the Pooh, their ages, and the voices behind them. It also mentions a comparison between the original and remade versions of Disney movies, suggesting that remakes may be destroying the spirit of the original films. The conversation then shifts to discussing the Deadpool and Wolverine movies, expressing a wish that the quality of Marvel movies like Deadpool had been achieved earlier. The text ends with a discussion about upcoming projects.
➡ The text talks about various creative projects including comics, music, and propaganda packs. The comics cover topics like Stanley Kubrick directing moon landings, the Illuminati, and the Titanic. The music includes binaural beats and different rock genres, available for free listening. The propaganda packs contain stickers with conspiracy themes, available for purchase at paranoidamerican.com.
Transcript
Hello. Welcome to the Occult Disney podcast, where we stumble around the hundred acre woods looking for weird things under the rocks. This is Matt here. There. Is Thomas there. Howdy. Trigger warning. This one’s going to get dark. Oh, okay. You see, you didn’t have much, did you? Okay, that’s interesting. We’ll see where it goes. Yeah, this is Piglet’s big movie, which is a kind of a weird duo of ones recovering because they were theatrically released. And this one made some money. Actually, it made a little bit of a profit. That’s cool. But, yeah, this in jungle Book two, for some reason, were just kind of scuttled over.
It just says in February 2002, Disney announced that this in Jungle Book two would be released theatrically. So I don’t have an interesting story there. I still don’t know why. How the heck did this one make money? I mean, I guess it’s just the ip is so strong. Yeah, well, I mean, you can get dark if you want, of course, but the general perception is Winnie the Pooh is like the most harmless thing ever. So parents wanting to take their kids to something that they think will be completely docile might choose this. Fair point. Fair point.
So this is like that babysitter fee a little bit, yeah. For me, though, watching the movie, though, it felt like a clip show. I mean, I know it wasn’t. It was new animation stuff, but just it felt like a clip show, you know, organized. It’s very scattered like that. Right. And it’s. It’s also very non linear. Like, it jumps around to the past and then to the future and the past. And they don’t really make the clearest distinction when they’re jumping around in time. It just kind of happens. But, yeah, it has this, like, clip feel to it, which makes it feel weirdly cheap.
I was sitting there thinking, well, technically it’s an anthology, which somehow sounds classier when you say it that way, you know, so. But it’s a classic trick. I mean. Yeah. What was the. The last one we watched? I forgot the name of the. There was a 77 one. Then there was the one that we just watched a few months ago, which. I don’t know, that one seemed a little more of a. The Tigger. The Tigger gaslighting one. Yeah. Tigger movie. There we go. If they said Tigger, I should get the movie down. Which gets referenced in this movie too.
Oh, yeah, yeah, yeah. They have them on. Shot him in their Tigger suit. So it’s all in continuity, at least. I guess that’s cool. You don’t always expect continuity out of kids characters like this. And that’s a good point. This one is kind of like a safe space. You don’t really expect any. Anything that’s gonna be sort of controversial or even make you think too much from a Winnie the Pooh movie. Right. I do remember the next. So the next one is the Hufflepump Heflov movie, which I saw with my daughter once. And I do remember that one not being terrible.
I mean, this one’s not terrible either. Just. It’s. It’s shorter than 90 minutes. It’s 75 minutes. That’s great. Yeah. We love that around here. I saw this one three times. And the. The reason that I was able to make it through that many times is I watched it once at two speed. Once at two and a half speed and once at three speed. Oh, wow. Three speed. Okay. I was going 1.5. Mostly because I didn’t have subtitles. So if I went faster than that, I wouldn’t know what they were saying anymore. And in fact, it was kind of crazy because by the end of me watching it three times.
I had a completely different understanding of Carly Simon’s voice. Yeah, I don’t think I’m a Carly Simon fan. Don’t listen to her at three hex. It will not sell you on her. But, uh. And then the video at the end where she’s just kind of flopping around weirdly, you know, that that was an odd edition. Unappreciated. I didn’t appreciate that. It almost felt like they were going for a lamb chop sing along sort of thing. But it didn’t really work as well. It was jarring. I woke up this morning, though, and the song from Zootopia was stuck in my head.
So it didn’t. It didn’t take here. I did get it stuck in my head. But it’s the three x version of it that got stuck in my. Oh, no. And everything. No, I just. I just watched a video of the new country bear thing. Where they now do Disney songs instead of rednecking songs. And one of them is that Zootopia song. So I got that stuck in my crawler. I feel like the whole pull of the country bears. They can sing redneck style songs. Like. Well, they sing them all redneck style. Single redneck style. But. And um.
What was the blood in the saddle guy? I forgot his name. But, um. I can’t remember anyone’s name today. But, uh. Yeah, yeah, he. Now he’s just sad. He used to be weird, now he’s sad. He’s just singing because he’s sad. And. I don’t know. Eeyore. Yeah. Yes. He’s a little more Eeyore now. I guess kids like the new version better though, because it’s songs that they recognize. Instead of like weird old rednecky things. Which, you know, people our age are like, I want to hear the dumb redneck song, you know? Yeah. There’s something to be said, though, about the formula for getting people to want to hear something that they know.
Even if it’s inferior to the thing that they don’t know. Like most people really do want to be able to sing along to something. True. I guess there’s a lot more singing along there. Now. This movie’s not well. This one wants you to sing along with some stuff. I’m sure I’ve already forgotten. What is she singing at the end of the movie? Oh, something about like, we can all be friends. But again, I heard it and like, I can hear it still going in three X. That’s the danger of overclocking films, I guess so. Honestly, I will say most animation plays pretty well at like 1.25 or 1.5.
It kind of peps it up a bit, you know. I don’t think it’s necessarily a bad idea, absolutely. Honestly, until it gets to around 1.6. Unless I’m trying to read subtitles, like you said, I. It is almost hard to notice. And in fact, it sometimes makes it look a lot better. Because now you’re getting. Instead of 24 frames a second or 30, you’re inching towards 60 frames a second. Which in animation terms makes it look a lot smoother than they originally put it out as. And I want to just say in the. In the Winnie the Pooh.
Specifically this one, the big piglets, big movie. Playing it at two x. It was almost impossible to notice when I started to get over two x. Then you can really tell that it’s going faster. Three X is kind of unwatchable. I don’t recommend it. No. I especially don’t want to hear those songs at three X. No, for me, I do a few podcasts on media stuff, so call it Disney songs. I usually don’t go any higher in 1.5 when I talk about space 1999 or Twilight Zone, it’s live action. I don’t speed them up for my film podcast.
Depends on the movie. If I have a three and a half hour german thing to get to, I might be watching it a little faster. It’s awesome. I just wish that I had this when we were growing up, being able to watch, I don’t even know, on like, a VHS, you should have been able to play it a little bit faster. But not many had that option. I’m sure some did. I, some did. I remember seeing a few that you could speed it up a little bit. No, I got the idea. I mean, you know, my parents in laws were watching.
