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Summary
➡ The text discusses the career of John Candy, a famous comedian known for his roles in movies like “Planes, Trains and Automobiles” and “Home Alone”. It highlights his struggle with weight and how it affected his roles and public perception. The text also mentions his efforts to lose weight and the impact of his death on his legacy. It ends by comparing Candy’s career to other comedians like Chris Farley, and discussing the last movies they filmed before their deaths.
➡ The text discusses the life and struggles of a popular, overweight comedian who was known for his roles in western comedies. It highlights his issues with drinking, partying, and possibly drug use, which were often overlooked or downplayed. The text also mentions his pressure to maintain his weight for his roles, despite health concerns. It ends with his unexpected death, which is somewhat glossed over, leaving some questions unanswered.
➡ This text discusses a movie about John Candy, a beloved actor, but the speakers feel it didn’t provide enough insight into his life. They believe the film focused too much on his work and not enough on his personal struggles. They also mention a comic about Stanley Kubrick and the Apollo space missions, and end with a rap verse.
Transcript
So this was. It was a treat for me. It was almost like a. A pause compared to all the stuff that we usually get through. It’s kind of like a very easy, relaxing, more emotional, intimate documentary. Fat guy comedy. Plotting the course. In this film, they follow John Candy’s life and death. As I said, his rise to fame, which was interesting. They talk about in his early lifehood of his father dying at a young age, being a. A war veteran as well, dying from a heart attack at like 35. And that kind of shaping who he is as a man.
Right. Like, that whole foundation of losing his dad and then from that moment, moving in with family, living in a basement with him and his brother, and then just embarking on this new life and creating who he is as John Candy. Yeah. And as you’d expect, a hilarious documentary. It starts out with the death of your father, Right? Yeah. That’s how you’re super. And. And to set it up, too. Like, I will say, like, some of these guys like Bill Murray, who I usually. I do like Bill Murray, but, like, he’s getting a little up there in age and his shtick doesn’t fit with his age.
Like, he’s trying to, like, use that same witty humor, but you’re like, hey, bro, you’re slower now. And you’re like, yeah. And you’re like, it just sounds sad. It doesn’t sound like. Because he was like, oh, there’s nothing good to say about that guy. I mean, we got to find one bad thing. I know no one said, but one thing is he just. And you’re like, this is not working, Bill. And he just dragged on and they kind of really, right away jump on that. Like, sympathy. Be sad, you know, And I understand, like, it’s like, probably hard for people to do these films, but they’re trying to be funny and it just doesn’t work out as well.
Yeah. I Mean, the main premise of this movie is that you go back through the life of John Candy and then as told by, I would say, like surprise celebrity guests, all of a sudden you’re like, oh, that they’re in here now. So that’s basically the premise of the movie. It starts out sad and then it kind of rides happy for most of it. And then it gets a little bit sad at the end because obviously he dies. Yeah, I will say that like first because it’s a, it’s almost a two hour documentary, right? Like I get that part where they want to say his whole life.
I think it really picks up like towards when he’s in high school and they talk about him going to drama class after, like hurting his knee in football, and then like kind of finding his niche in what’s it called, improv improvisation. And then playing the records. Like, I thought it was kind of funny, them playing some of the, the old groups and stuff. And then they get into his first, like real plateau of the Second City. An sctv. Second City is a big improv thing from Chicago that had went to Toronto because that’s where he’s from is Toronto, Canada.
And Candy really didn’t want to do it. Like, I guess he’s a shy guy. Like most, if you listen to it, like most people that have become huge mega stars and people are like, yeah, he wasn’t always like that. And they, they tell you how he was like insecure and you know, use that into, you know, his comedy. And then he got out there because they try to paint him, which is kind of nice. Instead of people, they, they really try not to use negative language and negative thoughts of him. They, they pound home how empathetic he was, how caring he was, how much he was there for everybody.
How when he, every step of success that he got, he. He actually tried to bring people along. And when he’s at the Second City in sctv. SCTV is like a Canadian snl, which I had never heard of. I didn’t know about sctv and, and some of the skits were pretty funny. Like they had like a Leave it to Beaver skit where, you know, they’re like older. It’s like 25 years later and you have John Candy as Beaver. And you know, they’re just like using funny stuff like where they walk in and then he’s talking about, oh, hey you’re.
