Wall-E: Cannibals Satan and Transhumanism w/ Jamie Hanshaw @jamiehanshaw4378

➡ The text discusses the movie Wall-E, comparing it to other sci-fi films like 2001 Space Odyssey. It explores the idea of humans returning to Earth after living in a spaceship, questioning if they could adapt to Earth’s gravity and if they would start wars again. The text also discusses the evolution of artificial intelligence in the movie, with Wall-E and Eve showing human-like qualities. It ends by discussing the theme of refoliating Earth, comparing it to the movie Silent Running.
➡ The text discusses the evolution of sci-fi movies, focusing on the 70s era, and how they often served as cautionary tales. It also talks about the depiction of food in movies, particularly artificial versus organic food. The conversation then shifts to Disneyland, its food offerings, and its pricing strategy, suggesting that it’s becoming more of a status symbol or a once-in-a-lifetime experience due to its high costs. The text ends with a reflection on the impact of Disney on childhood experiences and memories.
➡ The text discusses the speaker’s experiences with Disney and Universal Studios, which were seen as rewards during their childhood. The speaker also talks about the timeless nature of Disney, where everything is designed to look the same over the years to maintain nostalgia. The text then shifts to a discussion about the movie Wall-E, where humans have left Earth for 700 years and have devolved, while technology has remained the same. The speaker questions where the food comes from in the movie and speculates that it could be recycled people, drawing parallels with other movies like Cloud Atlas and Snowpiercer.
➡ The text discusses various theories about the movie Wall-E, including the possibility of cannibalism on the spaceship due to the lack of organic waste and the presence of liquid food. It also explores biblical connotations, comparing Wall-E to Lucifer and Eve to the biblical Eve, suggesting that the movie might be a retelling of the fall of humanity. The text also mentions a possible secret society reference with the number 113, which is a classroom number at the CalArts Institute, a common feature in Pixar movies. Lastly, it discusses the lifespan of the characters and the significance of the number 666 in the movie.
➡ Disney theme parks, located in various parts of the world, are not just entertainment hubs but also platforms for technology companies to test and introduce new technologies on a large scale. These parks, equipped with advanced technology, allow companies to educate millions of visitors on how to use new tech. The parks also use sophisticated analytics to enhance visitor experience, such as determining wait times for rides and restaurants, and even influencing visitor behavior. However, this also raises concerns about surveillance and data privacy.
➡ The text discusses how social media algorithms can influence our beliefs and behaviors, pushing us towards certain ideologies. It also explores the concept of transhumanism, the idea of uploading human consciousness into a non-decaying vessel for eternal life. The text draws parallels between the characters Wally and Ariel from The Little Mermaid, both collecting knickknacks and seeking to transcend their current existence. It also suggests that Wally might have a virus that gives him his unique personality, and speculates on possible connections to Mormonism.
➡ The text discusses various theories about the movie Wall-E, including the idea that technology will reach a point where it must choose between good and evil. It also touches on the concept of space junk becoming a new form of mythology, and the impact of garbage on remote islands. The conversation ends with a discussion about various projects the speakers are working on, including a comic about Stanley Kubrick and the Apollo space missions.
➡ The text talks about the absence of a pill, but despite this, the action continues.

Had kids. And Wally is the one who does not live in Plato’s Cave, like you just said. So they are all in a false reality, and he has to come and bring them out of that. Although it’s sort of a real reality because they have not had war for seven years. They obviously have not had famine. So there’s something to be said. I wonder, too, at the end of Wally when they all return back to Earth and repopulate it, doesn’t that just mean humans start warring with each other, too? Yeah, it’s a Battlestar Galactica thing, right? Yeah.

But then I guess the thing is they have the ability to do that, which don’t choose to do that, but there’s no choice on the ship. I mean, you are not getting out of that chair. And I do wonder. I mean, they show the captain at the end, you getting out of his chair. Like, like, like the first time a human being has actually tried to walk like a big baby in Right. Right. Years. I’m like, they need physical rehab to even try and reconstitute the Earth. Because the whole point is it’s supposed to be microgravity, I guess.

Like, it’s not full gravity on the ship. So physically, these people are also kind of destroyed. Like, it doesn’t seem they can just bounce up and start. Even the kids, you know, by that time that a little bit of genetics would have caused everyone to not function on Earth anymore. That, you know, if we. If. If people end up on Mars, I guess that’s what we’ll find out. People, you know, that born on Mars can’t really function on Earth properly. I. I think that’s been posited as a possibility. Right. That you would. I think this is one of the plot lines in the show the Expanse, is that depending on which planet you spend most of your time on, you can kind of atrophy relative to another planet that has, you know, more gravity.

Like, all of a sudden now your body just can’t handle that level of gravity because it’s already become acclimated to a completely different one. So physically, humanity is still doomed in this movie. You know, Peter Gabriel singing to us at the end. Can’t. Can’t fix that. I like him. Oh, I do too. I was. I was really happy when it. When this. When he was in this movie. Because we got in what, Tarzan and the other one where they got in Phil Collins and especially Tarzan, it’s like, get Pierre Gabriel for that. What’s going on? Yeah, yeah.

Speaking of the soundtracks, so several of the songs are actually from 2001 Space Odyssey. So at the climax you actually hear that Thus Spake Zarathustra. Right. And even the director of Wall E, Andrew Stanton, he told Wired magazine that the film was an homage to 2001, which we were talking about this with Thomas on his channel. That is one of the most esoteric movies on my list that has ever been. So he said that the film was an homage to 2001 Space Odyssey, Alien, Blade Runner, Close Encounters and several other science sci fi movies. And that’s why you see, like you said at the beginning, there’s no dialogue.

It’s just Wall E on the planet. And that’s very much like 2001 Space Odyssey, the caveman scene. Right. So there’s a lot of parallels going on with Wall E in 2001. And we’ll discuss this in a second. Probably the ship. The evil AI on the ship is that glowing red eye, just like Hal from 2001. He, the man has to confront and surpass the machine in order to survive and evolve. That’s in both movies. Another song from both of those is the Blue Danube. And so you’ve got this theme that humanity is reborn in both films through the assistance of artificial intelligence.

Yeah, I’m thinking 2001 version, the artificial intelligence is evil, like you said, so esoteric as Hal’s murdering them. But then it is the monolith seems to be some kind of technology as well. That’s sort of that, you know, so far past us, it’s just magic. So it turns into, you know, the trippiest sequence in film. But. Well, in that, I guess, analogy, Wally would be the monolith. He’s the source of this weird technology consciousness that no one can quite define. Although another thing talking about how you were mentioning once they’re back on Earth, you know, assuming that they can rebuild society, wars are going to start soon.