Parent in laws were watching things downstairs like that. At first I was like, that’s horrible. And I was like, well, that’s kind of practical, isn’t it? Sometimes, especially when you do a bunch of podcasts. I wonder if you started at a young age, right? And you started consuming all your media, two x, if that would be the equivalent of teaching yourself to speed read. Like, you would just be able to, at a faster pace, understand and retain information longer and quicker than other people. It’s almost like you could refine, like, a superpower. I was about to say you’d end up like quicksilver from the X Men.
Who. Or avengers. Whatever you want to say. Is that bad? Is that so bad? That almost seems great. Well, the whole point is he becomes an a hole because everyone moves so slowly. Nasty towards everyone because he has no patience for them. That sounds like a personal thing, though. It is a personal thing. But the reason is explained that since everything goes so fast for him, like, everyone is infuriating. They’re just doing this all the time, you know, that sort of thing. See, I got annoyed by myself after I didn’t even finish the sentence. I feel like that’s an extrovert thing.
I don’t think introverts would care. I just pop in my noise canceling headphones and go to go to work for this movie. I’ll just put my finger in the water and just. My overall take was, if the last one was about gaslighting Tigger, this one’s about ghosting. Piglet. Piglet. For no reason and some. Yeah, I would definitely say that. Okay. I was wondering if that was the track that you were thinking on this one or not. It gets a little bit darker. So I think that the first time we did poo, my big revelation was, instead of breaking down mental issues with each of them, instead of trying to look through the DSM and assign everyone, like, a different sort of flaw in their personality, we came up with the gnostic concept that Christopher Robin was either the Yalda Baoth of the demiurge or maybe even the Antichrist.
And I don’t know if I would need to correct that or if this is just part of that. But do you know who Paul Bonacci is? I don’t, but I do. I just to add in, I did put notes here. Looks like the Antichrist has arrived. Here comes the Antichrist. He’s been torturing Eeyore. Okay, so I was definitely on that much worse track. But, yes, please go. I already lost the name, which I did not know, Paul Bonacci, which I’m glad if you haven’t heard it, because he’s been completely scrubbed from the Internet. There used to be articles about him and linking to him.
And in fact, I realized just the. This year, 2024, there was a recent interview about Johnny Gosh and Johnny Gosh case, and I believe they interviewed Paul Bonacci as part of that. So Paul Bonacci is a name that comes up with the Franklin scandal quite often. And without getting into the entire summary of that, because that’s hopefully not what this particular occult Disney is totally about, but it’s about legit project MkUltra, monarch mind control, kids that were kidnapped as children and then brainwashed and then turned into procures of to find other kids to get them brainwashed.
So this is his story, and this is what the Franklin scandal was based on. And then there was. There’s two different books, one by John de Camp called the Franklin cover up, and then there was one called Franklin Scandal by Nick Bryant. And Nick, I would read them in that. I would read them in that order. John de camps and the Nick Bryant. But if you only read one or if you only care about one, definitely go for Nick Bryant’s. But anyways, Paul Bonacci is an alleged whistleblower who recanted and then re recanted and then re re recanted.
So he’s a questionable, you know, credit within the legal system, at least. But he kind of has found himself as part of conspiracy theory and project monarch lore indefinitely because of his role in all this. And my honest thought, as I was watching this movie over and over, is that Christopher Robin is Paul Bonacci, a whistleblower. Okay, we’ll dig into that a little more. I was thinking, as you’re saying, that, because last time we talked about, like, rue kind of being, you know, a young recruit. Right? How old is Piglet? What do you think? Is Piglet, like, what is Piglet’s age or what stage of life do you think Piglet is in? So stepping aside from everything that I just said, like, if I’m just going by my gut feeling, I always thought Piglet was probably, like, a mid thirties guy.
That’s what I thought. This one seems to infantilize him somewhat. You know, I come out of it thinking, like, is Piglet supposed to be a kid like Rue? Well, they do the whole, you know, the babying scene with. With Kanga, of course, which seems weirdly. I mean, it actually seems creepy for the first 75%. And then they try and kind of turn it around at the end a bit, you know? Well, I mean, creepy. It’s not just the babying scene. They basically find. Well, let’s. Let’s start from the beginning of the movie a little bit. Let me summarize it just so that I can.
I can frame it up a little bit. So Piglet’s big movie is about Piglet feeling inadequate and that he can’t assist anyone and what they’re doing because he’s just, like, this tiny little guy, right? He can’t reach things, and so he comes across everyone that’s trying to do this big rube Goldberg esque steal the honey from the beehive, where they’re going to, like, lure the bees out. And someone’s dressed like a bee, and they have a fake beehive they’re going to try and lure him into. So Piglet finds everyone doing this, and he can’t really fit in anywhere.
So, you know, they do it, and he ends up helping them, but no one acknowledges him. So anyway, he’s like, this neglected. Yeah, they kind of gets ghosted a little bit, and he decides to go off on his own adventure. And then when everyone realizes that Piglet has gone off on his own or they just don’t know where he went, he’s just missing. They find his diary, and inside his diary, Piglet’s been drawing these sketches of all the different adventures that everyone’s been on. And they start going through his diary, essentially page by page and using it to retrace his steps.
So every time they turn a page in Piglet’s diary, that cues them all to remember some experience they had gone through. So they’ll turn the page and they’ll be owl’s house. They’ll turn the page and then they’ll go to Rue’s house. And these are all kind of flashbacks in time, right? So the entire premise of the movie, and that’s why it has this clip show kind of feeling, is because they’ll start in this overarching theme that Piglet’s missing and they start reading through the book. And every time they turn a page in that book, you get a different clip until we finally get to Piglet at the very end.
So that’s destroy his diary. That’s worth noting. Well, right. Well, so, yeah, a little bit later on. So here. Here’s the order, loosely, and I’m just trying to go by off my memory, but the first page they turn is an owl. So they go to Owl’s house. The second page they turn is Kanga. So they go to Kanga’s house. The third page is they go to the North Pole. And these all are, like, increasingly more surreal. So imagine, if you will, that you are sort of inside that. Like, you are kind of the real viewer as it drives you through this movie.
You plop down. You’re the kid that’s about to go through the Disney proxy. So you’re relating like, okay, I’m in this movie. So you start out with Alice House. I’m just going to say that that’s bohemian Grove, but whatever, we’ll just leave it there. He also talks so much. So I was like, is this the psychic driving? Like, this is the first step into this initiation of being mind controlled, that you go through psychic driving where words are just barreled at you until they just start to fade away. They just, you know, you just absorb them inherently, and that’s kind of what happens.
They go to owl, and owl just, like, keeps talking. And then at a certain point, they’re like, all right, let’s just go. Like, he’s just going to keep talking. So then they go to Kangas House. And when they get to Kangas House, they’re flashing back to when she first moved into the hundred acre wooden and no one trusts her and everyone wants to get her to move away. So the plot that they come up with, and this is, you know, the innocent poo movie, and they wouldn’t do anything wrong or anything offensive, but their plan is to kidnap rue and swap rue with Piglet.