I heard your mom was sleeping. Oh, hey, Mrs. Be like, da, da, da da, like be nice. And then they’re like, I would really like to kill him. And you know what I mean, they. They discuss these funny things and, oh, I heard your dad have the shakes. It’s. It’s bringing this craziness. Especially this is in the se. Late 70s. To see that on TV is probably pretty jarring because they were talking about how they couldn’t do current events because they never knew when it was going to air. So it forced them into this, like, bind of, like, let’s find real humor.
One of the real funny ones to me was the. The yellow belly one. I don’t know if you saw that scene where they were like, yellow belly was this character they had. They said, like, oh, yellow belt, yellow belly. A little song in the background. It’s like in a Western. They’re like, the north and the south both turned on him for. Because he turned on them because he’s yellow belly. And then you see this. Why Mother and son walking by, and the kid goes, that’s yellow belly. And the mom goes, don’t say anything. And he shoots the kid in the back.
And then the mom runs away. Yeah, he shoots her. So, like, it was comedy before its time. So to me, it was interesting to see about this sctv, which I never knew about. And then you see some of the people that are influenced big time, too. Like, one of the big ones is Conan o’ Brien comes out and he’s talking about how he grew up watching this. And I think he saw that yellow belly scene too, that he really liked. And there was the Leave it to Beaver scene where. Where Beef gets a gun. And he said that he couldn’t believe that they were showing, like, a child.
Like a mom and a child getting shot on TV with a funny little song and, like, an audience laughing. And then it would cut to something else. And then it changed what he realized comedy could be. And then he ends up going on to write for SNL and then I think for the Simpsons, like, up till modern day. Right? So this is John Candy showing that his influence is still persisting through all these other comedians. And even just the cast like you. You’ll notice a lot of the people on SCTV were in other Hollywood productions, right? Like the mom from Home Alone is from sctv.
Yeah. Catherine o’ Hara or something like that, who’s in, like, a million different things. Like, he was sort of like a roll dog with that. And there was actually one point that they. They bring up that was kind of like, made me realize that, man, even when you’re having fun with your friends, sometimes it’s not all the same, where John Candy gets upset that he’s not getting paid the same as everyone else. And it’s because technically he didn’t sign on as a writer. He only signed on as an actor because maybe he didn’t know the difference.
And then he sees himself contributing all this extra work. And it was so weird to me because clearly he’s not getting paid as as much, so he’s angry about it. The solution was like, all right, well, let’s sign you on as a writer. Let’s get you your extra credits. But no one offered that as a solution. It was all like, yeah, he just realized it was time to move on. It’s like, damn, these are. These are his friends that are coming up with him talking about how, you know, he was one of us. He was like a brother.
He was such a nice guy. But when he wanted to get paid the same as me, yeah, maybe it was time for him to move on. Like, I don’t know what happened. We kind like lost connection or something. That is interesting how that happens, right? When anybody could just spoke up and be like, we should just make him a rider. And they were saying how he pretty much made the show. Like, they were like, yeah, without him, there would be nothing. Like, because they had a stint in the beginning, I think it was 1976 or 1977, when the SCTV first was, like, really going.
And then they kind of flopped, and then they rebooted it again in the early 80s, and it really took flight. And they credited John to that. Now, I don’t know if they credit him because he passed away. Because when people pass away, people start saying different things, right? Like, when they’re alive, they’ll be like, oh, he’s. He’s stealing the show, man. You know what I mean? Maybe hating. But now that he’s passed, they’re like, you know, I always love the guy. I’ve seen it happen in my own life where people that do not like people, all of a sudden, that was their best friend as soon as they pass away.
So that is something that is interesting to me all the time. And then another highlight was they talk about Jim Belushi passing away. And then this was like, to me, was kind of like setting up, like, red flags. They were like, john Candy was like, it’s begun. Like, what? Like, what do you mean it’s begun? He’s like, yep, they’re coming after the fat comedic drunks that like. Like to have a good time out there because Belushi passed away. And I Was like, you know, you could just stop and then they talk, like, where he’s trying to kind of like lose weight and get into shape and.