And. And in 2001, what’s the first thing you see after the. The monkey sequence? He tosses the bone into the air. It becomes the nuclear warship. Right? Yes, exactly. So if you believe in nuclear war, but. But in the. It’s the context of the movie that’s, you know, the message being given. Which is kind of weird because you kind of. Someone has to tell you trivia to know that. Really. I don’t think you can tell just by looking at it. Especially if you’re in a Theater in 1968. You’re not going to pick up on that unless you.

The ultimate film snob because you. The. The Whole analogy being that the bone that the monkeys are using to beat each other is like technology. This is the first form of technology that the humanoids get their hands on immediately becomes a weapon and then therefore human, even through thousands of years of evolution, if you believe in evolution, that that technology still ultimately remains a weapon. Which is something you don’t really see in Wally, except for that he has a little laser that he can use to kind of weld and cut things open. But technically, I mean, if he shot that at one of these big babies, he would just be slicing off and immediately quarterizing appendages, I assume.

Yeah, being like wailing or something. Like if he. If the same type of howl 9000 self preservation or that Otto in this movie has that kicks in. If Wally had that same version of self preservation, he would just turn into a little Terminator. Oh, that’s a good point. Yeah. I mean, a truly evolved AI, like a truly conscious AI, would probably perceive humanity as a threat. Like we were talking about with Ratatouille there. I got it right this time. Ratatouille. You know, like anyone sees Remy the Rat and he’s dead, you know, so Wally could get that in his head.

And probably rightfully so, especially once the humans are a little more mobile and wary of robots. Well, Wall E is not the only one with the, you know, little spark of divinity, because Eve seemingly also has human like quite qualities. As soon as her transport leaves, when they drop her off on Earth to look for the plant, she. When it takes off, she starts flying around and zooming around and having fun. Right. So she’s now free to enjoy her own free will and expression, which is a human thing too. It seems like we’re watching her evolve in this movie because when she first appears, she is very robotic.

And so there’s a case where time doesn’t do it. Maybe some kind of proximity to Wally does it. In that case, maybe it’s like Schumann resonance. Maybe it’s just the Earth itself is the thing that’s giving them, because that’s the only thing that they really share in common. Especially her being brand new to this planet, only here for a short amount of time. She doesn’t even really come in contact with Wally. But she does start playing right away. So yeah, maybe it’s like an Earth thing. Good point. Maybe that is how the humans can survive once they return to Earth.

You know, that sort of thing. You could. You could think too, would Eve have played if there wasn’t life on Earth? Like if. Because the whole premise Right. Is that the axiom sends these little pods to Earth and they go and they look for organic materials, some form of life, specifically foliage, that they can refoliate the Earth. And that. That’s what, you know, basically might be like. If there wasn’t foliage, then maybe she wouldn’t have played because there wouldn’t have been that energy for her to detect in the first place. And. And I’m glad you brought up Silent Running, because I hadn’t even heard or of, or seen that movie before, but when I was looking at other Wally breakdowns, it kept coming up.

So I watched that movie as well. And it’s. It’s essentially the same premise, except instead of sending bots to Earth to look for foliage, they’re sending humans into space to try and kind of like add foliage. And essentially they want to figure out how the Earth can be refoliated. But everyone thinks that’s a pipe dream. They kind of laugh at it when someone’s like, you want to plant something on the Earth, and they just kind of laugh it off. Yeah. And just. Yeah. In that movie, it’s in the first 20 minutes. What, Bruce Dern, basically, they tell him to nuke all the.

All the biospheres and Brewster and murders his crew. Crew. And then goes into rings where he can’t be found again. And just living with robots now, so. And rabbits. Yes, yes, yes. And. And what is it? Joan Baez doing the music. That’s always weird in that movie. It’s kind of a. Nothing wrong with Joe and Bias. It’s just a strange fit. You know, when you’re watching technology and hearing folk strummings, that’s 70s. But, yeah, there’s that dystopian 70s sci fi thing. One of my other podcasts, right now we’re moving through the Planet of the Apes TV show, you know, which.

But the Stranger Weird. Just sci fi in the 70s seems to be kind of a darker thing. You know, Star wars still has a look of 70s sci fi, but that’s where it becomes more, you know, space opera becomes more of a rollicking adventure, I guess. I mean, you can read what you want to in that movie. The tone is very different than the sci fi. The after 2001, you know, that wants to have more of that vibe. And there were several movies around this time, I think, trying to redo that vibe. Oblivion with Tom Cruise comes to mind of being one that was really trying to do the dystopian 70s thing.

So it was a little bit in the air at this Time. I feel like sci fi, especially in that era, was always trying to sort of be a cautionary tale to not take this too far. Like in Battlestar Galactica, where they made the Cylons to be the servants, and then they rose up and took over. Right? And in Wally the Axiom attempts to keep his control over the humans, and then he’s eventually foiled by Wall E and the humans together. But the moral of this story in Wall E is that humans and robots need each other to continue to evolve.

How about cockroaches? They’re still on Earth. They’re still living. They’re not foliage, they’re fauna. Right? But the cockroaches are there. A failing of this movie is they really try to make the cockroach cute, and it’s just not happening. For me, at least that’s a good point. Like how. What was the cockroach eating in order to survive, Right? Because if you could just follow that through it. And I guess it would be more boring if Eve was just looking for amino acids versus, like, an actual plant. I mean, molds and fungus would be useful in this case, right? Spores, molds, and fungus.

Just to quote Ghostbusters, wasn’t there a scene where Wally fed the roach a Twinkie? Because that kind of stuff doesn’t. Right, but there’s got to be more cockroaches than one. And they can’t all be eating Twinkies, so there’s something going on, you know, like creepy crawlies right under the surface. That must be happening still. I mean, I know the joke is like, oh, only the cockroaches will survive in an apocalypse. But, like, they still have to survive. Well, I. I, like. Jamie brought up the Twinkie too. That’s a. A recurring theme in Zombieland where Woody Harelson wants Twinkies.

And it’s one of the few things that has actually survived a zombie apocalypse because of all the preservatives. Like, it’s not real food, so it kind of, like, lasts forever. And maybe this is another insidious sort of memory planting where a part of the subplot of Silent Running is that nobody else cared about organic food. No, everyone there was. There’s one line in particular where Bruce Thurn’s like, you guys don’t even appreciate real food. And someone makes a snarky comment. It’s like, oh, it’s real if it comes out of the dirt. And it sounds like an idiocracy thing, right? Like.