Put Piglet into Kanga’s pouch. And then once Kanga discovers that her child has been kidnapped, they’re going to hold him ransom until they basically blackmail her or extort her to leave the hundred acre wood, and only then does she get her kid back. So this literally turns into a story about kidnapping a child from its mother in order to coerce the mother to leave or to abandon the kid until they give it back at the last second. And it doesn’t necessarily play out that way, but that was literally the plan from the start. Oh, yeah. Their plans are often weird, drawn out.
I did. When she does say to Piglet, though, I’m gonna give you a bath, I’m like, that is weird line reading. I don’t know if that caught with you, too, but. Well, I mean, so the context there is that she realizes right away that Piglet is not rue. So she’s kind of, like, playing into things that Piglet might not want to do that, you know, wouldn’t bother rue so much. And there was one weird thing about that bath scene, is when she gives Piglet a bath, Piglet’s, like, mid section, it, like, puffs out. And I guess I just always thought that that midsection was a shirt or something, but it almost implies that the pink shirt with the black stripes is actually part of his body, and it fluffs out, like, fur.
Yeah, that. How’d you feel about Pigment’s new look? Well, I guess that means that Piglet’s been naked this whole time. Well, so it’s Kanga. Kanga’s a nudist rabbit. Runs around naked. Owl. Yeah, yeah, poo’s. I just. They all match up, one for one, with the animals that they sort of represent in certain ways. But Piglet makes less sense than ever now to me because it originally, I could have understood if it were a pig wearing a pink shirt, but now that it’s not a shirt, I don’t know what to think about this particular animal. I thought maybe had a thorax.
That’s. And that’s always what I had going on. Piglet’s got thorax. I just like the word as well. Yeah. So they just want kangas cookies. I wrote that down for some reason. Yeah, I did. And then I did. Then Christopher Robin shows up at that point after the Kanga experience, and I’m like, do I like Christopher Robin better than Carly Simon? I might. I don’t know about three speed, but it really was Carly Simon. I think that really drills into the backyard. I mean, that’s the word that was probably the worst psychic driving ever was just hearing a her voice constantly.
But I. So Christopher Robin, I don’t know if it’s an upgrade or a downgrade from Yao to bay off the Paul Banachi. Maybe it’s a downgrade a little bit, but downgraded infamy. So just like you were saying that the reason this movie might have been somewhat of a commercial success is because it was safe. Like, you knew that you could bring your kids to this, and there’s not going to be something crazy that you’re going to have to explain or give nightmares or any of that, hopefully. And I think kids are really thinking about it, right.
This show first, and then they watch it, but then they probably go to the realms. But this is also kind of represents a very infantile mentality of a truly abused person. So if. If you’ve been through a crazy traumatic experience like Paul Bonacci or Christopher Robin might have been, then you need, like, the ultimate safe space to retreat to. And what is more of a safe space than hundred acre wood and poo and all these guys that can’t really get harmed and they can’t die. And the worst thing that might happen is they lose their stuffing and they can just put the stuffing back in.
And we’ve been over this one before, so, like, nothing can really bad will happen in this particular area. So this is where Christopher Robin or Paul Bonacci retreat to. And that’s kind of why everything is sort of treated like kid gloves in some ways. Take the edge off of reality, that kind of thing. Literally. That’s. That’s the premise of poo movies. I might have mentioned it last time. I don’t remember if I mentioned on air or not, but my daughter likes Moomin, so he went to Moomin Valley in west of Tokyo. Are you familiar with this? Do we talk about this? Maybe, but you have to remind me what Moomin is.
It is kind of like a finnish Winnie the Pooh. Like, it’s got the Moomin trolls. They’re white things that look like hip hop. I’m already on board. Okay? Yeah, but they’re not. They’re not. They’re not hippos. They’re like pixies or something. And they live in the finnish countryside. And, you know, they have a lot of friends. There’s picture books. There are book books, you know, children’s books. I think there’s a couple animations for Moomin. You know, it’s a fun place to go, but it’s a little different than Pooh, and my daughter really likes. What’s his name? Snufkin.
Who’s this guy with a green hat, and he’s Moomin, troll’s best friend, but he likes to be alone. And he’ll actually do, like, piglin, this movie very much on purpose. So at this valley, you have to take a walk for, like, five minutes, and you’ll find, like, his tent with a little snuffkin placed out in front of it. But the thing I found interesting is it feels very poo like they. They live in this idyllic sort of setting they have. How do you know what poo feels like? Pointless little adventures. I had a baby. I know poo feels like, where were we? But, yeah, it does have this.
It seems like, a little bit more adult. I don’t know if that’s because of a finnish swedish resolve or whatever, or just long winters or something like that. But I did find it interesting that that one really puts, like, oh, sometimes you need to go off and be by yourself, and people need to be separated sometimes, and then when they’re together, you have fun. Where poo is kind of like, we must be together all the time, you know, where things have gone wrong. Right. Every time someone kind of leaves, then there’s, like, a problem happening. And again, I mean, I really feel that Christopher Robin, he’s been, like.
His mind has been shattered, right? So each of these different personalities within this realm are maybe just different facets of his fractured, you know, disassociative identity kind of world that he’s now living in. And it also reflects a very real aspect, or at least a rumored aspect, of this kind of programming. And that’s where, while you go through some of these traumatic experience, people will literally allegedly dress up like big stuffed animals or, you know, astronauts or just create, like, over the top things. Barney and Michael Jackson, you know, they’re like. They’re all there in this room where something really traumatic happens.
So that if someone that has gone through this tries to repeat it to someone else or describe this process, like, yeah, and they were, you know, the quick bunny was there, and an astronaut was there, and Ronald McDonald was there. And it’s like, all right, bud, you know, this is false memory syndrome a la McMartin preschool trials. So, you know, they just kind of write that off as this sort of thing. So if you know that that is going to make a witness seem less credible, you just bake that into some of the programming as a safeguard.
So, again, like it just one extra. A tally mark on the little, you know, how is this possibly a project monarch blueprint? I don’t have any urge to go out and try and mind control people, but I do want to be the person in charge of costuming and that kind of situation. I just want to do weird, random costuming. That sounds like fun. The quick bunny. Yeah, let’s do it. I mean, I feel like they just have access to all of the old. I mean, that’s probably where, like, avoid the noid is still around, and probably just put on a little avoid the noid costume.
That would be pretty traumatic in itself. True. Except that no one under 30 or maybe 40 would know who the noid is. I mean, makes it even creepier. Yeah, okay, good point. So, since we are extrapolating here, of course we can go contradiction style, but we like the last one, the Taylor movie. I felt like we went on the Christopher Robin as a more aggressive force, whereas here he’s a little more of a, you know, victim hiding in what you’re saying, which I think is interesting. That changes his tone between the two movies. Well, and even when it seemed like he was the aggressive force, that’s just because he’s the actual personality and everything else is happening within his mind.