And really look his best because he’s starting to pick up roles. He’s starting to get like, you know, he got Planes, Trains and Automobiles. He’s. He’s getting into his first films where that, I think Planes, Trans and Automobiles. One of his first feature, like, where he stood out, like, because he had some characters. Because I think a lot of people don’t know. That’s why it was good to see this SCTV that you take in these characters that you’ve built and now you’re putting them into actual roles where they did like, as far as like the Wally world security of vacation, where they’re like, oh, he had this character on sctv.
We took it from that and just kind of like, you know, played with it a little bit and they already knew what he could do. And that really made him a household name. Yeah, the SCTV was one of the highlights for me because I hadn’t seen a lot of those old skits and I feel like we only got a few little clips. You could probably go back and re. Watch some episodes and probably worth checking out. Yeah, I’m actually downloading them. That’s what I’m trying to do is download them. Because I, I agree. The same thing where I’m like, oh, well, this is.
This is gonna be cool, man. Like, this is probably raw. And again, maybe not to today’s standards, but it looked pretty edgy, especially for the times and even could compete with now. And I think the, the other part of this movie too, it just kind of slowly holds your hand and walks you through all his major movies and even goes on to show a lot of the interviews that he’s on on TV where people are talking about his roles and they start making a lot of the. The different correlations between struggling with the fat man comedy and that.
One of the very earliest ones where they’re talking about Laurel and Hardy and they’re like, oh, yeah, it was funny because, you know, every joke was just about how he couldn’t fit through a door, how he was fat or. And that John Candy really elevated that. But then he’s immediately. His cast and roles. Like, I think Stripes was a second big movie, and that one was really just him talking about how he was like a big old tub of lard. Right. That was like, kind of like the, the jokes that they keep perpetuating. So. And I.
And I’m Surprised I didn’t bring up Chris Farley, because if you see any Chris Farley documentaries, that’s another trajectory that he was on where it’s like, yeah, he elevated it. But anytime a new writer came on, or anytime SNL or I guess SCTV is just struggling to write a skit that they need another three or four minutes to, like, bridge something together, you know, a writer is just gonna be like, yeah, we got a fat guy. So that was a big thing. And then all of a sudden, he’s getting asked all kinds of questions about, like, how much he weighs or if he’s gonna lose weight or gain weight on, you know, these talk shows and how he’s kind of, like, dealing with some of those, and he’s pretending like it.
It doesn’t matter to him. He’s like, yeah, no, I don’t. I don’t really care. I don’t care at all. But then secretly, he’s constantly thinking about how his dad died of a heart attack. And then I guess, like, his entire family all kind of died of heart attacks, essentially. And then when Jim Belushi died, like you mentioned, then, now he starts taking it serious. And I think at one point he said that he was like, 370 something around there, and. And then he lost 100 from that point. So he got down to, like, 270. But I think that only lasted for a small, brief moment in time, and then it, like, slowly started inching back up again, and he just turned into, like, the big John Candy that everyone knows going forward.
Yeah. And. And you could see, like. Because in one of the interviews, the lady is like, well, if you lost weight and you, like, pretty much look like one of these Hollywood, you know, Brad Pitt. She didn’t say Brad P. At the time. Wasn’t. She was calling him a hunk, though. She was like, you’re quite a handsome man if you lost weight. You know, it was like, you could be a leading, like, action star. That was what she was implying. And he. And he was kind of like, ah, you know, it doesn’t. It doesn’t matter to me.
But you could see in his face that it did irk him because they show multiple interviews where they just keep like, so how’s it being fat? Like, you know what I mean? Like, well, yeah, you can see the energy get sucked out of him because he’d come in ready to. To be funny and riffing, and then someone would throw that question at him, and you’d see him just, like, sink a little bit. And then now all of a sudden, it’s not a fun interview. And one of the big movies that got him more recognition was Splash with Tom Hanks.
The. Where he’s in love with a mermaid, right? Like, I didn’t even remember he was in that, honestly. Yeah, he was. And he played. He played a pretty good role. I. I thought the one interesting part to go back to, the plane, Trains and Automobiles as well, is where they’re talking about the scene where he’s, like, getting berated by Steve Martin’s character. And he’s. They’re like that. That’s where they actually get the title of the movie where he’s like, my wife likes me. My. My people like me. My clients like me. Were. That’s like. They were saying that was a real moment, right? And.