Like, oh, you’re gonna. The. The toilet water. You’re Gonna drink it from the toilet water. Right. So there’s this premise though, where they’re. They’re making it seem that artificial food is also superior to organic food, which maybe will lead into where the hell is all the food coming from on the Axiom, like everyone’s drinking shakes. Where the hell is that coming from? Well, that’s a good point because Disney’s Tomorrowland was originally sponsored by Monsanto. So you get all your GMOs and plastics and microplastics and you can thank, you know, Franken crops and stuff on Monsanto. And I think that was also another allude to, by and large is those big corporations.

But yeah, fake food. I mean, try and go to Disneyland and find a real meal, it’s not gonna be too easy. Let’s get one of those turkey legs. But those are also probably like steroid. Yeah, they’re probably genetically modified ostriches or. I don’t know, however dark you want to get with Disney and theme parks, we can find evidence for that. What about Disneyland? Japan, Matt? I mean, what kind of food there can you get? Some fresh sushi and all the different little nooks and crannies. Not in all the nooks and crannies, but basically you can. You can reserve a table service restaurant and get some actually pretty good stuff.

And then the counter service stuff is generally okay. It’s definitely better than the American stuff. Like in Japan, you go to Tokyo Disney and we have a certain refined palette here in the States. Yes, but no, you expect that. You’re probably going to need something decent. The turkey legs still look like garbage, though. If you’re wonder. I don’t buy the turkey legs there. That’s one of the. Go ahead. You finished? Oh, I just think last time I went, I actually, I had. It was like Italian, but it was Sugar Rush, Wreck It Ralph theme. So it was Italian appetizers made to look like a dessert, but it was all like, you know, savory and.

And beans and pork and stuff. So that’s the other way around. Yeah, yeah, yeah. It’s interesting. That appetizer is supposed to look like a dessert and it’s. It’s not. So. So I don’t know. I had a butterbeer at Universal Studios recently and it was disgusting. I’ve heard that’s not fantastic. And the blue milk, we don’t have those in Japan, but the blue milk apparently is not that fantastic. It tastes even worse when you realize you just paid $20 for a flat cream soda. Oh, yeah. Oh, that’s the other charm of Tokyo Disney. And the exchange rate right now, I went there, I used for that Italian dinner, I used my card.

It was like 2,600 yen. When it came through on my card, it was like $17. I was like, score. Because that’s, I mean, you’d pay twice as much for that in the American parks. My ticket was only $55 also, which we’ve talked about this. They start at like 110 now in the States. Double that. I just read a lot of people are choosing to not go to Disney because they keep hiking up the price. I believe a ticket now is around $200. Well, I went a few weeks ago for $55. Yay. But Disney World in Orlando, at one point that was the most visited place on earth.

So like the happiest place on earth had the most people and also international people. So everyone is coming from all over the world to this one spot to be programmed with these ideologies. Well, that’s still part of the business model of Disney World is they realize people have once in a lifetime trips they’ll save up for the whole year, sometimes two years to bring the whole family there and it becomes this whole big event. And one of the, the business thinkings of Disney now is that, well, if someone’s willing to spend like five grand to go and get the hotel and the airfare and bring the four kids and everything, then they’ll probably spend another grand just to make sure that they can ride all the rides.

So they start nickel and diming. And now you can get Lightning Pass for like, like the whole park. And then you can do all these extra little upcharges to make sure that if you’re only going to be here for five days and you’re never coming back again, you’d be crazy not to spend an extra thousand or two thousand dollars to make sure that you get the full experience. And that sort of mentality means that they don’t care if you were just gonna pop in for a day or two and then leave again and then come back again later that year.

You’re not really the ones that they can milk thousands and thousands of extras out of. And they’re kind of focusing on that demographic way more than, like you said, being the most visited. We don’t care about that. We want people that come here to spend the most per capita. And it’s almost like a pilgrimage when you put it that way. It’s bordering on some kind of holy experience. Yeah. Imagine a group of kids that like, you know, six out of ten have been to Disney World and the other four now there’s this whole tribalism that’ll come up.

It’s almost like a status symbol for your childhood. Oh, what do you mean? Your grandparents, your parents never brought you to Disney World? Not even once. Wow. You know, like, I guess they don’t love you that much. You haven’t been initiated. I realize I’m here doing a Disney podcast. I was fully programmed by epcot, you know, center. My parents took me there when I was five years old. And that’s. That is like 80s. Epcot’s like my favorite aesthetic now. Right. I mean, I grew up in Florida, so same thing. I went there. I mean, every time you would graduate from middle school or high school, they had these like, Disney graduation nights.

So Disney just became a reward for the, the infant me, the toddler me, the middle school and the high school me that became Disney and Universal Studios were the way that the world showed me that I was like, you know, worth rewarding somehow. I grew up on the opposite side in la, so. Or, you know, close to la. So Disney was at least once a year, twice when we grew up. It was just something we just hop in the car and go to for an afternoon. Just go to downtown Disney for dinner. It was definitely a.

Something that your social life sort of revolved around and like a go to event. Can’t even tell you how many times I’ve been to Disneyland in Anaheim. You gotta get your annual programming to keep up with the Joneses. Yeah, living. Living here the first time. Been within like real close distance. I mean, it’s still like a two hour, somewhat expensive train ride. So it’s not something I would go to all. You’re fully programmed. None of us have to. All three of us are Disney programmed, whether we wanted to or not. Right. It’s. It’s something. It’s epigenetic almost.

Well, I do go to Tokyo and just go to the park and then come home. So like you. Yeah, it’s a cross generational thing because, you know, Grandma went to Disney and she wants to take the grandkids and so it’s going back to 1955 for the theme parks at least. You have all of these generations and their memories are being made and they revolve around this Disney ethos. And you even have people like, do the Disney weddings. I’m surprised. There’s not such thing as a Mickey Mouse baptism right now. You pay enough money, I’m sure they can make arrangements.

You can do it at Splash Mountain. You know, copyright laws are a little more lax here, so you can have Mickey Mouse yakitori at a, at a festival. I don’t, I don’t know how it is in the international parks, but in Disneyland and in Disney World for the longest time they had very much military inspired dress code. And one of those things, like if you’re in the military, you’re not allowed to have hair that goes beneath like halfway up your earlobe. And if you have a mustache, it has to be trimmed to very specific points. You can’t have a beard.

There’s very specific, like rigid, structured laws about how you’re allowed to just present yourself. And one of the reasons that Disney does that is because they want it so that if, if you went with your grandparents when you’re a little baby and they take pictures of you outside of, you know, Space Mountain or whatever, that if you look in the background, all the cast members, all the people that are just like the worker bees should look almost identical. That if you took the picture in 1984 or 2024, and that’s, that was very intentional so that it becomes timeless.