So when he seems aggressive, that’s because he’s going through a traumatic experience. And here, I think this movie, in sort of sequence, like, this is where the programming sets in. So we get to actually see how it was created and all the different ingredients that went into it. We almost get to see the exact formula for all this. And you mentioned a little bit earlier that they lose part of his diary. They don’t just lose his diary. The pages come out, and they drop it into this river. And the river makes all of the artwork just completely fade off the pages.
Oh, that’s important. I think the word I used was destroy. They basically destroy his memories. Literally, they destroy his memories. So this is the aspect of the programming where they induce some kind of an amnesia. And towards the end of the movie, I don’t even know if this is a spoiler. I don’t think you can even spoil this movie at the end of the movie, since they had destroyed Piglet’s original memories a la, you know, Christopher Robbins original memories, because I think we could at least agree in some rational sense that Piglet is a figment of Christopher Robbins imagination, as opposed to being a real Piglet out in the world, at least for the sake of discussion.
So when they destroy Piglets memories, they’re destroying Christopher Robbins memories, and at the end, they create their own memories. They redraw everything in a slightly different way. They didn’t basically do a one for one copy. They just kind of said, oh, well, he had these sort of things in his memory bank, so let’s add some that are kind of similar to that, but they all draw them in their own styles and everything not in Piglet’s own hand. So this is almost like this weird feedback loop within these fractured personalities, inside the mind of Christopher Robin. Yeah, I wrote that.
I’d still. They make it seem great, but I’d still be bummed not to have my personally curated memories in media, you know, or a medium or whatever. The weird thing when they make them, though, like, it’s like they’re creating a cult of personality around Piglet as they make these drawings. I mean, that’s kind of the slight difference. Piglet’s big now. Piglet’s a knight now. You know, like, it’s. That’s. I mean, I guess that’s another gaslighting thing, really. You know, it’s like you are this person and you’re not that person. Right. And the very final shot they show, the way the lighting is, is that they’re all standing together, but the light shining on Piglet is casting this giant shadow behind them all.
It, like, takes over the entire screen, and it’s Piglet shadow. And this, again, it almost feels like this pendulum swinging. Like, all right, they big them up, and they went through all this programming, and, uh oh, now there’s a lot of shadow work to do because of the insane amount of trauma that somebody was just put through. This is also. I mean, it is relatively benign, unless you’re thinking about too hard, like we are. But this did have more action poo than I believe we’ve seen anywhere else, which was kind of interesting. I mean, there’s never, like, a real, like, action sequence, but this has them climbing out on the log and a break in the hanging on.
I was like, that’s. I don’t know, it just stood out as, like, this is a little more action y than I’ve seen anything in another Pooh movie, you know? And I think the clip part helps this, the fact that they kind of jump around in this nonlinear, pulp fiction style way. And I think that that’s also them learning, because we’re a far ways away from the first Pooh movie, where they kind of jokingly refer to how boring the source material is. And they’re like, well, let’s just skip these 70 pages. So. All right, here’s another. So even in that instance, right, even the first Pooh movie was also kind of clip style where it was like, here’s a little vignette.
Okay, let’s skip ahead in time. Here’s another little vignette. That one kind of went more chronologically, whereas this one, again, like, very pulp fictiony, nonlinear, jumping around. Yeah, I mean, it has, again, maybe the thing that made it feel more ecliptia than analog to me is it does have the wraparound with some kind of moving plot, you know, as ecliptio notoriously has. So if you want to see a really bad one, go watch Star Trek, shades of grey. That’s. That’s fun. It also sets up the most obvious formula and anticipation. It’s just, they started out with, uh oh, Piglet’s missing, and then they go through this sort of clip show style, and you know what the resolution is going to be.
They’re going to find Piglet at the end. Spoiler alert. They find Piglet. You know something else weird, that this is kind of poochy style, too. You know, in the Simpsons, it’s like, well, when Poochie’s not around, everyone’s going to be standing around asking, where’s Poochie? Which is this movie. This piglet becomes Poochie in this movie so he doesn’t die on the way to his home planet. I guess that’s good. But that we know of. Yeah. And I think, too, that the poochie is a really good reference because Piglet sort of does have, all of a sudden, this completely new characteristic with him.
But no one cared about Piglet when they were putting together the entire Rube Goldberg honey plot device. Right. So why is it just when he leaves? So it’s like the act of Piglet going on this little adventure, which they make a couple references to, but just him going on this adventure, it causes, I guess, the rest of the fragments of Christopher Robbins personality feel the absence of that presence. Right. Because now they don’t have this extra sort of trait that they can rely on or just, like, know is there as a safety. Like, it’s gone. So they.
They act differently because of that. That is a weird thing, though. What’s. What’s gone in the hundred acre wood? Is that, like, the inside of his head as in the movie, you know? Well, exactly. Like, what if they had convinced Kanga to go after they kidnapped through. Right. The original plan. Where does she go to? Does that just ceases to exist? Right. Yeah. That’s the premise, right. That if you get. If you get kicked out of Hundred Acre Wood, you’re no longer in Christopher Robbins mind, which might actually be a good thing, right. But also, it’s a little bit weird that if you look at it in these lens, Kanga’s the only adult.
Maybe. I mean, I guess we said Piglet is mid thirties. He acts like it. He’s infantilized in this movie. But Kanga is the only, I believe, the only parental figure in the entire series of Winnie the Pooh and all the characters, all the books that have ever been written. I believe she’s the only parental figure that lives in Hundred Acre Wood. So, of course, this traumatized child is trying to eliminate any memory of an adult, right. And that’s kind of why all the care, all the personalities in Christopher Robbins mind, they get together and like, oh, my God, who is this adult figure? We need to get this adult figure out of here by any means, and let’s go ahead and kidnap her kid while she’s here because, you know, that’s sort of what we do.
She’s maturity creeping in as Christopher Robin gets old. Her, possibly. There’s a freudian aspect to that, too, right? Yeah. I mean, inside of mom. That’s inside. Oh. Oh, yeah. Yeah. Can’t get back inside me. That was. We see. Yeah, we see a bunch of people that are trying to get inside of Kanga in this movie. Literally. And there’s even a line where they say, kanga won’t know until it’s too late. They actually use that phrase, which, I don’t know, sounds. What? Like, can you forcefully enter? I guess a pouch like that almost constitutes a weird angle of animal abuse.
Yeah. I don’t know enough about kangaroo anatomy to. I’m pretty sure it’s not just like a pocket, though. Yes. Where there’s a will, there’s a way, though, Dewey. Yeah. I mean, if you really try, I guess you could probably get into a kangaroos pouch. I don’t know. They can punch you pretty hard, though. Kangaroos will screw you up if you let them. They got strong legs, you know? Excuse me. Let’s see. There was something else I wanted to hit in my notes that I have just lost my thought on. Oops. I was a Boy Scout and I did try building lots of stupid houses out of sticks, so that was not foreign to me when they’re doing that.