And I didn’t realize. And then they kind of go back towards the end of it. Like, you see, like, in Deadpool and a couple other. There’s a lot of people that have paid homage to that. So it’s. It is like, in circles of writers and in comedy, that’s a huge scene for people. And it was a different type of character because, like, John Candy and Chris Farley, as far as fat guys, right? Me and my brother discussed about this while I was watching this documentary. I was like, look, man, they are different because Chris Farley is more slapstick.
I’m gonna just fall through a table, tumble down. Like, typical fat guy humor. Candy did have range, right? Like, he did have real character range where he can do different types again. But being fat is just funny to people. It’s like, if you’re short, like in fat, like, it’s. You can’t get around it, man. Like, they’re like, hey, man, we got this real funny. You want to eat a lot. Like, you know what I mean? Just eat a lot of stuff. But he did still become a huge star, because then you got Home Alone, you got Uncle Buck, I think, like, his last.
This is one thing I found. Now, Canadian Bacon is technically his last movie, right? But they were saying the movie he was filming, this is where I’m gonna get a little conspiratorial. Well, it depends on when the movie came out versus when it was shot. Just because it was shot first doesn’t mean it also comes out first. Yeah. So it came. Canadian Bacon came out last, but what. The last thing he shot was Wagons east, right? And then it wasn’t Chris Farley. Chris Farley’s last movie was Amongst Heroes. So that. And then technically, Chris Farley’s last movie was Dirty Work, Right.
But the last one he was filming was Almost Heroes, which is also a Western, like, you know, journeying through. And then wack. I don’t know. Fat guys doing westerns and comedy. I would just watch out, man. If that’s like. If you’re pretty heavy and you’re drinking a lot, you. And then you start doing, like, a western comedy and you’re a fat guy, I would just watch my back. That’s all I’m saying. I don’t know what it is. I don’t know if it’s the Illuminati or. Or the Masons who’s going after the funny fat guys, but someone’s going out there, they’re making them drink a lot and do a lot of cocaine and eat a lot of food, and that destroys them.
And it’s something to do with the western cinema angle. Yeah, that’s where they’re hiding. Towards the end, like, I. They didn’t go too, like, they start talking about how, you know, he got a lot of success and a lot of fame and how he was dealing with it and how we were talking about. He’s worried about the fat part. And then they get into, hey, he buys a football team in the Canadian Football League. And then you start to find out, because then they start leaking out a little. Well, he kind of drank a little bit, right? They.
They dabbled through the film. Like, he drinks and smokes. But they didn’t emphasize until towards the end where they’re like, yeah, you know, he was partying, man. He was partying pretty hard. And then that last couple years, you’re like, oh, this dude was, like, partying on a crazy one, and he’s like, what, in his early 40s? And, like, about my agent, but he’s going from place to place. They were, like, shutting down bars. They were like, yeah, at one point, he’s at a bar with Jack Nicholas, and they’re like, well, I can’t leave. I’m with Jack Nicholas.
And then they shut the bar down, and they’re there for, like, eight hours drinking or something until Jack Nicholson, which is even crazier. Yeah, it was just even crazier. It. It’s something that, like, you could see that. Okay, so they didn’t want to put this right away, because I know they want to blame it, but it sounded like he had a drinking problem, obviously. And just to throw out, too, that I. There were skits of him from SCTV and some other ones where, you know, they’re doing like fake cocaine and stuff for like a skit. But I think that was also fairly well known is that he was also doing coke.
And, and I think maybe one person mentions that, but it, the documentary never really goes beyond the one person mentioning it. So I feel like there, there was like a little gap there. And I understand that because clearly the documentary is put together by his friends and it’s featuring his own son. And it’s, it’s really just like we want to pay homage to this one guy that, that was a positive inspiration in our lives. So they really don’t go into that. And except for that horrible, horrible skit at the very beginning with Bill Murray where he’s saying that, like, wait, he care.
It’s like when someone asks you, what’s your biggest flaw? You’re like, I just care too much. I work too hard, you know? Yeah. And they, they, they kind of dance around his addictions. They kind of talked more if it was like a food addiction. But I think like, he was partying hard. I mean, he had a football team and they won a championship. And I think him being a football guy and then he just really got wrapped up in all that. And then the Hollywood pressures, I’m sure it’s like tough because they were talking about how people are like, God, stay fat, man.