So that, yeah, when you bring your kid back, it doesn’t look like, oh, this is totally different than when I went as a kid. It’s supposed to look the same as when you went as a kid to kind of keep up that nostalgia that, that weird, like you’ve been plucked out of reality and put into this weird vacuum in time space. In Japan, out of 10 times 10 multiplier to that, that’s Japan Inc. If you work in an office, they probably have to work at Disney. Yeah, it’s not just Disney, so. And it’s like hyper, you know, like.

Yeah, everyone really does look the same. I mean, look at, you know, footage of Tokyo in the 60s. It really doesn’t look different. The signs have a slightly different font and that’s about it. And this, this would make the axiom perfect for a Disney park or even Epcot. In fact, the ax seems like it’s, it’s Epcot in space, Disney Cruise Line, but it’s Epcot in space, complete with the little people movers, right? And they’ve kind of evolved into this, this weird sort of state of being. But for 700 years, nothing has changed. They haven’t advanced at all.

They haven’t discovered, if anything they, they’ve devolved personally. But the technology that they’re using has kind of stayed the same. Just like wallies basically stayed the same for 700 years. Aside from slowly gaining consciousness somehow. I mean, it’s a basic time machine, you know, HD Wells concept. Right. You got the Elore, the humans now, and I guess the Morlocks would be the robots in this case, especially the HAL robot. Right. But, but the difference is that in the time machine they kind of represented evolution, that these long stretches of time that separated them also represented all this advancement that got them to these different types of technologies and buildings and cultures.

But in Wally, it’s like people left the planet 700 years ago and the only thing that changed is they just got fatter and turned into babies. But everything else pretty much stayed identical. Well, they’re given a little tiny illusion of variety and change. In the scene where everybody’s wearing red and then the machine says red, blue is the new red or something. Like everyone’s wearing blue and so they just change the one color and it’s like, ooh, right. It was like a, like a DLC or something. Right, right. Although what is their currency? I mean, they don’t, do they need currency? Is this the universal income? They’re all well taken care of.

I mean, they’re all like, no one’s starving, there’s no war, there’s nothing to really prevent them or require any currency. But again, I want to speculate, where does all the food come from? If they don’t have any sort of organic material and they don’t show that they’ve got sort of like a Star Trek style, like, you know, thing that can just generate food automatically, where is all this food coming from? Where’s all the shakes coming from? I wondered that and it reminded me of that movie Cloud Atlas. Do you remember the big reveal at the end of that is they were recycling people or food or soiling green or even Snowpiercer? Yeah, all of those kind of.

And I think that’s the context, is that they are eating people. That’s the only place that all of this, this liquid diet can possibly be coming from. Snow piercer. There’s another one. The, the Snowpiercer is powered by children, literally. And yeah, I guess they’re eating bugs. But then powering the train with children, that’s how it works now. And I, I believe it’s been a few years since I watched Snowpiercer and, and the disturbing thing, I guess that maybe the thing that really doesn’t sit well, I, I, I’ve been kind of intimating that there’s things in Pixar that watching it 15 down years down the line, you’re like the level of bureaucracy on the ship strips everyone of ambition.

I’m like, someone’s got to have ambition at some point. The captain finally has a little bit of ambition, I guess. But just assuming that thousands of humans are going to be that malleable and having no ambition or having no new ideas seems kind of misanthropic. Yeah. You kind of wonder how new humans even get born when everybody’s just like a blob. Like a boneless blob. Right? And then one of the funny scenes was he is going down the rabbit hole of learning about Earth. He’s like, what is Earth? And then they explained it to him. He’s like, what is pizza? Or whatever? So he, like, stays up all night just deep diving on Earth’s history, which we’ve all done about Earth’s history in various forms, I think.

But yes, but yeah, he’s. He’s just now, after 700 years, learning the, the, the, the wiki die, rabbit hole dive, you know, or, you know, going wherever you go. But like, just everyone’s. I don’t know. It’s. It’s hard for me to accept. It’s. It’s so nihilistic just to believe that humanity would be that solace. And Wall E’s the only thing that really has a soul in this movie. Eve gets one and the, the humans start to wake up at the end. That’s what we get again. If, if the premise is that the, the soul somehow is related to Earth and them being separated from Earth for 700 years.

But Wally being on the Earth for those 700 years, it kind of, it plays into that theory, right, that yeah, they become less ambitious and like, less human, like, because they’ve been separated from what made them human to begin with. So, yeah, yeah. If we do have space travel, what do. Does your brain turn to mush once you get out of the Van Allen belt? You know, you no longer think straight. There’s, there’s one, there’s a couple other notes on this cannibal theory of the axiom that everyone’s just eating people on this spaceship for 700 years.

One of those is that there’s no old people anywhere in the entire movie. There’s a couple people that have gray hair, but they actually have a youthful appearance. Even if you were a big fat baby, if you were an old big fat baby, you’d probably still have some sort of blemishes or wrinkles. And they went out of their way or maybe just didn’t add anyone that looked old. Everyone on this ship is, like, 40 or younger, most likely. They also show when Wally is traversing the ship and trying to deliver this plan so that the ship can go back home.

Every time he’s going through these garbage chutes and he meets all the other wallies, the Wally tens, and, like, the big guys, and every single piece of garbage on this entire ship is inorganic material. It’s all metal and, like, just kind of crusty scrapings. There’s no organic material at all, meaning that there’s no waste of organic material. So, yeah, that also. And then also, in the very beginning of the movie when they’re showing these kind of infomercial versions of get oh, get on the BNL cruise ship and all this, it shows a robot doing almost like a hibachi grill.

It’s like, chopping up solid chunks of meat. And throughout the rest of the movie, there’s no solid food. All the food on the entire cruise ship has now been reduced to these, like, liquid milkshakes. So that this all kind of points to cannibalism being a very realistic theory for this. Yeah, yeah. And waste. Was it Star Trek Discovery. They have the Far Future segment where they make it clear, like, this apple is made of reconstituted feces. You know, is that cannibalism? Well, I’m saying that’s also. Would also be going on here. Your meat maybe is from the.

From the Logan’s Run thing. Maybe they have Sanctuary somewhere in the middle. Not Sanctuary, carousel, in the middle of their ship to blow people up and then cook them up. Up real good. You know, where does it go? But you said no organic material, which would also, I mean, unfortunately suggest waste. So that might be reconstituted as well. You know, it’s like Dune with those suits that just recycle all the moisture. Yeah, yeah, yeah. You’re stewing. Literally stewing in your own juices there. Yeah. There’s a. Another theory that might be fun to. To play with on this one.