Right. This is the North Pole angle. So now they’re all going to the North Pole because Christopher Robbins says we’re going on an expedition. So in my mind, as I’m watching this, this is one of the subroutines being activated in Christopher Robins mind. And what he’s seeing is he’s going on this expedition in order to get to the North Pole. But in reality, who the hell knows what he’s doing? He’s going around, he’s finding big sticks. He’s carrying sticks around. He’s knocking houses down and then putting houses back up. So I don’t, I mean, like, what the hell is he doing in the real world that would correlate with knocking down houses? Maybe he’s like the british Dennis the Menace, which I recently learned about.
Do you know the british Dennis the Menace? Is he still called Dennis the Menace? Yes. Debuted on the same day as our Dennis the Menace. He’s in a weekly comic magazine called Beano. And he is completely malicious because our dentist, the menace to somebody’s like, oh, shucks, you know, whereas this Dennis is like, you’re saying he’s going to go around screwing up houses and burning things down. So maybe, you know, Christopher Robin is entering his rebel phase a little bit. I just want to break things and watch the world burn. I’m going to start by smashing my houses.
In my mind, it sounds more menacing for sure. I haven’t seen it yet. And you don’t like the movie theater, so you haven’t seen it yet. But I guess it’s kind of like the inside out to plotline somewhat. I mean, I just know the basic sketch is like, oh, she’s reached adolescence and new, new emotions are coming in. So now there’s like, you know, embarrassment and anxiety to augment the ones from the first movie because she’s getting older. And I feel like that’s the same thing with how with Kanga showing up sort of, you know, it’s a lot more, I mean, it’s much more, like obvious and inside out because it’s like we are in this girl’s head.
These are her emotions where pooh doesn’t do that. But if we’re going to take that as a basic premise, that this is Christian Robbins psyche, it’s kind of the same thing since it is a Disney movie. I’m just assuming that in the new inside out, there’s a question, your gender character that shows up like a completely androgynous character that’s like, hey, I’m here. I’m not really sure what we are yet. I’m Pat. Anyone still remember path? Well, yeah, I guess you could SNL cannot get away with that one now. Or could they? I don’t even know.
I. I mean, you know, I don’t. There’s been really good cases on this made that, no, you could not get away with it because Pat existed in a moment in time when there weren’t words for what Pat may or may not have been, or there was not an atmosphere where there was like a, I guess, a casual and accepted way to ask somebody to clarify, as if you even had the right to clarify. But that was the entire premise is that society did not have the vernacular or I guess, the maturity in order to just, like, ask people specifically, hey, what.
What gender do you identify as? That just was so, like, out of the realm of possibility that people would change the course of their whole lives to dance around asking that question. But it’s because the question itself didn’t exist yet. I drive around listening to the same ten comedy albums because they’re stuck on an ipod that I cannot revise anymore with the click wheel. That’s how old it is. But it works in the car. So I play, you know, some. Please tell me one of them is either Bill Hicks or Doug Stanhope. One of them is Bill Hicks.
A few of them are George Carlin. There’s a Patton Oswald and a couple David crosses. Those are the ones on there for anyone interesting, interested. But, yeah, there’s, you know, George Carlin. He has a bit just talking about how terminology is. He’s talking about, like, after World War one, it was shell shock. Very clear. It’s vivid, you know, and then he goes through the stages. I forget what it changes to in World War two, but, you know, now it’s post traumatic stress syndrome. So it goes from the two syllables to post traumatic stress to seven syllables.
It has no, it doesn’t have that emotional hit anymore. That shell shock does. Now, it can apply to freaking everybody for any reason where shell shock was a very specific military term. Right, right. I guess that. Yeah, that’s the other thing. But post traumatic stress stress syndrome, at its basic, at its core, is supposed to be the same thing. Right? But now we can, I guess, since it’s longer and more meaningless now it’s more meaningful and more meaningless at the same time. So you can stretch it out into other places. Well, I mean, really just break it down into what the actual words are now, since it’s not shell shock, because, like, you didn’t have.
You didn’t deal with, you know, um, our artillery shells, and you didn’t get shocked from the artillery shells. That was just post traumatic stress. Oh, well, I’ve been through a trauma. I’ve been caused stress by a trauma. I’m now aft. I’m, you know, I’ve gotten beyond that, so I’m post it. And for some reason, my behavior is not up to what I thought it should be. So there’s the disorder part, so, bam, you can just make those four words apply in a lot of generic cases. And, I mean, I’ve. I’ve been diagnosed. I mean, not diagnosed, but I’ve been, you know, like, had to take the little form that basically tells you whether or not you’re PTSD.
And it’s really just like a sliding scale, almost like the pain meter scale, where it’s like, how sad are you today? Or how happy are you on a normal day? So if you wanted to, you can take one of those forms and just check, you know, bad, bad, bad, bad all the way down. You literally have PTSD now. That’s how it kind of gets works, because who. Who would be able to tell you, no, you don’t go to VA, though. That’s going to suck. Yeah, you get to the VA to, like, prove it. Here’s some interesting programming just in me.
I got my hair cut on Sunday, and whenever I get my haircut, I always get, like, I’m holding the sides of the chair because when the buzzer, the clipper gets around my left ear, my lower left back uncontrollably twitches, you know, and someone’s got a blade in my head, right. So I’m holding on to the thing and that’s. That’s because when I was six years old, a barber clipped my ear, and now I can’t get rid of the twitch. It’s so. It’s. It’s permanently, like, hardwire programmed. It’s annoying. You actually nick it, like. Like, cause you to.
Oh, yeah, it was bleeding and stuff. Yeah. Yeah. So I’m just curious, unrelated, how long did it take for that to heal? Not that long, to be honest. Would you say you could be on tv four days after and it would have been 100% healed? I will say I went from that to Boy Scout camp, like the Tiger Cub camp, so. But there was no bullet involved, I’m pretty sure. Just a hair clipper. Just a hair clipper in this case, so. Yeah. And what you’re referring to here is sort of like an NLP anchor. Like you’ve just been.
You’ve anchored this bad experience to probably the sound and the position you’re in. If you’re sitting, like, if you’re going through a number of the different things, there’s probably a really strong olfactory sense, right? Because the smell of clipped hair probably hasn’t changed too much since the eighties or whatever. So now you’ve got all these different factors that can kind of bring you right back to that moment. If you want to get over that sort of feeling, it would just be exposure therapy. This is just where you force yourself to experience that over and over and over again until you kind of become numb to it, which might come with its own side effects that nobody has really figured out yet.