Hey, man, losing a little bit too much weight, man. And then he’s like in his head, like, I’m gonna die from a heart attack. But I also got to stay fat to, to get these roles. So it was interesting. And then he grew out that beard, which he never had a beard prior to that. You know, he was always like a baby face kind of guy in the western. So, like that the beard was for the western. And then, spoiler alert, unfortunately, he passes away and then they kind of go through his eulogy and wrap up everything.
Hidden Treasures and overboard moments. What do you got on Hidden Treasures? All the original SCTV footage that I hadn’t seen before that. Now it’s, it’s just at least a little bookmark or like a rabbit hole. I can go down and watch some older John Candy classic stuff. And I guess overall, if you really like John Candy, then you’ll probably like just watching this because you get a lot of his best clips, you get some insight, you get a lot of behind the scenes footage, you get to find out about a lot of other comedians that he helped influence that you wouldn’t have known about.
So, like, again, if, if you like John Candy, the entire movie is a hidden treasure. I Agree. Like the Hidden Treasure for me, especially the sctv, because I didn’t really know about that. And you get to see some of these sketches where, where it kind of sucks you in that you want to go see more of it. And I guess you could see it on YouTube. There’s a lot of people that have been uploading them to YouTube and Plex and stuff like that. I also think what’s part of the overboard moments, because the, the Hidden Treasure is the John Candy parts where you get to actually see the clips.
And the fun part, some of the overboard moments for me was just it stretched out too long. And I get it’s a memorial. But sometimes, like, you’re like, okay, for me, I don’t care as much to like, emphasize his whole childhood. I know what you’re trying to do and you’re trying to pitch to me, like, he’s a great guy. I don’t know John Candy. I never will know John Candy. I just like his movies and his comedy is good to me. But I, like, I’m not big on like the whole, like, this is what happened to his family and stuff.
Like, so to me it could have been shorter, but that’s just my own preference. I think I always want them to be shorter. It was, it was more of a eulogy in that regard. Right. Like, it didn’t seem like it was a documentary made for an audience. It was like a documentary to be a thing that, you know, memorializes John Candy. It had that kind of a feel to it. And I guess I gotta make a new term up instead of an overboard. It’s maybe like an underboard moment or, or like, like they didn’t go deep enough is that we really didn’t get into the final days.
And. And also just the drug use, right. It was danced around. They mentioned it a couple times. And. And I’m not saying that that needed to be in there, but if you’re even going to bring it up and show a little clip, if you’re going to solicit a laugh and entertain me out of him pretending to do a giant mountain of cocaine and then he dies of a heart attack while he’s partying and you don’t mention that that was part of the issue. I mean, because that was also, again, like, I hate to bring up the correlation.
Chris Farley goes out in a very similar way, right? That like, he ends up checking into rehab and, and struggling with that. And that becomes like the ending part of his life. And if for that correlation not to have been Brought up. It almost seems like they intentionally didn’t mention that exact link. So it could have been way deeper. But I understand for what it was. If we’re talking about this was a memoriam, this was a eulogy. This was, you know, like, the best way to remember someone. Then I, I understand it, but for me, it was underboard moment.
Yeah. Because they even mentioned that all they really mentioned about him passing again, it’s the friends and family doing it. I get it, too. To memorialize him. And they don’t want to, like, put bad things out there of him, but they’re like, yeah, he was just holding the Bible and we found him. And I’m like, whoa, this is interesting. Like, what do you mean? You just found him with the Bible open in his hands? Like, what was he doing? But they just kind of glance over that and they go, okay, and this is what we did after that.
And I’m like, whoa. That’s the part that kind of got interesting to me. And if you look in the Wikipedia for John Candy, it says that he died in his sleep. So there, there’s a slight. I mean, I guess I’m going to go with what the documentary says over with. Wikipedia says, but if he died with the Bible open in front of him, that doesn’t sound like someone that died in their sleeve. It sounds like someone that knew that they were about to die, maybe, and they opened up a Bible for some kind of a comfort, like to go.
Maybe to go out and be like, hey, by the way, yo, God, by the way. Because he was raised Catholic, right. So it’s like, hey, by the way, I’m sorry for everything. I still believe in you. I still love you. Then you get a fast pass to heaven. Otherwise, if you forget to do that and then you die and you’ve got, you know, sins on your soul, then maybe you. You don’t get a fast pass. It’s about that time. Sink or swim. I love John Candy, man. And I. I loved watching this movie because it let me watch more John Candy.