And this. I guess this one’s a little bit on the surface because Eve is literally called Eve, and they’re trying to, you know, refoliate the Earth and that they’ve left the promised land or they’re coming back to this promised land. So it has all these biblical connotations to it, but there’s almost like a. Like a Garden of Eden theory. And I can’t tell if Eden is supposed to be the ship or if Eden is supposed to be the Earth and that it’s just been kind of ruined and they’re returning back to Eden. But the whole premise is that Wally gives a plant to Eve, and then Eve brings that to humanity, which introduces them to knowledge of, you know, good and evil.

And then they basically return back to Earth in my mind. And then rediscover warfare. So it’s almost like Wally is Lucifer delivering this apple to Eve, and then Eve brings the apple to the rest of humanity. Adam slash everyone on the Axiom. And that begins, like, the downfall all over again. Because they were in a utopian, maybe not paradise, because they’re bored and they’re slowly turning into these big babies, but also free from war. So unless. Unless they truly are cannibals, it almost seems that this was a downfall for them. This is humans falling all over again.

Well, you can’t. If you want free will, I guess you can’t be too happy, you know, you can’t be that happy. You can’t just be swaddled and have free will. Well, I think there’s something to that. Eve as a Promethean character, because two things. Wall E hands her. He hands her a light bulb, and it lights up in her hand. Oh, good call. And he hands her a lighter, and she’s looking at this flame. So two little instances of sort of a illumination, if you want to call it that. Yeah, like that. It was almost her showing that she’s got advanced technology, but really it was her showing that I’ve got this consciousness, too.

But disturbingly, hers can be shut down. As soon as the plant shows up, subroutines kick in, her eyes go blank. You know, the. And then she becomes a vessel for the plan. An unthinking, unmoving vessel for the plan. That’s when, you know, while he’s just kind of pulling around town, as I was watching that too, it almost seemed like this was Wally introducing Eve to some kind of psychedelic drug. And she immediately goes on this inward exploration, like you said, she shuts down and stops moving around. But maybe she’s. Who knows what’s going on inside Eve’s brain at that point.

Like, she’s probably tripping out. No, I don’t trust. By and large, I think they just shut her off. I like. I like the idea she’s having a psychedelic experience, but I’m pretty sure they just turned her off. Like the. The corporation. Well, she enters, like, a low energy mode, but again, like, that could just be some kind of hypnagogic state. Right? She’s doing her shadow work in there. Another weird thing that if you look at the scene when we meet the captain and he’s with Otto before we even figure out the auto is like a bad guy.

But they show all the different captains. They’ve kind of got like the, the layout of all the different guys since they’ve been at space. And if you add all of those years together, it equals exactly 666 years from the moment the movie takes place to when the very first captain, what got his picture put up on this. So I don’t. Is that just like a strange coincidence that. Exactly. 666 years of captains and also the designer is very clearly doing that. I mean I would have done that. And if you look the, the ages of the captains that even though people have apparently devolved in some way into these babies, they’re also consistently living around 120 to 130 years.

Oh, interesting. There’s like micro gravity. Maybe that’s one of the reasons people aren’t looking so old. I do. I don’t think it’s a theory. I think they’re eating them in the end. But they might look a little. Not look as old because it says microgravity. It’s. It’s unclear how much gravity is on the ship, but it seems it’s not Earth gravity. Where was I going with that? The train derailed. Sorry, please continue. I was just looking up a 113 because that comes up in the movie a couple times and it says it. It was a classroom number at the CalArts Institute where I think that shows up in most Pixar movies.

Yeah, some reference to that number is in most. Yeah, it’ll be on a license plate. It’ll be. And I’ve got a number of people that I worked with that vetted that. That. Yeah, absolutely. That anyone went to CalArts. That was the room for animation. And if you. And like you had to take that class if you wanted to go into any form of animation. So it serves as this a very real initiation so that even if two people end up working together on some sort of a Disney animation, more specifically Pixar, then you can reasonably guess that they also went through this particular class and they would know what a 113 is.

So this was like a, like a boys club sort of reference. Like the very first secret society they were all admitted into was a 113. Oh, I, I remember. I was thinking of. Have I. Have I ever mentioned the satanic breakfast on this podcast? Go on. Yeah, my aunt lives in Rehoboth Beach, Delaware. Delaware has no sales tax. So in the 90s we’d visit and my parents and I and the friendlies would have a 2.22 cent breakfast. So if we all three got breakfast, it was $6.66. So I insisted that we get a satanic breakfast whenever we were, just for fun.

Hey, it made. It’s a good story 30 years later. Or at least it makes a story 30 years later. That’s one of those. Like back in my day, you could get a whole breakfast for $2. It’s like, okay, grandpa, let’s get you to sleep. The original price for Disneyland, like 50 cents or something like that. I think you could just go in for years and you’d just buy the ticket books. Oh, oh, I see. That’s why they talk about E tickets, right? Because until the early 80s, you’d have to buy the E ticket to ride the big ride.

Oh, okay. Which I guess you have to do again with. You mentioned the Lightning Lanes. I. I know Tokyo still has a lot of free pass fast passes. You have to do them through the app now. But yeah, there’s still a couple you pay for. You know, like the new. The new section. Like, don’t anyone that’s thinking of going Tokyo now just skip disneysea for the next year. It’s. It’s a mess. That is the second game there. The specs for that one time, it wasn’t built yet. Disney Japan, right? Yeah. There’s land and sea there and 83 for land in 2000.

One for sea, I think. And then is there one in China? There’s two in China. There’s a Hong Kong and Shanghai. Okay. Those looked really technologically advanced. Oh yeah. In Shanghai, I think opened like 2015, 2016 and Hong Kong at the same time. When they opened it, they kind of went on the cheap. So 10 years later, they had to put a bunch more money into Hong Kong. So they’re both the most recent ones easily. So I’m sure like they’re pirates, right. And has insane technology or something. I wonder if there is a esoteric secret behind the locations because I know in California they actually hooked up with some people at SRI Stanford Research Institute to help them study ley lines and put the original Disneyland carousel on the convergence of several ley lines so that the power would be magnified.