No, it’s actually any. But it’s just the sound. It’s any buzzing sound near my ear will, you know, like a clipper sound. It has to be that sound, like. So. So could you play, like, could you put your headphones on and play a clipper buzzing and trigger it just from listening to it in your headphones? That. That might be a fun experiment to try, actually. Although if you could figure out to make it do that, maybe with surround or binaural audio or something, if you could get it to trigger that and then just play at random intervals or something, you would actually be able to train yourself out of that, or you would snap and go crazy and kill people.
One of those two things would happen. But to be honest, I just tried to relax as much as possible, and I could. It was. The twitch was there, but it wasn’t so strong like last time, you know? So it depends sometimes. So. And very. It’s like how I used to be ticklish, and now I can just pretty much turn it off if, you know, I need to, because I work around kids, and sometimes they want to tickle you. There’s another, I think, a very specific NLP anchor to find in this movie. And it’s basically, I think it’s rabbit.
I want to say it’s rabbit. And he’s telling people to say aha. And everyone’s like, well, what the hell does aha mean? He’s like, no, no, no. You got to say it in a certain way. You got to go, aha. And if you say it that way. And then he had. He kind of almost air quotes himself, and he says, this is how things are, and we’re meant to be. So hear the word aha. Then it’s just saying. And again, this is sort of on the way to kidnap, um, rue from Kanga. So they’re going to kidnap Rue.
And then once Kanga is trying to figure out and she’s stressing out that her kids gone, they all get together and they. They anchor her to this sound. Aha. And that aha is supposed to tell you, this is how things are and we’re meant to be. That almost feels like a perfect way to snap yourself out of some traumatic event. You just go, aha. And now you just tell yourself, this is how things are. This is how they were meant to be, regardless of how crazy the scenario you find yourself in. Like you’re stealing a child from its mother’s womb, essentially.
Well, that’s why they, you know, say if you’re having a problem, if you can just take a second. Right. That’s what you’re. You’re having your aha moment there. I was also thinking when he was having the explanation, I was thinking of the Sci-Fi version, which would, you know, the voice and dune, I. Where just. It’s not what you’re saying, but it’s the tone and the intonation of the voice that is coming through, apparently is what. Right, right. So it has to be said in the inflection. That’s why the Benny Jesric can do the voice, because they’ve been highly trained in this.
You know, I don’t know how deep you’ve ever gotten in doing it at all, so. But I just know that it’s. It’s like the longer, more boring Star wars, but they reference drugs being smuggled more directly, even though they. Both movies are about drug smugglers. That’s my understanding. Yeah. My recommendation actually is. Sorry. My dune recommendation is read the book and then watch the David lynch movie. I think the David lynch movie is better. But if you have not read the book, it doesn’t make any damn sense. I guess you can read a wiki, you know, thing and.
Yeah, I haven’t read the book, but I’ve seen the. The Jodorowsky documentary on making Dune, the movie. Oh, that’s different. His cosmic warriors. That’s great. Yeah. So would reading the book after seeing that be a disappointment or would it kind of build on top of that? You could read the book and then watch the holy Mountain, I guess. Okay. Yeah, yeah, yeah, yeah, sure. Why not? Read a chapter, watch a chapter. Read a chapter, watch a chapter. Yeah, yeah. Of the unrelated Jordarowski film. Yes. Have you seen the holy Mountain, by the way? Absolutely. Yeah. Okay.
I’ve seen another one too. I just can’t remember what the hell it was. Guessing it was El topo. It might have been el Topo. It was like, out in the middle of the desert. No, it’s El Topo. Okay. Yeah, yeah, that’s. That’s usually the next one that people have seen with the cowboy and the naked kid. We’re going around with them, which. Yeah, I think the holy Mountain is much better. Just to throw that out there. And he does have a few other pretty good movies, but. Yeah, sometimes they’re hard to track down. He’s still kicking on this coil.
Interesting. He hasn’t done. I get. Maybe he got too old to make movies. I don’t know. He really hated iguanas and toads. Like, absolutely hated them. Yeah, actually, I guess he might just. There’s a lot of filmmakers that just kind of, you know, you can’t make a mid budget movie anymore, so they don’t make movies anymore. So I think David lynch does have something coming soon. If I. But, yeah, he hasn’t made an actual movie for what, 20 years now. I mean, with all this ip popping up, I mean, I would definitely be interested in a David Lynch, Winnie the Pooh, steamboat Willie movie.
Oh, yeah, that’d be great. Winnieupu and steamboat Willie meeting in the red room. At last. I can do that talking backwards. Yeah, yeah, yeah, I. So we are at the North Pole. Well, they know that. That’s the thing, though, that the 100 acre woods is a flat earth. Right. It’s just 100 acre woods. There’s nothing else to reality. Right. So they can’t go to the North Pole. So besides the absurdity of them wanting to do it, they can’t do it well, right. I mean, and that’s kind of a key trait in the mind of, like, a mind control victim is just nonsensical think wing, you know, non, non sequitur, nonlinear things that don’t really make sense.
They’re going to go to the North Pole, and while they’re at North Pole, they’re going to make a house out of sticks. Then they’re going to knock the house down and put the house back up like a mile away. For what reason? For absolutely no reason that they do any of this stuff. I mean, I don’t know. I guess kids do some of this stuff. My elementary school, I remember there’s a very large tree that you could kind of get inside, and the canopy went almost to the ground. So that was our spaceship, right? Gotten there, you know, doing our Star Trek role play at age six.
It’s all mind control. It is. Yeah. Well, I guess, you know, I was into watching. Now I’m doing it in the tree at school. So that. Don’t take that on context, okay? And it’s not that all mind control is bad. Like, you can do your own right? Like, that’s being able to sit inside of a cardboard box and imagine you’re in outer space. Now, that really is mind control. You’re controlling what your mind is deciding to focus on and how it’s perceiving things. So if you can yourself to do it right, what is meditation? But, you know, brainwashing yourself.
So, I mean, who do you trust to brainwash you? Do you trust yourself? Do you? I guess some people wouldn’t, right? And it’s. And it’s only nefarious when you’re talking about the external force that’s programming you. And again, this every Winnie the Pooh movie, you don’t really get to see what the external forces are. You’re only seeing inside Christopher Robbins head. So every single that happens, it’s up to you to kind of decode what happened to Christopher Robin out in the real human world that’s causing him to retreat back into this infantile state and work through these things.
And what is he working through? And this one in particular really does feel like he’s piecing together this amnesia that he had been put through. He’s trying to figure out why are his memories gone or faded away and seem like they’ve been replaced with different memories created by other people that aren’t him. Yeah, I guess that’s the other big difference between this and inside out. It’s because they show you, you know, all of the. What’s going on. And Riley, whatever her name is, maybe they show you the macro and the micro in that one. Yeah, yeah.
And this one, well, I guess it is just this. Well, this is the micro, I guess, which is what the books do. So I feel like there’s some. Is there a live action? Not the dumb horror one we watch, but there’s something else with a. More of a Christopher. A live action Christopher Robin thing that I have not seen that maybe gets to that. There was one about the writer. I believe there was a good movie. I think Tom Hanks plays him. Cause of course. Oh, that’s saving Mister Banks, which. That is Mary Poppins. Okay. Okay.