But I got to give it a sink because I didn’t really learn anything spectacular other than he was in another series that I hadn’t seen that’s worth watching sctv. But other than that, I didn’t really feel like I walked away with some kind of new insight. And if, if I were to suggest, if I was like, hey, Sean, I know that you don’t watch any documentaries. You maybe watch like one or two a year. This has got to be one that you watch. You’d watch it and be like, all right, yeah, sure, I like John Candy, but I don’t know what the big deal was, and that’s kind of how I feel about it.
So I got to give it a sink on that kind of criteria. And me, I’m a big John Candy fan as well. I thought it was incredible how they had some of the footage that I’ve never seen, you know, and then to relive, like, me, every Thanksgiving, we watch Trains, Planes and Automobiles because it’s pretty much the only, like, Thanksgiving movie, and we watch that. I also give it a sink, man. Like, because for me, I like the scenes. It’s like, that middle part is great, but, like, the sappiness is too much for me. And if you’re gonna go through the story, you got to tell me more.
You can’t just beat around the bush. Like, no, he was a great guy, which I’m sure he was. Just because he did cocaine and drank doesn’t, for me personally, is not going to make me think he’s a bad person. That just means he had different vices that he was controlled by or had, you know, what he was coping with. I just thought it was stretched out too much. I thought they should have stuck with. If they’re gonna do it that way, memorialize him, then they should have just stuck with just his body of work and just showing you that.
And I would have gave it a swim for that. But when you’re trying to go into his life and I’m not, the only thing I’m learning is about sctv. The only thing that’s interesting is his clips. Then that means you have, what, an hour and a half too much of movie, you know what I mean? Like, you were stretching it and it’s a sink. For me, it reminded me a little bit of the, like, VH1 style doc, like, quote unquote documentary where they just, like, go back and review their own footage and then have a bunch of people sitting in between.
And, like, and here’s what’s going on in this scene, and here’s what they said on this one. Like, obviously it’s a little bit elevated from that because these are actual people that, like, here’s a clip of John Candy with these people, and now here’s them talking about him, you know, current day. So it’s not just like a random outside observer schmo making commentary, but it’s. It’s still cut that way and it’s still mostly other people. If you were to add up all the Time that you see John Candy on the screen and all the time you see other people on the screen.
I’d say that he’d probably be a much smaller ratio to even one other person on there. Don’t forget to go to paranoidamerican.com get all your comic book needs. Go to killthemocking birds.com stay up to Bay with the disinformation section. Like subscribe and share the show. Thank you again for another episode of under the Docks. That’s it for us. Peace. Under the docks. Yeah, under the docks. Buried deeper. We’re breaking the locks. Under the docks. Under the docks. Yeah, under the docks. Ready for a cosmic conspiracy about Stanley Kubrick, moon landings and the CIA? Go visit NASA comic.com nec.com CIA’s biggest com Stanley Kubrick put us on this.
While we’re singing this song on nascomic.com go visit NASA comic.com go visit nasacomic.com. Yeah go visit nasocomic.com CIA’s biggest con Stanley Kubrick put us on. That’s why we’re singing this song about NASA comic.com go visit master. Com go visit NASA comic.com yeah go visit NASA comic.com never a straight answer is a 40 page comic about Stanley Kubrick directing the Apollo space missions. Yeah. This is the perfect read for comic Kubrick or conspiracy fans of all ages. For more details visit nasacomic.com paranoid. I scribbled my life away driven the right page Will it enlight your brain give you the flight my plane paper the highs ablaze somewhat of an amazing feel when it’s real, the real you will engage it your favorite of course the lord of an arrangement I gave you the proper results to hit the pavement if they get emotional hate maybe your language a game how they playing it well without Lakers evade them whatever the cause they are to shapeshift snakes get decapitated matters the apex execution of flame you out nuclear bomb distributed at war rather gruesome for eyes to see Max mouth than I like my trees blow it off in the face you despising me for what? Though calculated and rather cut throat paranoid American must be all the blood smoke for real Lord give me your day away vacate they wait around to hate whatever they say man it’s not in the least bit we get heavy roll tape when a beat hits so thank us you’re welcome niggas for real you’re welcome they ain’t never had a deal you’re welcome man they lacking appeal you’re welcome yet they doing it.
Still, you’re welcome.
[tr:tra].