Maybe an extra 20 bucks. I assume that’s what it amounts to. Yeah, the Tokyo one. The story of that is in the 70s, the 60s and 70s. There’s the Oriental Land Company. That’s still the name of it, by the way. Which sounds bad. I guess in an American context, whatever. They started reclaiming land in Tokyo bay in the 70s were like, they kept calling, you know, card Walker or something like, we want to use this to build a Disneyland. And Card Walker didn’t want to do it because he’d been in the war and he didn’t like Japan.

So but you know, they made a ridiculous like, okay, if you do this insane deal, that’s good for us, we’ll do it. And it somehow worked out. So they do think about where they build things in Japan, of course, temples and such. But Disneyland itself seems to have been kind of a economic convenience. The other thing that you were mentioning too, about how the newer parks have all this extra technology, there was this meeting that we had when I was at Disney where they brought Apple in or they brought Microsoft in. And Microsoft at this time, this was before iPads existed.

Microsoft had something called the Microsoft table. And it was like a huge coffee table shaped glass with a projector on it. You could just imagine like a four foot version of an iPad before the iPad existed. And I remember at that time you could kind of make your own version of this. All it took was a camera to see where you were putting your hands and then a projector to kind of project something under it. And between these two things, you could make your own like five foot version of one of these. And. And I asked one of these questions of like, why is Microsoft, why are you guys investing all this money in making this huge table that cost.

It was ridiculous. It was like $200,000 or something for one of the prototypes. And then this was before, you know, that only bought you a carton of eggs, but 200 grand used to be a lot of money. And I remember asking, why are you putting all this money into this huge thing that maybe only someone the size of Disney or like a massive, you know, five star hotel chain could afford? And they had, they had a great response. I’ve never been able to forget this. And I think Disney does this at the same level. He said that, yeah, anyone can make one of these, you get one cheap.

But Microsoft and Disney, they’re in this very unique place where if they introduce technology, they can introduce it to such a massive scale that no one else has the opportunity to. If Disney decides, hey, we’re gonna institute this sort of like near field way of searching. I think impossible is one of these, like games that they would do in these parks that they can institute this on such a massive scale and have so many millions of people that are just a captive audience that they can train them on how to use technology in a way that no one else on the planet has that opportunity to.

So some of this new technology they add to the parks, this isn’t Disney saying like, hey, let’s add a whole bunch of cool bells and whistles. These are technology companies and you can read the subtext. They’re probably military at some level of their funding, but this is the way that they can beta test and how they can do consumer education on. Here’s how Bluetooth works, here’s how near field navigation works, where you can walk around the park and it tells you to turn left or turn right and like map out the whole experience. There’s not a lot of other places like a Disney World that they can institute it at that kind of scale.

So this is an another aspect. It’s not just them making things cool. This is them allowing corporations and militaries essentially and governments to be like, hey, come here and test out all your cool new gadgets on all these, these unwitting participants. And when they do it on their own, they tend to fail. Right? Disney apps are still based on go.com for some reason, which was a disaster when it started and is only that much more of a disaster now. Disney Quest was the one where they’re like, oh, here is the future stuff. And I love Disney Quest.

It was great, but it looked ridiculous by the time it closed in 2016 or so. You know, with like 20 year old technology that wasn’t quite cutting edge in 1997. I remember the first time I went to Epcot post tinfoil hat learning with my new eyes. You know, now I’m paranoid American going to Epcot and you give them your credit card to buy your ticket and then you have to give them your fingerprint to actually enter the park. So they’ve got all of your information, you’ve got your biometrics, you got your fingerprint. And of course they’re probably taking your picture everywhere you go in the park.

And they know when you are getting on a ride or what ride, they know who you are. So I’m thinking in my mind I’m like, like, they’re gonna kill me, right? You’re just like so paranoid about things when you first start learning. But it was a big deal to put your thumb on that thing and submit to that kind of surveillance. I did not have to do that going to Tokyo. But I usually leave my Bluetooth off because I think it does make me slightly nauseous. And I realized, oh, to, to work this app, I have to turn it on.

So, yeah, they knew exactly where I was at any time. I mean, well, I don’t think they. I don’t think they even need your fingerprint anymore now. Just your heat signature and your gate. They have it from the phone, don’t they? They got my retina, right? I mean, yeah, they’ve got. They’ve got everything they need to track you. And this, and this actually goes to such a high level. One of the things that I saw personally there was the. They have these computer analytics hooked up. So let’s say there was a camera at the line outside of Pirates of the Caribbean, right? And right next to the Pirates of the Caribbean, they had a restaurant.

And they would notice that. I mean, software would be analyzing it constantly. It looked like a Vegas casino, like security booth room, but people were standing there. And they will know based on how many people are in line and how much turnover there’s been in the restaurant, how quickly they’re going through tables and everything, how long the people, as soon as they walk in line, it would have like a little number, like, okay, the estimated weight for this person to get to a table is about 40 minutes or so. And then they would have the same thing going on the Pirates of the Caribbean.

And once the wait time for Pirates of the Caribbean would be longer than if they just went and got something to eat and then got back in line, it’ll be the same amount that the restaurant would all of a sudden put up a new special or they would like start. They would fire up a grill and just start grilling steaks or something so that the smell of the restaurant would waft into this line of people. And they would actually be able to capture some of these people that are like, oh, we’re going to be waiting in line for at least 50 minutes, honey.

Let’s just go and grab something to eat real quick. But they would do it like. Like the software would automate. It would know when to suggest this and when to orchestrate all this. And it just happened automatically. And seeing it actually happen was wild. Where you would see someone think that they organically thought like, oh, let’s go and get a bite to eat. It’s like, nah, dude. That was programmed into you like that. You followed every single one of those steps and you just fit that formula perfectly. I think I might have done that a few weeks ago.

Four pirates. As if I walk on and a group of people got in front of me. I look to the right, there’s a little pavilion. I’M like, I should have a beer before I get on Pirates. And then I had a beer before I got on Pirates. Well, I talk about this all the time. Like, how much of your personality is actually just an algorithm feeding you things and training you and in training you to believe certain things. I mean, we all know that we’re susceptible to propaganda or whatever, but literally, when you get on these, you know, TikTok or X or whatever, the algorithm is designed to mold you in a particular way or push you towards the right wing or the left wing or the red pill or the blue.

Just whatever that your tendencies are. They’re going to try and push you further and further to just, you know, split people apart. Instagram’s never got my number, though. Whenever I look at the recommended stuff for Instagram, it’s just this wild, insanely mix of things that don’t connect at all. So that’s kind of fun. But other things, yes, for sure. Spend all my money. Yeah. Facebook knows you. Yeah. And I. I’ll admit, I’ve occasionally gotten the thing from Amazon. Hey, you want this movie? It’s on sale. Yeah, I guess I do. I mean, or sometimes that’s why they do it, isn’t it? Now that you mention it, yeah.