I actually watched that, like, last year, so. Well, I believe there’s another one, but it’s like the winning the Pooh version of that. I think you’re correct, but I have not seen that one, so. No, just curious how a pooh story would play out if you did get macro with Christopher Robin. Bit more make him more of a character, you know? Well, there’s actually a documentary called the conspiracy of silence that I think encapsulates it. Okay, maybe I’ll have to check that out for our next. For our next jump into poo, I’m proud of myself for saying that.
Let’s see Eeyore, who’s treated worse than Eeyore or piglet. Eeyore is part of the gang, but they treat him like crap. Well, and his is the house that they knocked down and move around. So they’re messing with Eeyore. If there’s any. If you were to look at this through that same creepy lens of Christopher Robin having dissociative identities, Eeyore is the most traumatized of all them. He’s the one that’s just like, all right, beat me again. I guess I’m being tortured. I’m just freezing out here. They build him a house, like, well, that house is not going to make him freeze last.
Right? In that case, a cruel joke. And Winnie the Pooh is the optimist. He’s always. Or at least he’s the one that’s always looking for a dopamine fix. Right? So he’s kind of the addict of all of them. Yeah. Okay. Yeah, yeah. Sorry. I was. I was crossing wires with Sesame street, where half of them are addicts. I mean, if you just replace honey with heroin, then all of a sudden, Winnie the Pooh’s motivations make so much more sense. That’s why they literally show him going into his friends houses and stealing their heroin. And the second that he’s out of heroin, he makes that everybody’s mission, like, everyone’s helping him find his next hit.
Oh, maybe you got to use your AI software to replace, you know, some of the Pooh songs replace honey with heroin. Everyone at the 100 acre wood has to keep Narcan on them, just in case. Yeah. While we were talking in Pooh’s withdrawal. He is having withdrawal half the time. Isn’t hedgest? When he gets out of bed, oh, my tummy’s rumbly. That’s. That’s. That’s. That’s with heroin withdrawal. He’s optimistic about it, though, so it’s. It’s not like train spotting where he just lives through a nightmare. Um, we were talking ages. I feel like Pooh’s a little old man.
At least sixties. In the sixties in human terms. I don’t know. What do you think? Dementia, Mister Magoo style? I can kind of. Yeah, yeah, yeah. I feel like Pooh’s a little more elderly. So he also kind of feels. Yeah, he seems like he might also be thirties, forties, but he’s the person that maybe, like, his parents just died or he’s never lived away from home, so he just kind of worries on sixties Hollywood television. The sixties Hollywood where everyone looks ten to 15 years older than they’re supposed to be. Jim Cummings. How old was he when he.
Probably pretty old when he did. No, he wasn’t that old when he was doing this. Crazy. Okay, 30, 40. He’s like, 50 doing the voice. Okay. They all do seem kind of old. They all seem to skew older. Ru is clearly the youngest one out of all of them. And I would have guessed Piglet would have been next in line, because rabbit and Owl are absolutely old people. Like, Owl is grandpa, and even rabbit seems like he might be grandpa. Right, but Piglet was very old when he. That is John Felder. Felder. He was, like, 77 when he did this.
So he was. He was. I guess he was Piglet from the start. Now, I’m curious. Let’s see. Al. Andre Stocha, who is. I can’t tell if he was still alive. Oh, wait. Here we go. Oh, this is his last time doing Al. He dies after this. Okay, so it seems they actually did have a lot of the original voices. Still. Eeyore has been replaced, but he’s been replaced by Optimus prime. So that’s kind of fun. Peter Cullen doing his voice. It would have been cool if they actually just swapped out Eeyore for Optimus prime, like, artwork, too.
It’s still Eeyore. It’s just a voice roller. Just the voice would be fine. I’ve been freezing out here. In this movie, the role of Eeyore, we played by Optimus prime. Well, it was. So it’s kind of. It’s. It’s. It’s kind of like seeing the Beach Boys, you know, in the two thousands. You never know who’s going to be on stage. So that’s. That’s how the voices are here. I think I’m. That that’s the final story. I mean, I think I’m pretty. Coming up to the end of my notes, I wrote that the one notable pun here was Tigger saying snow use.
But the 2011 movie does have much better puns than that, so. And we mentioned when we first started talking about this one that as they’re going through Piglet’s initial scrapbook, his real memories before they wipe them in some MK ultra, you know, concussion experiment, but that they turn to the page that represents the previous movie where everyone’s dressed up like Tigger. So it’s just a reminder of, like, this gaslighting event, which is my favorite family reunion. Right. Which starts crying. It’s actually what happens. So he sees this traumatic event, he remembers him being gaslit, he starts crying about it, and then within the next 20 minutes, I think all those memories get wiped forever.
Amnesia takes hold. Right. Good for him. Has control to redraw a different version of that memory. And I don’t think he actually, even though it’s his quote unquote favorite moment that makes him cry uncontrollably, he doesn’t redraw that one back into Christopher Robbins memory. So this movie is suggesting that when Disney makes these live action remakes, they actually would like to destroy the original film. The new one is now they’re slowly destroying just the spirit of it all. Yeah. I don’t even know if we talked about Leo Stitch, but I was like, no, I think we did Leo stitch.
I joked about there being a live action one. There’s one coming out by the end of the year. So I don’t. I don’t know if I figured that out during the podcast or after, but, uh, yeah, it’s. It’s kind of insane. Uh, and I heard, well, there was something that they want to remake that they’ve already remade, I was reading about somewhere. So it is, you know, IP eating itself. Or again, if they’re just casting spells, this is the best way to keep your magic potent, is to keep recasting the same spell over again. In this case, you’re just, you know, reusing PR campaigns for the IP and having it cross referential.
But really, it’s their magical spells, man. Yeah. Like a few nights ago, I told you I wiped out when I was coming home from the movie theater. So I went to see Deadpool and Wolverine. I’m just like, that’s there. It didn’t. I was just coded to go see that. From what age? Seven? Yeah, I mean, I absolutely want to, but I’m going to wait until there’s a. Yeah, I know you’re going to wait. I know you’re going to wait, but I was like, I can’t wait. I have to go see it. Also, I had been spoiled on absolutely nothing, which I’m not a bit.
I’m not a spoiler queen. If something gets spoiled, I’m fine with that. But it’s sometimes exciting to go and knowing absolutely nothing. So that kind of made it fun. So I will not go into any spoilers, but no, I mean, I was, you know, it’s like, what will appeal was like, I’m kind of programmed. I’m just, I’m going to go see that. You know, I go to movies and that’s when. That is, of course, not Deadpool, because he didn’t show up in the comic books till I was about 14, but, you know, Wolverine. Yeah, yeah, yeah.