You’re like, I’m beyond that. I’m not tricked by that. But occasionally, I guess I’m gonna be tricked by this. Why not? I guess I should just put the. The beam back on. The laser beam back on Wall E for a little bit. Before we wrap up today, I’m just looking through my notes and noticing that Wally and Ariel from the Little Mermaid have the exact same hobby. Since we’re, you know, looking for. Yeah, they both collect knickknacks, you know, and then, well, Wally doesn’t sing, so they have to put in hello Dolly. And of course, Ariel gets her big Showstopper number, Right? And they’re both after kind of the same thing, too, right? Because the Little Mermaid, if you go to the Hans Christian Andersen, you know, origin, the little Ariel is essentially trying to capture a human soul.

And because they realize that mermaids, when they die, they just turn into sand and matter, they don’t go to any kind of afterlife, but humans do. And if she’s able to either kill a human or make a human fall in love with her, then she also gets to go to the afterlife. And I feel that that’s also kind of what Wally’s doing here. Wally is trying to figure out how he can, you know, persist outside of his little robot body. Or at least advance to some next level. I guess that makes Otto your Ursula. And then all the fat baby people are your poor unfortunate sou.

Is that, is that how he can connect? I mean, I mean again, it’s not. I don’t think they were making Wally and thinking that, but it’s like. Well, that is a recurring theme in some of these movies. So you know, even subconsciously it could break through. And to speak to that, I mean, what they are trying to work on right now, the transhumanists, is how to create a vessel to hold a soul. A robotic, non organic something that can’t decay that you can just upload your consciousness into and that will live forever. Right. Or are you doing the Star Trek transporter thing now? I’m on the planet, but you’re actually dead.

Upload. Yeah, that was another one where what, someone dies in like a car crash, but he gets his mind uploaded into this virtual world of dlc? Yeah. And it’s just space that you can buy and if you run out of, you know, gigabytes or minutes, like on your cell phone, then your consciousness just powers down until someone else can come and put money on your books. And then that way you can live forever. And the place that they go to is very much like the corporation of Buy N Large because it’s just a big company and you can pay for upgrades like in heaven, like you want some kind of experience, but you still have to pay and listen to commercials.

Heaven is a commercial. Actually, you mentioned Battlestar earlier and did you see the follow up prequel show Caprica really gets into that where in the first episode people are killed in a terrorist attack. And it turns out that their social media has made a simulacrum of them in, in the digital world. And then the whole point is getting one of them out and putting them in like the first Cylon body. So that’s a. I have to mention every time Battlestar Galactic comes up, that’s a Mormon show that was written by a Mormon and then it has very strong Mormon themes all throughout it.

Oh yeah, the original, very hardcore. And then the newer ones, I think he was still a consultant on it. But yeah, the original show, extremely so. Yeah, Mormonism is a space cult for sure. You cannot ignore that. Part of their doctrine is that you and your space spouse that you marry on Earth will go on to populate planet Earth of your own children. And oddly enough, Aleister Crowley really looked up to Joseph Smith and he thought he was somebody to emulate. Well, probably the first religion to Work space into its kind of doctrines. Every other one before that talked about maybe planets and stars, but this one was actually talking about space travel and inhabiting these other planets.

So do you think Wally is a Mormon then? The weird thing about the end of Wall E, I guess, is we’re gonna close the show is. So after he saves the humans on the spaceship and him and Eve get back to Earth, he’s damaged in some way and he loses his consciousness. Like he dies, right? So he is a messiah figure who has given his life for humans and it takes the spark of Eve. So he. He’s not Wall E anymore, he’s just a robot now that he’s been damaged. And she’s trying to wake him up and he can’t come out of it.

And she puts her little forehead against his head and this little spark, electrical, you know, transfer happens, and he gets his consciousness back as Wall E. And I thought this is very Kabbalistic, kind of in a way, because if you look into Kabbalah, they talk about how human beings or souls are just kind of like sparks. They call them literally sparks of the. The Bigger God or Adam Kadmon. And back at Epcot, the original Journey into Imagination did have the song One Little spark powering it. That’s when it was a rideable ride and not a piece of garbage.

But I got one other Mormon link to Wally, actually, that the captain that we meet, his name is Captain McCray. And McCray is a very important last name in Mormonism. First of all, that one of the McCray, I think James McCray, he’s the one that designed the. The stake meeting house with these two giant Mormon temples on it. But also a guy named Alexander McCrae was a personal bodyguard of Joseph Smith. So the fact that the captain was also named McCray, I don’t know if that’s a stretch or not, but McCray more so than other just random last names that you would pull out of the hat, has some very strong Mormon connotations to it.

So it would make sense that you’ve got this Mormon captain out in the middle of space. Have you ever seen the, like, footage of the Mormon Endowment movie movie, I mean, where like with the. The hand that comes through the. No. Or what? When you join the temple in Salt Lake City, if you get to a certain point, you’re showed a film which is the. Supposed to be like the true origins of life on Earth and stuff. I haven’t watched the whole thing. It’s pretty goofy. But what was I going with that Mormon. Is it the 70s cartoon one? No, they update it and they get people to work on it.

And I think actually some people who worked on Fanta. No, they used scenes from Fantasia in one of their versions of the. So, yeah, look that up. If you want to look at something weird on YouTube, look at, you know, like, Mormon endowment and is somebody who got, like, secret footage of it. Yeah, I’m always up for weird YouTube things. Any final points someone wants to throw out on Wally before we wrap this one up? I. I’ve tried to look at all the other theories. I think we covered most of them. There’s the cannibal theory. There’s the Lucifer theory with the 666.

There’s also a theory that Wally has a virus and that the virus is maybe what gives him his personality. And this is also based on the fact that every other robot on Earth is essentially dead or defunct. And you would assume that that Wall E being the one out, maybe he’s the one that caused them all to be defunct. Maybe like the virus somehow is. If he’s the original host, then it just destroys all the other technology that he comes into contact with. There’s also a suicide theory that all of the other wallies and all the other robots on Earth just got sick of cleaning up after humans forever, and they all figured out a way to kind of off themselves.

There’s. There’s one that the entire premise of this movie in the Axiom was a slap to Walt Disney. It was like an inversion of everything that he thought that Tomorrowland and that the people movers and stuff would amount to that it was really just going to absolutely destroy humanity. So there might be some contempt for Walt in there. And then there was another one too, that there’s almost like an alchemical aspect to this, because if you’re creating the philosopher’s stone, the precursor to the philosopher’s stone is the lesser work, and the lesser work is an herbal stone.