Since I. Washington, seven years old or whatever. Right. See, I did, I grew up when. Right when Deadpool came out. I think I still have his cameo appearance, although I’m almost positive too, that there’s like pen on it because I drew on top of it and I don’t like, traced it and stuff. But that was when X Force came out and Domino and cable and all that. That was like all during that. You saw the second one though, right? Yeah, I mean, I’m up to date on all of them. Uh, although it’s just, it’s kind of proof of how far we’ve come and how, how good we could have had it.
But we don’t. In that Deadpool wouldn’t have existed without Ryan Reynolds forcing it into existence and making it its own thing. And he kind of set the trend for the ability to have like a raunchy r rated style movie. Is this one r two or is this one pg 13? This one is r. It’s very rteveregh, maybe more so than the first two, so. And honestly, I wish, man, I just wish so bad that the original, let’s not go too far back. Like the original punisher movie in the eighties, which is its own thing, it almost feels like a Super Mario two brothers style movie where they’re just like, it would sell better if we just said it was Punisher.
But even the first X Men movie where they were like, we’re going to introduce the crowd favorite villain. Everyone’s absolute favorite villain. It’s going to get asses in the seat. Please welcome toad. And it was like, what the hell are you guys doing with this budget and writing? So anyways, when Deadpool first started to come out, it almost, I wish that, like, that level of Marvel movie had come out in the nineties and we didn’t have to wait until the 20, you know, teens in order to get that. Oh, yeah, I remember being on early Internet boards, like AOL boards, prodigy boards, you know, like dream casting, the early nineties X Men or whatever, right? So.
And they all had toad number one, right? They were all like, we got toads in here with his medieval squire outfit and his bowl. Cut that. Yes. He just looks amazing. Best designed villain ever in Marvel history. No, the new one without spoiler. It is nice to see Hugh Sama get to drop lots of f bombs as Wolverine and use his claws properly, so. Thank God. Yeah, right. That’s another thing, too. It’s like a yellow suit. It’s a tragedy, like, not being able to see him just covered in gore and blood, like all my favorite Wolverine comics growing up.
Oh, do they cover him in much gore and blood, though? A little bit, yeah. It’s. It’s more about him just going chop suey. So that’s. That’s. But that’s cool. That’s fun, I guess. Yeah. I don’t know. Shall we. Shall we wind this one down, then? Yeah. I mean, pig over the fire over and over. But I. I feel like we should let Christopher Robin get a little bit of rest and not keep prodding his fractured mind. Another turn on the spit. Yeah. Okay. Well, what’s going on in your sphere for August, man? Lots of stuff. I believe that the.
By the time someone’s listening to this, the NASA project should be wrapping up, so you can go and get a copy right now@nasacomic.com. that’s a 40 page comic about Stanley Kubrick directing the moon landings. Sort of drawn in the style inspired by nineties cartoons and Nick tunes and kind of like Ren red and Stimpy esque. Those are some of the inspirations behind it. I’ve also got, holy crap. A whole bunch of them. So let me just rapid fire them. Illuminati, comic.com. it’s comic about the illuminati. You know, go figure. One called satanic panic.com. guess what that one’s about? I’ve also got satanic panic game.com.
guess what that one’s about. Titanic comic.com, which is about the Titanic. All right, what should I do today? Well, let’s do the music pitch today. I make lots of music. We’re binaural beats. You can find that. Some folk rock, some acid rock band. Let me brainwash you. That’s at rovingsagemedia, bandcamp.com. and if you just want to ride the binaural stuff, get into your podcatcher and look for binaural infinities, where every two weeks, I give you another 25 minutes brainwashing session. Because that’s what I like to do for you, since we’re talking about a mind control movie.
But no, no, I’m just the only. Yeah, it’s basically for reading, being on a train, that sort of thing. There’s one track that puts me to sleep every time. Even when I was making it, it put me asleep, so. But that’s kind of the purpose of that particular one, so. Yay. Best pitch ever is like, buy my music. It’ll put you to sleep. Yes, yes. Well, if it’s supposed to, then that works out. You don’t have to buy. You just go to the. Go buy normal infinities. Listen for free. Okay. Strolling off into the hundred acre woods and limping into it since I.
I ate gravel a few nights ago. Having my post traumatic stress syndrome of that by limping. Spread the word with propaganda packs, all for just $40 shipped@paranoidamerican.com. dot paranoid propaganda packs we got facts on these sticker slaps so grab yourself a stack and go attack with these paranoid propaganda packs these huge all weather slaps will last in public for years to come. Remind citizens that birds are not real self immolation is an option and might make you magnetic do your part and get a propaganda pack today from paranoidamerican.com. doesn’t like propaganda packs we got facts on these sticker slaps so grab yourself a stack and go attack with these paranoid propaganda packs what are you waiting for? Go to paranoidamerican.com right now and get a paranoid propaganda pack.
Ready for a cosmic conspiracy about Stanley Kubrick, moon landings, and the CIA? Go visit nasacomic.com nasacomic.com ciasb.com Stanley Hey, Kubrick put a song. That’s why we’re singing this song. I’m nasacomic.com go visit nasacomic.com go visit nasacomic dot comic. Oh. Nessacomic.com CIA’s biggest con, Stanley Kubrick put us on. That’s why we’re singing this song about nasacomic.com. go visit nasacomic.com go visit nasacomic.com yeah, go visit NASA. Never a straight answer is a 40 page comic about Stanley Kubrick directing the Apollo space missions. This is the perfect read for comic Kubrick or conspiracy fans of all ages. For more details, visit nasacomic.com.
favorite conspiracy stickers. They’ll make you smile and snicker. False threads and secret society. All of these and more. My sticker sheets. Explore the unique with paranoid american sticker sheets. Unearth tales of cryptids, cults, and mysteries through each sticker. These won’t last long. Get yours now@paranoidamerican.com. what the heck are you waiting for discover the extraordinary with paranoid american sticker sheets. From cryptids in the night to cults out of sight each sticker is a unique find. Get yours now@paranoidamerican.com. yeah I scribble my life away driven the right to page will it enlighten my plane paper the hides ablaze somewhat of an amazing feel when it’s real to real, you will engage it your favorite, of course the lord of an arrangement I gave you the proper results to hit the pavement if they get emotional hate maybe your language a game how they play? Playing it well without lakers Vader whatever the course they are to shapeshift snakes get decapitated meta is the apex executioner flame you out nuclear bomb distributed at war rather gruesome for eyes to see maxim out then I light my trees, blow it off in the face? You’re despising me for what, though? Calculated it rather cutthroat paranoid American must be all the blood smoke for real lord, give me your day your way vacate they wait around, they hate whatever they say, man it’s not in the least bit we get heavy, rotate when the beat hits a thing because you well, fuck the niggas for real? You’re welcome they never had a deal? You’re welcome, man, they lacking appeal? You’re welcome yet they doing it still? You’re welcome.
[tr:tra].