And it’s usually when you can distill and calcify any. Any herb you want into this, like, perfect white stone that you then, like, feed its own mercury into the salt. It gets. It gets complicated. But that once you create this herbal stone, then that means that you’re worthy to create the philosopher’s stone. And the philosopher’s stone’s this thing that would essentially give Wall E human consciousness. So when he takes this. This plant and he puts it inside of Eve, and Eve is this perfect white sort of hard object that this could be Wally creating the herbal stone.

And Then the very next step is that he literally ascends, right? And he meets humanity and he saves humanity and he brings them all back. So that maybe stretching a little bit, but there’s also a very strong alchemical sort of plot line that you can overlay on top of this. I’m sorry, I’m a dumb American. Are you talking about a sorcerer’s stone? No. So the. I know what you mean. I’m just talking about the change of title of the first Harry Potter book in the States. Like Americans can’t understand Philosopher’s stone. Let’s make it Sorcerer’s Stone.

That sounds boring. No, I think the takeaway from Wally is that technology will reach a point where it’s going to have to make a choice of good and evil. Just like the Garden of Eden, right? And you’re going to have the evil AI versus the good AI. And humans are being told that we. Our survival depends on the good robots or good AI to save us from the evil ones. But do note the choice of do we need or want all the technology is not part of the conversation. That is not up to you. No, unfortunately it’s not, is it? Starlink exists whether you like it or not.

And that’s another thing. When they blast off, you can see that the Earth is just covered in what they call space junk. Discarded rockets and satellites and stuff. So the night sky is going to look a lot different in the future than it does now. Even the more we get things like Starlink and everything, it’s just gonna have a lot of stuff floating up there, just like Wall E. Like new astrological mythologies will start being born out of space junk moving around. Instead of the procession of the equinoxes, it’s like this. This big cluster of space junk now takes on its own story, right? Make me think I just watched a Star Trek Voyager episode, Blink of an Eye, in which the ship is caught in the atmosphere, and on the planet, time runs much faster.

So they see the ship in the sky for thousands of years. They create a religion around it. You know, the. The main thing is to get astronauts up there and find out what it is. And then they disappear, of course, because. Because time’s all screwed up. And that’s an interesting one for. For that kind of vibe. Space junk becoming a cargo cult. It’s kind of like that big garbage patch in the Pacific Ocean right now. It’s in the sky. Yeah, I was just. I saw a documentary where it was showing the shores of. Do you know Henderson Island? It’s One of the Pitcairn Islands.

Not the one that like 50 people live on, but another one which is actually bigger. But I guess you can’t live there easily. But yeah, it’s shores in the middle of absolutely nowhere. Close to nothing is just covered in garbage. So trash islands infecting the Rio Island a bit. I don’t know. I guess we’ll start wrapping it up. Jamie, you want to send our listeners and a direction for some of your content again? Yeah. Jamie Hanshaw on YouTube and make sure to click the lives, because I was going through this book and you’re going to learn a lot about Disney in the lot.

There you go. There’s Disney and old Werner von Braun right there, making shows about rockets for children. Disney Masonic lore. He was not a Freemason. He was a demolay. I know a lot of people get that wrong. Roy Disney was a Mason, but Walt Disney was just Demolay. We’ve got documents from his time in the FBI. So very, very interesting character and what came out of that. And then I have a channel on rockfin that you can go to if you are so brave. Defense against the Dark Arts. And we talk about black magic and mind control.

All right, Thomas, what’s going on your. Your end? Just all the things. I’ve got a million projects, a million plates spinning as usual. The best place to keep on top of all that is if just go to paranoidamerican.com and I’m also trying some new stuff for this year. So anyone that joins the Patreon or Anyone that joins YouTube members, I’m putting all your names in the credits after all the different videos, including the one that you’re listening to or watching right now. And also by popular request, the. The old, as Matt would describe it, aggressively positive occult Disney theme song will be making a comeback.

I’m working on a slightly shorter version of it. Someone also called it the Prince version. Yeah, that didn’t. Once they said it, it made sense. And I’m like, I hadn’t thought of that previously. So the, the Prince version will be coming back. I’m just working on a slightly quicker version of it. The. The old intro was like two and a half minutes. We’re just working on like a 50 second version of it that’s got the same vibe. So anyways, if you like the. The new intermediary ones that I’ve been playing with, let me know. But the.

The original, which I’ll call the Prince version from now on, the Prince version is coming back. Okay, cool. Which actually you if you do the audio version, you did hear the. The Prince version because we have this weird thing where I put these out. This will be out in like an hour because. Yeah, I don’t know how you do it, man. Time works out that way. It’s just. Yeah. Anyway, I do a lot of podcasting. Maybe that’s why I can crank it out that quick if you want to hear that. I talk about movies and music@podcastio podcast.org Twilight Zone, a whole bunch of films and we’ve been talking on all the Planet of the apes.

I mean 70s version. We want monkey suits. No monkey suit on and no, no sale. That’s how I am. What sale for you? You get a trip aboard the Axiom. Ready for a cosmic conspiracy about Stanley Kubrick, moon landings and the CIA. Go visit nasacomic.com nasir comic.com CIA’s biggest com Stanley Kubrick put us on this what? While we singing the song about nas, go visit NASA comic.com NASA CIA’s biggest con Stanley Kubrick put us on. That’s why we’re singing this song about NASA comic.com go visit nasacomic.com go visit NASA comic.com yeah go visit NASA comic never a straight answer is a 40 page comic about Stanley Kubrick directing the Apollo space missions.

This is the perfect read for comic Kubrick or conspiracy fans of all ages. For more details visit NASA comic.com yeah I scribbled my life away driven the right to pay Will it light your brain give you the flight my plane paper the highs ablaze somewhat of an amazing feel when it’s real to real you will engage it your favorite of course the lord of an arrangement I gave you the proper results to hit the pavement if they get emotional hey maybe your language a game how they play playing it well without Lakers evade and whatever the cause they are to shapeshift snakes get decapitated met is the apex execution of flame you out nuclear bomb distributed at war rather gruesome for eyes to see max them out than I light my trees blow it off in the face.

You despising me for what Though calculated you’d rather cut throat paranoid American must be all the blood smoke for real Lord give me your day your weekend way vacate they wait around to hate whatever they say man it’s not in the least bit we get heavy rotate when a beat hits a than cuz you’re welcome the for real you’re welcome they ain’t never had a deal you’re welcome man they lacking a pill. You’re welcome. Yet they doing it still you’re welcome. Sa.
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